Inadvands
Boring, over-political, tech fuzed mess
Senteur
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Ezmae Chang
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Kinley
This movie feels like it was made purely to piss off people who want good shows
TheLittleSongbird
The Falcon RKO film series is mostly very enjoyable, with both George Sanders and his brother Tom Conway who took over from him being great in the title role.Reiterating somewhat what has already been said in my previous Falcon film reviews (due to that a fair few have similar strengths and flaws), admittedly, some are better than others. For examples there are some particularly fun entries such as 'The Gay Falcon', 'A Date with the Falcon', 'The Falcon Strikes Back', 'The Falcon and the Co-eds', 'The Falcon in Hollywood' and 'The Falcon in San Francisco', while others while still very much watchable disappoint a little such 'The Falcon's Brother', 'The Falcon in Danger', 'The Falcon Out West' and 'The Falcon in Mexico'.On the most part, while not fitting among either extreme of whether among the best or weakest Falcon films, 'The Falcon's Adventure' is solid fun and works well. It is agreed that 'The Falcon's Adventure' does start off a little contrived and routine, that the ending is rushed and abrupt (not an uncommon problem in this series, due to the films being very short) and that the villains are not that memorable or interesting with little menace.Much can be recommended however. The music is lively and haunting, and on the most part the production values are slick and atmospheric with particularly nicely done photography and eye catching fashions and cars. The script is humorous, there is a good deal of atmosphere and intrigue and the story is absorbing once it gets going with bright and breezy pacing and enough twists, turns and suspense to keep the mystery diverting. Direction is competent.Conway, in his swansong performance in the title role, is dapper, suave and charismatic, uttering cutting lines with aplomb. Edward Brophy is amusing, and gives a performance not out of control or too low-key, while Madge Meredith allures in her charming if standard role. The cast generally are solid enough.In summary, Conway's swansong in the Falcon series is a good, solid one. 7/10 Bethany Cox
writers_reign
This is a typical example of the kind of film that followed a strict formula in the thirties and forties; it was obligatory that there be a 'professor' and/or 'scientist' who was so unworldly and unprepossessing that the wonder was he had ever married in the first place yet in every case he had not only married (his wife was seldom mentioned let alone seen) but sired an equally obligatory attractive/lovely/beautiful daughter, who, in the first reel, contrives to meet the lone private eye or 'hero' figure and introduce him to the 'professor' moments before the 'professor' is murdered by crooks seeking his 'formula'. In a 65 minute movie this usually leaves 60 minutes for the hero to 'solve' the case, often, though not always, coming under suspicion himself. This is probably no better and no worse than lots of others and it does have small roles for Ian Wolfe and Jason Robards Snr.
robert-temple-1
This is the thirteenth Falcon film. Tom Conway has lost none of his humour and style, and is not showing signs of getting tired. The film has a very satisfying story, with lots of red herrings, suspects, and dames. Madge Meredith is the good girl of the story, she plays it adequately but by no means sets the screen on fire. Myrna Dell is a bad girl, and she puts on an excellent face of stone, with eyes of agate, and you are just waiting for her to kill as many people as possible to cheer herself up. Edward Brophy is back as Goldie the sidekick, but surprise surprise, his manic over-acting has stopped, and he is actually under control. This is a fine tribute to the directorial skills of William A. Berke, who had done so many Westerns he probably was not prepared to take any nonsense from a Brooklyn dummy. The result is that for the first time, possibly in his career, Brophy was toned down enough actually to add something to a film rather than try the viewer's patience with the irritating behaviour of a retarded but unruly six year-old. It all goes along very well, and is thoroughly entertaining.
kees90210
This film is a fun little private eye detective story like they aren't made any more. It's all there: Tom Conway is the suave detective called The Falcon, Goldie Locke (what's in a name) is his wisecracking bumbling sidekick, Louisa Braganza is the damsel in distress, and of course there are the damsels maid, the professor with the secret formula, the bad guy that wants the formula, and the police inspector who's after The Falcon. There is a murder, and The Falcon gets implicated. The scenery is night clubs, expensive hotel rooms, a luxury train, the suburbs, and beautiful cars. Go watch this little gem when you see it pass by on afternoon TV!