A Date with the Falcon
A Date with the Falcon
NR | 16 January 1942 (USA)
A Date with the Falcon Trailers

In the second film of the series (and not a second part of anything), Gay Lawrence, aka The Falcon, is about to depart the city to marry his fiancée, Helen Reed, when a mystery girl, Rita Mara, asks for his aid in disposing of a secret formula for making synthetic diamonds. He deliberately allows himself to be kidnapped by the gang for which Rita works. His aide, "Goldy" Locke, trails the kidnappers and brings the police. But the head of the gang escapes, and the Falcon continues the pursuit.

Reviews
CommentsXp Best movie ever!
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Kinley This movie feels like it was made purely to piss off people who want good shows
dougdoepke Good lively installment in the Falcon series. Gay Lawrence (Falcon) gets mixed up with gangsters trying to take over a synthetic diamond invention. This, of course, leads to a lot of mock run-ins with the law and the crooks. Despite the programmer status, the cast is really motivated, showing more than an ordinary amount of spirit. Sanders especially is looser than I've ever seen him, even making little-kid faces at the cops. He seems to be having a good time throughout. There's also a number of good touches from director Reis— the humorously coordinated crowd scenes, the snappy dialog delivery, Goldie (Jenkins) tap-dancing his way up the sobriety line. And catch cat woman Elizabeth Russell in the very last scene, several years before scaring the pants off us in the great Val Lewton horror series. And on a more somber note, gangster Max is played by Victor Killian, himself a 1979 victim of an unsolved murder. All in all, it's a rousing little hour with the Falcon and company, sure to keep you entertained.
guenzeld It would be hard to praise too highly these "Falcon" (and "Saint") films of the 30s and 40s, for in them was contained all the enjoyable trademarks of that fine era of movie making.These films all had good writing, good directing, good acting, good photography, crisp editing and fast action. What more would you want? They also had plenty of charm and plenty of style.A DATE WITH THE FALCON is one of the best of the bunch with a neat plot and some delightful set pieces. George Sanders and Wendy Barrie are fun to watch, and to listen to, but the supporting performances of folks like the great Allen Jenkins, James Gleason and Ed Gargan are just as entertaining. RKO had always made the best "B" pictures in town and for their production values alone it would hard to fault them. And a special "hats off" must go to director Irving Reis for some extremely amusing sequences very professionally staged.Don't be put off by the one or two supercilious remarks by some of the above reviewers. Just go watch these films and have yourself a very good time doing so. You will quickly notice a brand of film-making vastly superior to what is being done today.
Michael_Elliott Date with the Falcon, A (1941) ** 1/2 (out of 4) Second film in the series has the Falcon (George Sanders) leaving on his honeymoon but at the last minute he finds himself caught up with diamond thieves. This sequel is pretty much on the same level as the first film as it contains a small group of laughs, a so-so mystery but it does go by very quickly making it a mildly entertaining film. Sanders once again is good in the role but he seems a little bored compared to the first film. Allen Jenkins isn't given as much to do, which is a shame because he comes off very good in his few scenes here.
Jim Tritten Rather lackluster entry in the George Sanders "Falcon" series. Rather than charming his fiancé, the Falcon appears to be intimidated by her - which appears to be out of character. Wendy Barrie as the fiancée spends the entire movie trying to get the Falcon to leave town on a trip -- was this an overnight trip before they were to be married? James Gleason is excellent, as always, as the police detective. Allen Jenkins is good as sidekick Goldie but appears insufficiently on screen to carry the comic side of the story. The two females (Mona Maris is characterized by the Falcon as a skinny old hag) appear on screen too much and simply do not work. The writing, music, and gowns (by Renie) are the best part of this film. Not much here to be recommended.