TeenzTen An action-packed slog

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

utgard14 The sixth and final Perry Mason film from Warner Bros. once again features cast changes. Perry is now played by a mustachioed Donald Woods, a stiff leading man that I have never been particularly fond of. The guy has the charisma of wet socks. Perry's secretary Della Street is played this time by Ann Dvorak, an actress I actually do like a lot and think she could have been bigger than she was. She's the best part of this. Playing Perry's investigator Paul Drake this time is veteran character actor Joseph Crehan. The rest of the cast features familiar faces such as Anne Nagel, Frank Faylen, Tom Kennedy, and Veda Ann Borg.The plot this time has a Bishop (supposedly from Australia but you wouldn't know it by that accent) asking Perry to help an heiress. This is the least enjoyable of the WB Perry Mason movies. It is watchable but awfully dry and routine, not helped in the least by such an uncharismatic lead. Dvorak helps, as does Tom Kennedy as comic relief. But not enough to make this anything more than a middling B detective picture that's only worth seeing once.

blanche-2 Donald Woods stars as Perry Mason in "The Case of the Stuttering Bishop," a 1937 film that also stars Ann Dvorak as a lively Della Street. Frank Faylen is also on hand to pep things up a bit. Both of them are needed, because Donald Woods isn't terribly exciting. Of the men who played Perry Mason in the films, he is perhaps the closest rendering to the actual character. But the book Perry Mason was just that - for books - and it would take Gardner himself to not only choose Raymond Burr (the original Perry Mason was supposed to be Fred MacMurray until Gardner saw Mason at an audition for Hamilton Burger) but oversee the scripts to make the translation to the moving image.The story concerns a mysterious bishop who asks Perry to help clear a woman accused of manslaughter many years earlier. From there, the story gets into mistaken identity - is a woman posing as an heiress or isn't she - and the solving of a murder. It's a very complicated plot, so pay attention. And Paul Drake is old. If you can sort it all out, you'll find it interesting. There's a little comedy to be had, which is helpful.I like watching the Perry Mason movies, if only to see the different interpretations of the various roles and the emphasis put into the stories, but in the end, it's best to forget who these characters are supposed to be - because after watching the TV show for years, none of them are. So don't expect much in that department, and you won't be disappointed.

Breck As someone who has read all 82 of the Perry Mason novels, I have to say that this is the best I've seen of the Warner Brothers Perry Mason films. Readers of Gardner's mysteries will appreciate how faithfully the screen writers were able to keep to the essentials of the original plot in this short 70 minute film.This film is far superior to the turkeys WB made with Warren William (although that's not saying much.) And Donald Woods was more like the literary Mason than Raymond Burr, who was almost fat enough by the end of the TV series to play Nero Wolfe!And, of course, there's the great 1930's atmosphere in this film, something the TV series could never hope to reproduce.

Arthur Hausner Donald Woods and Ann Dvorak were fine as Perry Mason and his secretary, Della Street, but it took me a while to get used to not seeing Raymond Burr in the Mason role. The complicated plot involves two women named Janice who claim to be the heir to the fortune of Douglas Wood, and an Australian bishop who asks Mason to see Mira McKinney, who can prove which one is the real one. But Wood is killed going to the rendezvous with McKinney, who is charged with murder. In customary Perry Mason style, there is a final courtroom scene (in this case only a hearing) where Mason flushes out the killer and the phony Janice. I enjoyed trying to follow the plot and the comedy that was prevalent. Tom Kennedy suddenly remembers an important item when he hears the name "Sampson," because it involves a ship called "Delilah." Woods always asking Dvorak to remind him to give her a raise when she gets a good idea (a running gag). Even the bishop, who explains he stutters only when under some emotional stress, provides some comedy at the end. He sheepishly stammers "g-g-goodness g-g-gracious" when three of the principal women kiss him goodbye.