Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Yash Wade Close shines in drama with strong language, adult themes.

Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

poe426 Ma (Chen Kuan Tai) settles in at a local flop house where he's befriended by a "little hillbilly" named Xiao. Ere long, our hero begins to pine for some of the better things in life- and, when he sees Tan (David Chiang) being treated like royalty, he decides that THAT's the way to go. Not unlike DUEL OF THE IRON FIST, THE BOXER FROM SHANGTUNG is a Triad movie loaded with hatchet-wielding hatchet men (led, in this case, by Ku Feng as Boss Yang). Along the way to becoming Tan's man in the area, Ma defeats a Russian wrestler. When Tan is ambushed and murdered, Ma sends Xiao packing and sets out to avenge his idol. As in many of Chang Cheh's movies, women are left sidelined watching the action (or seen leaving town, as in this case). While I've seen no trailers proudly proclaiming "No women in this one!", they might just as well have done one: Ma seems FAR more interested in Tan than the young lady who pines for him in the movie. Chang Cheh (thankfully) milks the gory finale for all it's worth (even literally bringing down the Green Lotus Teahouse, the way Jackie Chan would in THE LEGEND OF THE DRUNKEN MASTER). Another ten for Chang Cheh.

Falconeer Before the advent of DVD media, films such as Cheng Cheh's "Boxer From Shantung" could only be seen in severely butchered form, complete with laughable and awful dubbing, fair to poor picture quality, always in "pan and scan" format with a percentage of the picture chopped out, and in most cases, with the harder violence removed as well. Finally "Ma Yong Zhen" can be seen the way director Cheh envisioned his passionate "rags to riches" epic, with "epic" being a suitable word as this film is quite big in scope, and surpasses the 2 hour mark. The tale itself is a familiar one to be sure; a young, ambitious street urchin uses his unique boxing skills and mental cunning to climb the bloody ladder of success, and fortune. But this tale has rarely been filmed so eloquently. There is so much to praise here, beginning with cinematography; forget comparing this film with the endless and uninspired kung-fu pictures made through the 60's to 70's. For the look of "Ma Yong Zhen" is that of a mostly beautiful art-house style production. This can finally be seen in it's original aspect ratio of 2,35 widescreen, and the difference is hardly describable. For years apparently, this was only released widely with a running time of just over 90 minutes, but the wonderful DVD from "Celestial Pictures" restores the feature to it's 124 minute running time. The lead character, played by Chen Kuan-tai, is really superb in his role as the ambitious 'Ma'. He possesses a strange, utterly unique physical beauty which somehow elicits sympathy from the viewer. The film reminded me a bit of 1983's "Scarface", as the stories, as well as the extreme violence are similar themes within both pictures. However Chen's character never loses touch with his own humanity, unlike Tony Montana, who became a monster. And I must agree with another poster who described the feeling of "sadness" that envelops the film. Much of it is quiet, subdued, featuring some haunting, and totally unobtrusive musical score. Of course this is misleading, as the film explodes with a brand of violence hard to describe, for the films breathtaking climax. That new DVD also features the original Mandarin language audio track, and hearing the original language is the only way to see this. There are English subtitles as well. Recommended viewing for anyone curious to see a how a traditional kung-fu film can be transformed into a work of art.

The-Gent One of those films that you find in a "Everything here $1..." bin at your video store. It's dated, the video and sound quality are poor, the acting is typically sh*thouse and the storyline has been done 100 times before. But being somewhat of a fan of kung-fu films, I try to see anything no matter how bad it looks. The Boxer From Shantung is no classic of the genre, but it does provide some excitement, some innovative concepts and some of your standard Shaw Brothers kick ass action, so it can't be a complete waste. One thing that came straight to mind when I saw the 'House of Blue Leaves' chapter in Kill Bill vol. 1 was this film. The Boxer From Shantung inspired the sequence where the crazy 88s come rushing into the club through any entrance available. Admittedly though, Tarantino did it better. Also, the lead actor Kuan Tai Chen kept reminding me of Charles Bronson, he looks like him but it's mostly his mannerisms. He went on to star in many more Shaw Brothers films (see: The Flying Guillotine). 7/10 -- but only because I'm partial to kung-fu films.

Brian Camp BOXER FROM SHANTUNG (aka KILLER FROM SHANTUNG, 1972) successfully combines gangster and kung fu genres to create a compelling two-hour rags-to-riches tale of a poor drifter in early 20th century Shanghai who rises up in the local mob by virtue of his kung fu skills. Ma Yung Chen (played by Chen Kuan-Tai) so impresses the local bosses that he is quickly given his own teahouse and protection racket, yet he remains loyal to his friends, including a hapless little sidekick, and friendly to the poor. He has a run-in with another local gangster, Tan (David Chiang in an extended cameo), but they soon develop mutual respect.The kung fu comes in when Ma is confronted by rival gangster Yang, whose henchmen consist of the Four Champions. When Ma beats three of the Champions in their very first encounter, an enmity develops that finally culminates in a massive brawl at a neutral teahouse where Ma takes on dozens of Yang's thugs. In this remarkable fight scene, Ma is hit with an ax but continues to fight up and down the two stories of the building with the ax imbedded in his stomach. It's all shot in the Shaw Bros. studio and backlot in Hong Kong, with some additional work on HK locations familiar to kung fu fans.Chen Kuan-Tai (EXECUTIONERS FROM SHAOLIN) was bigger and stronger-looking than most Shaw Bros. kung fu stars and carries the right air of brute force and intimidation in what is essentially the role of a petty gangster. Yet his broad smile, outgoing manner and protective nature give his rough-hewn character a likability that attracts audience sympathy. Ma is not just a standard vengeance-seeking kung fu student forced to learn new styles to beat a more powerful opponent. He is more at loose ends, trying to find his way in the world and not necessarily on the straight and narrow path.Aside from Chen and David Chiang, the few familiar kung fu faces in the cast include Cheng Kay Yeh (as Chen's sidekick), Ku Feng (as one of the champions) and Wang Ching. Top-billed actress Ching Li co-stars as Chen's love interest, a singer in the restaurant he runs, although her role is less significant than the billing would indicate. The film was directed by kung fu specialist Chang Cheh, with Pao Hsueh Li given a co-directing credit. The action directors are an impressive lot and include Tang Chia, Liu Chia Liang (Lau Kar Leung), and Liu Chia Yung.ADDENDUM: A follow-up of sorts is the similarly-styled MAN OF IRON (1972), also reviewed on this site, which also co-stars Chen Kuan Tai and Ching Li, but gives Ms. Ching a larger, more interesting role. QUEEN BOXER (1974), also reviewed on this site, is an unofficial non-Shaw sequel to SHANTUNG and focuses on the sister of Ma Yung Chen as she arrives in Shanghai and begins a quest for vengeance. She is played by the phenomenal kung fu diva, Chia Ling (billed as Judy Lee).In December 2003, Celestial/IVL released a restored, remastered, letter-boxed, subtitled Region 3 DVD of BOXER FROM SHANTUNG. That's the one to see.