Borgarkeri
A bit overrated, but still an amazing film
DipitySkillful
an ambitious but ultimately ineffective debut endeavor.
Taha Avalos
The best films of this genre always show a path and provide a takeaway for being a better person.
bobbysing
If you can forget about any specific plot, ready to watch natural performers instead of superstars, can ignore some extreme abuses used and willing to experience something straight out of the real life of two struggling writers knocking at every promising door in Mumbai then do give this a try by making a serious effort as a must. Particularly if you are among the ones who themselves have experienced such time in the city of dreams as a writer, actor or a creative technician looking for work and your first crucial break in the film world.Cleverly shot in a different, realistic mode by the debutant director Amit Masurkar, his SULEMANI KEEDA might not be a perfect winner, but it does have that much required freshness to offer post many mediocre projects supported by all big names. Its pleasingly authentic portrayal of two struggling writers, their try at girls in a bookstore, the unlimited rounds to the homes & offices of celebrities like Amrita Rao, Mahesh Bhatt, Anil Sharma and Aditya Chopra, their attempt to write something out of the box for their eccentric rich client, falling in love, fighting with each other and then surrendering to the corrupt system ignoring their own cherished art-form, truly gives you a quite mature account of the real life lived by such artists in Mumbai looking for that one major break.With many admirably natural performances from Mayank Tewari, Naveen Kasturia and the entire supporting cast, who don't really seem to be acting, the film many a times gives you a feeling of watching something straight from the real life shot in a docu-drama style. And that's where it scores the most despite losing the grip in the middle (due to the repetitive love affair) and then becoming all predictable towards the end of its 90 minutes duration. Shot in a simple but impressive manner on all next door Mumbai locations, SULEMANI KEEDA remains a comedy throughout maintaining a fine balance between real life and its unique characters. But along with that also represents the deep pain felt by every single person who comes to the city in search of name, fame and money in big numbers.It mocks at the film industry's way of functioning much better than the recent HAPPY ENDING and THE SHAUKEENS and has an interesting soundtrack and background score too adding to the overall impact. Yet admittedly it doesn't hit that hard in the end with the fun losing out to all familiar scenes in its final 45 minutes. Moreover, targeting only the urban youth or selected audience, the film is certainly not going to be seen and enjoyed by everyone as it seems. Having said that, it still gives you a name to watch in the future of its director Masurkar, who surely has a keen observing eye on the life around.Ending on a different note, SULEMANI KEEDA might only be rated as a realistic, promising first attempt by the entire team performing well, but it definitely needs to be given a chance without any doubt. Specifically if you are film writer yourself or often write about films of the present or the past on your own blog/site as a passionate hobby. And in case you are still not convinced then sample this one line from the film saying, "Agar Filmein Bechani Hain Toh Dukandaar Ki Tarah Socho, Writer Ki Tarah Nahin!"
hridayramshenoy
An original, autobiographical portrayal of struggles so unique to anyone who dares to follow his/her dreams. 'Sulemani Keeda' is about two bumbling amateurs struggling to make a mark in the world of script-writing for Hindi cinema, their attractions and distractions, with a lot of fun and hilarity thrown in.The character portrayals are amazing and many of them are funny especially the lead actor's sidekick Mainak, Gonzo, Sweety and Nene. Masurkar has done a great job with the script and direction. The chiaroscuro of hilarity with spells of seriousness, the international influences neatly tied with 'desi' locales and deliberate kitsch with sublime poetry all blends in superbly in the yarn he has spun with words as well as with the visuals.This movie has a lot of taste and in that it is very Woody Allen - the writers' influences are from Andrei Tarkovsky; the movie collection shows 'Cinema Paradiso'; the book being casually read is on Francois Truffaut; the cat is named 'Fellini' (feliney?) and even the title of the movie, and this is my guess, is inspired by Salman Rushdie. The poetry and music in this movie is little but profound and timely. And Masurkar's muse, Mumbai, is depicted charmingly using local trains, Colaba eateries, beaches and bachelor pad apartments, right down to the last detail.A thoroughly entertaining, fresh and hilarious watch - one of the best I have seen in a long time.
tantrix_99
Sulemani Keeda is one of those rare films that needed to be created. A niche that needed to be filled. A comedy that makes you laugh, cry, wince, smile without having to resort to slapstick. A movie much needed amongst the onslaught of mindless 100-crore grossing "comedies" with item songs. The characters are real. These struggling writers could be any of the thousands of people who come to Bombay to make a living in this highly commercialized city's cinema industry. The producer's son who wants to make a movie about a story without a story but is 35 and waiting to be launched. The cute gen-next girl who quits law to do a career in photography. The censor board chief who lectures the writers to make "decent" films while staying at the farmhouse of the producer whose films he's supposed to review. The film is full of such characters you probably know in real life, and subtle yet illuminating moments that it's easy to miss them. The dialogues are sharp and witty, packing a punch at the right spots, making you laugh and ponder but never gets too serious. The soundtrack and background score are both breezy, soothing and very "indie", managing to create an atmosphere but does not overwhelm.The city is very much there in every frame yet stays in the background. Filmi-wallahs and Mumbai lovers especially will notice the city's famous hangouts and spots from Salman Khan's house to the Sewri mudflats visited for its famous flamingoes. An evocative scene is that of the lead character listening to his fortune being read from a multi-colored machine on Juhu beach offering empty neon- filled dreams much like the city it is set in.If you are used to a fast-paced, big-budget Bollywood masala movie with action, drama, item songs, big sets, stars and the usual, Sulemani Keeda is none of those things. At the end of it, it's a film--just like its fictional namesake referred to in the movie-- about a story with no story! Where the guy does not get the girl. There are no villains but real people, warts and all. There is an ending, but not necessarily happy or sad. The characters move on. Just like in life....
Mark Driscoll
A funny comedy with adult themes but without the cheapness you'd expect in some alternate movies.The chief protagonist is a decent struggling writer in Bollywood who is teamed with a typical horny male writer. Together they dream of writing the next blockbuster. The film explores the world of the struggling youth today - the social interactions at various levels and the perpetually antagonistic society which appears to suppress the artistic qualities of otherwise gifted people.The downside is that while there appears to be some pace to the story, it doesn't seem to be going anywhere - and if you want to know what this contradiction means, go ahead and watch it for yourself !Both Naveen and Aditi make for decent lead artists, with a calmly suppressed personalities in a not so volatile background.
