ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

JLRVancouver Unlike "Winchester 73", the eponymous rifle is only a bit player, as "Springfield Rifle" is about Gary Cooper's character going undercover to get the goods on a Confederate spy ring that is horse-jacking in Colorado. To do so, he volunteers to get ostensibly court-martialed for cowardice to acquire some range-cred with the horse dealer who's behind the heists with the ultimate goal of discovering the mole that is leaking information about the routes the horse conveys are taking. The opening of the film is pretty stiff as the case is made for the value of military espionage in the face of hidebound army brass who don't like the idea of soldiers serving as spies. The rest of the film follows Cooper as he infiltrates, and gradually takes over, the horse thief gang while attempting to discover their contact in the army. The plot seems unnecessarily complicated, with the price of the horses containing concealed map coordinates and the continued undercover work after Cooper has figured out everything except the identity of the mole serves primarily to set up the third act at the cost of lot of soldiers' lives. There is also a minimal and uninteresting subplot involving Cooper's wife and son who aren't in on the charade. The scenery is great and there are a few highlights (Cooper's ensuring that a nemesis won't be riding a horse anytime soon was a 'trick' I'd never seen in a Western before) but overall the movie is just a routine oater set in a Civil War backdrop.

Uriah43 Gary Cooper plays the role of "Major Lex Kearny" who is tasked with getting a desperately needed herd of horses to the Union army. On the way there he encounters a large group of raiders and rather than risk the loss of men decides to retreat and allow the raiders to have the herd. Although he was out-numbered 4 to 1, his superiors feel that he should have put up more of a fact and as a result he is tried in a court-martial for cowardice and drummed out of the service. Now,rather than divulging what happens after that and risk spoiling the movie for those who haven't seen it, I will just say that I thought that this was a good Western movie with events that don't always happen as one might expect. And while it's an entertaining film, Gary Cooper is the only actor worth mentioning as far as performances are concerned. All in all, this was a decent movie which fans of this genre will probably enjoy. Slightly above average.

Spikeopath Depending on what reviews you read of course, Springfield Rifle is either a slowly paced pot boiler or an action packed suspenser. Such is the diversity of this form of the arts, you could easily favour one or the other and nobody could really argue with you. The truth is that André De Toth's film wants to be both, but with an almost dizzying plot and a misleading title, it winds up being an over ambitious picture that doesn't quite pay off on its promise.Gary Cooper stars as Maj. Alex 'Lex' Kearney who gets himself cashiered from the army on a charge of cowardice in order to go undercover to break up a Confederate ring who are stealing horses during the civil war. But Kearney is not the only spy at work so his mission is a touch more complicated than at first thought. Not only that but he is so deep undercover his wife and son believe him to be a real coward and have therefore ostracised him. Oh and the new and war changing Springfield Rifle will have a part to play in the shenanigans.Released in the same year as Cooper was wowing genre fans in High Noon, De Toth's movie does actually feel like an attempt to cash in on the big mans star appeal. However, it should be noted that executives at Warner Brothers didn't want Cooper to play the role, fearing his wholesome image just wouldn't suit a role involving cowardice and double dallying for both parties in the war. De Toth stood by his guns and was rewarded, to my mind, by a film saving performance from Cooper. Frank Davis and Charles Marquis Warren adapt from a story written by Sloan Nibley (who is noted in the genre for his numerous work on Roy Rogers scripts), Max Steiner provides the score and Edwin B. DuPar photographs out of Lone Pine and Warner Ranch in California. The film is not shot in Technicolor {as stated by some reviewers}, it was shot in the Warnercolor process. With the result somewhat pleasing on the eye, notably the uniforms of the soldiers and the flame engulfed sequence towards the finale.The support cast are fair to middling. Lon Chaney Jr. is sadly a shadow of his former self, tho a good old dust up with Cooper raises the temperature. Phyllis Thaxter, David Brian, Paul Kelly & Philip Carey file in and say their lines. While Guinn 'Big Boy' Williams & Alan Hale Jr. deserved more screen time than they actually got. With surprises in the plot and Cooper adding some quality, Springfield Rifle is entertaining enough. But ultimately it ends up being a modest genre piece that really should have been much much better. 6/10

padutchland-1 I've heard it said that the Springfield Rifle was Warner Brothers answer to Winchester 73. That sounds plausible to me as the only reason to title the movie Springfield Rifle. Use of the rifle came in at the end of the movie but had very little to do with the rest of the film. At least in Wincester 73, Jimmy Stewart and others kept crossing the path of the titled rifle. Winchester was a better movie all around. Still, Springfield Rifle is well worth seeing if you are a fan, like me, of the old Westerns of the 1950s. In this one, Gary Cooper gets himself dishonorably discharged from the US Army for running from the enemy. I'm not going to tell you the why, who or how of it as I don't want to spoil any of the plot for you. Some things I can mention is that Coop is hired by the horse thieves who are outsmarting the military at every turn. His idea is to get the goods on who is doing the stealing and tipping off the "bad guys." He learns that they are in cahoots with the Confederate Cavalry to deny horses to the Union troops. Enough said on that count so that you can enjoy the movie without knowing what is coming up. Cast wise it was an interesting mix with some old hands to add their know-how. Coop was his usual self but he was showing his age and health at about 51 years old. This came out later, the same year as High Noon and he was starting to look a little rough in that too. But High Noon was his comeback picture after declining from his peak years. In Springfield Rifle, Phyllis Thaxter played the role she was usually saddled with, the wife of the male star. She did a good job with a role that didn't have much meat on it. You may remember her playing the wife of Glen Ford and adopted mother of the first Christopher Reeve Superman. I remember her outstanding job as Van Johnson's wife in 30 Seconds Over Tokyo. In Springfield Rifle she spills the beans and gets several people killed, but everyone is kind enough not to mention it. David Brian was smooth as a leader of the rustlers and Philip Carey was his usual self as a Union captain openly hostile to Cooper's part as Lex Kearney. Carey played his part well as you would never guess that.... oops, you will have to watch it to find out. Paul Kelly was the CO of the fort and added his long time experience as a supporting actor to the story. Did you know he spent 2 years in San Quentin for beating someone to death? Wow! Anyway, that brings us to a couple of interesting parts. One of the "jayhawkers" was played by Lon Chaney, Jr. He did an admirable job as always and the poor guy never seemed to get the roles he deserved. He was always in his father's shadow. One of the Confederate soldiers I knew instantly. Who wouldn't know him if you were a fan of Davy Crockett, King of the Wild Frontier. Yep, Fess Parker himself was a member of the CSA band who were buying the horses and assisting the jay-hawker horse rustlers. He had a few speaking parts in it and was likable even as a horse thief. This is another sad case of someone being denied better parts. Poor Fess had a hard time breaking the type casting as Davy Crockett and later as Daniel Boone on TV. Guess sometimes you can do too good of a job. It was also nice to see the familiar faces of Guinn "Big Boy Williams, Alan Hale, Jr. (Skipper from Gilligan), Martin Milner (Route 66, Kent Family Chronicles) and James Brown (Lt. Rip Masters of Rin Tin Tin). Kearney's son was played by Michael Chapin and although he didn't make it big in show biz, you may remember his sister Lauren as Kitten on Father Knows Best. For a movie that didn't really become a classic, it was fun to watch and loaded many actors whose talent was never fully utilized by the studios. I don't think the movie won any major awards, and frankly shouldn't have. Still, it is great 1950's shoot-em-up cavalry action and worth the time to watch. If you get the chance, and you like Westerns, be sure to enjoy it.