Son of Saul
Son of Saul
R | 18 December 2015 (USA)
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In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son, seeking to give him a proper jewish burial.

Reviews
Matcollis This Movie Can Only Be Described With One Word.
Dorathen Better Late Then Never
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
nepeta I found this film offensive. In a concentration camp where people were being sent to the gas chambers a guy will focus his efforts in burying a corpse and risking his life and other people's lives to achieve his goal. Meanwhile other prisoners are busy with an escape plan and he spoils part of the plan because of his stupid obsession. In his situation his priorities should be: stay alive, escape and help to save other people's lives but his aim was to bury a cadaver only because of his stupid beliefs.
krocheav It's not easy to write a critique for a movie of this type – on one hand, it's a brave attempt to portray the almost unbelievable of horrors that were perpetuated by a regime - claiming to be superior in all the arts - putting themselves above any other race - a race setting themselves up to be the most powerful nation on earth. Perhaps, it was this very pomposity that assured them of an ultimate fall from grace (as with the Romans). This movie however, is approached in such a claustrophobic photographic manner - with a tendency to imitate Kubrick. As with Kubrick's insistence on having overlong stylistic shots, where a camera would endlessly follow behind his subject in an attempt to pad out scenes with limited content. This technique when overused ultimately stretches the interest to snapping point. When will new movie makers stop imitating and form their own style - does everyone have to be the new Kubrick? The same technique eventually killed Kubrick's later works as he lost focus on his stories (that got weaker) to concentrate on their superficial 'style'.Hungarian writer/director Laszlo Nemes, has a penchant for horror and certainly crammed much of this into his nightmarish vision of life as an inmate, working in a Nazi death camp - hideously forced to witness and assist with the repugnant gassing murders of his own people. Maybe it would have been far more effective had he just got on with telling his shocking story in a time frame that held the audience's attention. As is, 'Saul' leaves the viewer exhausted, wanting to fast forward to a resolve and escape the unrelenting photographic style. Much of the story is good but treated in an inhibiting way, making it a questionable award winner - with 1hr 47mins being far too long for the restrictive treatment of its subject. Low budget movie makers use this hand-held camera technique because it's cheap but there's still a lot to be said for some involving conventional sweep!
meeza The Oscar-winning Hungarian Holocaust movie "Son of Saul" has received a bountiful of critical and award love. I don't wanna sound like a sour grape, but this sour movie did not move me at all; you want more Saul on your entertainment taste, "Better Call Saul" instead. In all seriousness, "Son of Saul" stars Geza Rohrig as Saul, a 1944 Auschwitz Jewish prisoner who is forced to burn corpses of his own people. Saul is presented with a dilemma when he sees his son is in the group next in line to be incinerated. Saul then goes on a conquest for his son not to be one of them. He takes heavy risks, connives his allies, all the works really for his son not to be put in flames. Director Lazlo Nemes shoots the picture in close proximity with the lead character, which I found it to be very irritating instead of capturing. I was trying to be Finding Nemes in Nemes' chronological work, but it seems this was his first real picture; and it showed. I am sorry to say nothing struck me profoundly in "Son of Saul"; not the directing, the writing, nor the acting. And yes, I do think it's extremely overrated. But maybe, me who is the Son of Jose (dad's name) just did not see "Son of Saul" the way others did. ** Needs Improvement
Carlos Solis Vega As the title says, do not fall for the apparently high rating of this movie.I'm sorry to say it but this movie is boring from the beginning to the end, and I'm not talking about art or cinema techniques or whatever, I am just giving my opinion on what the movie meant for me.The story makes no sense at all since the task Saul is performing doesn't correspond to the human nature. Who in a similar situation would prevail the correct disposal of a dead body over his/her own survival? Nobody, that is simple.Another kind of "annoying" detail is the visual perspective of the movie, it is uncomfortable to follow the story in that way because almost everything (except the main character) is out of focus.I wouldn't recommend to watch it.