Phonearl Good start, but then it gets ruined

Spoonixel Amateur movie with Big budget

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Staci Frederick Blistering performances.

Boba_Fett1138 This is one rather odd but also yet somewhat enjoyable '70's flick.Main problem I had with this movie was it's incredibly simplistic story about an escaped convict (Oliver Reed) getting revenge on his wife (Jill St. John) after she cheated on him with another man and got herself pregnant while he was in jail. It's an unlikely as well as an uninteresting main story-line that just never really gets of the ground, also since the movie at times suffer from some pacing problems. Some sequences in the movie just last too long, for instance such as the escape sequences that could had been wrapped up in 5-10 minutes but instead they really take their time for it and it last about twice as long.The movie gets filled with some unlikely elements and silly plot twists in the end. It doesn't really help to make this movie a better watch and even makes this a totally bad and embarrassing movie to watch at times.But it's a typical '70's flick, with typical '70's elements in it, which means that it has some redeeming qualities. '70's movies are always just something more special to watch. This movie does feature some good experimental camera-work at times and has a gritty straight-forward kind of approach and atmosphere, which is also real typical for a British '70's gangster-flick. The movie is at its best when it features some action in it. Not that it's anything too big and spectacular but it gets simply brought well to the screen.Somethings it feels like watching the movie as if like halve of the scripted sequences didn't got filmed, which is also probably true, due to most likely budgeting reasons. This is an obviously cheaply made movie and it also shouldn't had cost too much money to make it. Some scenes don't always flow well because you have the sense that there simply was not enough editing material to work with. This also causes the movie to make some sudden jumps at times.But oh well, at least it still has Oliver Reed in it, which also somewhat uplifts the movie. Not that he plays the best role out of his career or anything but it's enough to still keep this a still somewhat enjoyable watch. The movie also features Jill St. John right after her Bond girl role in the movie "Diamonds Are Forever". She never really has been my favorite Bond girl though...Odd little '70's flick that is still somewhat watchable, thanks to its redeeming, typical '70's, qualities.5/10http://bobafett1138.blogspot.com/

jamesraeburn2003 Convicted murderer Harry Lomart (Oliver Reed) escapes from prison with cell mate Birdie Williams (Ian McShane) in order to kill his wife (Jill St John) who has been unfaithful and has got herself pregnant in the process. Lomart also uses the opportunity to settle old scores with figures from London's underworld who grassed on him before skipping the country with £200,000 he has hidden away in an abandoned movie house. But, who is Pat's new lover and is he closer to Lomart than he actually realises?Violent and brutal crime drama in the wake of Get Carter (1971) and, while it cannot even hope to match the quality of that seminal movie, it benefits from the direction of Douglas Hickox who manages to stage some exciting action scenes and makes maximum uses of the locations including around the Clapham area of London and the prison scenes (shot in two Irish jails) creating a genuine sense of realism and add to the hard hitting action sequences. Films like this make one regret that the director's talents were not used more consistently in the British cinema. The script by Alexander Jacobs is at times difficult to follow but the cast of British TV regulars such as Edward Woodward, Ian McShane. Frank Finlay, Mike Pratt and Freddie Jones also contribute to the enjoyment of this meaty but underrated thriller. Reed is totally convincing as the escaped convict alternating between outright thuggery and a softer and more compassionate side to his character while Jill St John, the imported American leading lady who is best known for her role in the Bond movie Diamonds Are Forever, is only moderately effective in her part.

gridoon Oliver Reed is the main reason to see this film. He has a role that suits him perfectly - a man almost obsessively bent on killing his wife - and he brings some real brute force into it. The film also has some stylishly directed scenes and good photography, but the plot is just the old "scummy characters rip each other off" routine. (**)

Renaldo Matlin A dramatic story of revenge and doublecrossing, as a criminal breaks out of jail and set out to kill his cheating wife. Just an appetizer for that great Michael Caine-thriller "Get Carter"(1971) from which it seems inspired. Not surprisingly -like "Carter"- in the end no one seem to win, reminding us on that old saying about digging your own grave. But it does have it's moments; like the escape scene, the biker cops and the laundry, and the car wrecking scene. A fine cast as well, including Edward Woodward as the cop out to protect St.John from Reed's wrath.