ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Hayleigh Joseph This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

John Doe Very real look into London and the drug culture. Enjoyable watch, particularly considering the low budget! Riz Ahmet is fantastic and you can see why he went on to have such a fantastic career. Writer/Director Eran Creevy's little gem. I am looking forward to seeing his latest project after being left slightly underwhelmed by 'Welcome to the punch'.

gradyharp This little gritty film, written and directed by Eran Creevy, is being cleverly marketed for release in the US by Breaking Glass Pictures as a prescription form for drugs and nothing could be more appropriate for a film that examines the intricate manner drugs such as cocaine, crack, etc have on little sectors of England: here, instead of London, the story is set in a seedy East London/Essex border country where drugs seem to affect everyone in one way or the other.A bright, well-schooled Muslim lad named Shifty (Riz Ahmed, in a very fine performance) who lives with his straight mature brother Rez (Nitin Ganatra) who only tries to keep his Muslim family together. Shifty is a young crack cocaine dealer with a regular clientèle - a addicted building site worker Trevor (Jay Simpson) married to a disillusioned wife (who thought he had given up drugs) with three kids, a crack smoking old lady Valerie (Francesca Annis) in her familiar looking flat, framed photograph of a daughter, grand daughter on the mantle. etc. Shifty sees his life quickly spiral out of control when his best friend Chris (Daniel Mays) returns home after an absence of several years due to a dark secret that we only learn about at film's end. Stalked by a customer desperate to score at all costs, and with his family about to turn their back on him for good, Shifty must out-run and out-smart a rival drug dealer Glen (Jason Flemyng) intent on setting him up for a big fall. As his long time friend Chris, confronts the dark past he left behind him (nightmares abound!), Shifty is forced to face up to the violent future he's hurtling towards. And oddly it is the presence of Chris that finally, after years of remorse over a bad decision, is there for Shifty.Much of what makes this little film work so well is the writer/director's decision to make this a series of character studies than a series of mayhem scenes. Yes, there are brutal scenes that represent the drug world as it functions on all levels, but in the final analysis it is the story of the people reacting to the drug culture - dealers, family, druggies, victims, friends, and children of all these. It is a very potent little film. The only disadvantage is that there (at this time) are no subtitles, and the various forms of English accents are at times not understandable. This is a powerful little film that delves more deeply than other films about the drug culture and its impact on society. Grady Harp,

colinmetcalfe Yes, a good film, and for one made for a £100 grand a hell of an achievement. The performances were good to excellent (the Trevor character in particular was particularly convincing). I like the fact the film makers had not resorted to simplistic visuals to get the message across. For example the estate where they lived looked pretty nice and yet even with the sunshine you still felt this story was right there.My only reservations are I didn't consider the banter was as convincing as everybody seems to think it was. But mainly it was the subject matter. Guns, gangsters, drugs, family conflict here we go again. Apparently, the original script focused on the dealer and his customers and that would have suited me more. But if you get the chance to see it - well worth a look.

GrahamEngland While a subject that is quite familiar to low budget UK films, 'Shifty' is better than most.The tiny budget may have made too much flashiness impossible, the film is all the better for it. Since it gives a more realistic touch and lets the characters develop.The film does was it sets out to do well, 24 hours in the life of a drug dealer (who unlike the usual stereotype had choices due to his good education and once supportive family). His limited world is upturned by an old friend returning to town after 4 years, after an event, not revealed until late in the film, though he has plenty of other problems looming.Well shot, good characters, good script and it kept me interested from start to finish with some very good moments within a tight narrative.Plenty of similar films in this genre deliver less than they promise, 'Shifty' on the other hand, to quote a well known advert in the UK 'Does What It Says On The Tin'. And does it very well. Recommended.