Diagonaldi Very well executed

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Michael_Elliott She Done Him Wrong (1933) *** (out of 4) Set during the "Gay Ninetiest," Mae West stars as Lady Lou, a nightclub singer who pretty much seduces and vamps over any man that enters the club. Since she has her pick of the litter she sets her sights on the handsome Captain Cummings (Cary Grant).To say SHE DONE HIM WRONG was 100% Mae West would be an understatement. The actress was a smash on Broadway and her sexual act was quite legendary even during a time when that type of thing wasn't always wanted or allowed. Her stage play was attempted to get on the big screen for a couple years before this film finally did it even though it had to be watered down some. With that said, there's still plenty of sexuality on display here, although you can't help but think this is one of the films that helped eventually bring on the Production Code.As far as the film goes, it was a smash when it was originally released and it even got a Best Picture Oscar nomination. Watching it today the film is obviously not as strong but at the same time you can't help but watch it and just imagine how people must have felt about it in 1933. The main reason to watch this is of course for the performance of West who is pretty much playing herself. The over-the-top, heated sexuality is actually a lot of fun to watch. You know, I've never found her to be an "attractive" woman but the way she forces her sexuality is just something that works.The supporting cast is quite good including Grant in another early role where he's pretty much playing that good looking guy that's the object of the main characters affection. Owen Moore, Noah Beery, Sr. and Gilbert Roland are all good as well. The screenplay is another plus or at least the dialogue spoken by West is. She gets a couple classic lines and her delivery is certainly a plus. With that said, the story itself is pretty hit and miss but the 66-minute running time does fly by.

bigverybadtom This movie is known for Mae West having said the (often-misquoted) line, "Why don't you come up sometime and see me? I'm home every evening." It even won the award known as "Outstanding Production" for 1933, and it supposedly prompted the Hays Commission to crack down on movie standards.Based on the stage play "Diamond Lil", West plays the girlfriend of a criminal bar owner who has bought her expensive diamonds, but she has cheated on him with a variety of other men. One of them is none other than an undercover policeman who is after said bar owner.The movie had good potential for comedy or drama, but realizes neither. It is instead dull, and Mae West proved to be a weak performer and an even worse singer. Presumably she was more famous for being rebellious than for her talent.

utgard14 In 1890s New York, saloon singer Lady Lou (Mae West) is attracted to a reformer (Cary Grant) while dealing with many suitors and a psychotic escaped convict (a memorably creepy Owen Moore). This is often called Mae West's best movie. It's a vanity project full of people complimenting her. If there was even the slightest hint West was poking fun at herself I would like this much more. As it is, it's a watchable but pedestrian comedy. Mae spouts one-liners and oozes what I think is supposed to be sex appeal. If you find her attractive, more power to you. Some of her lines are amusing. Mae sings a few songs but they're terrible. Her voice, or lack thereof, is the pits. Obviously she has a lot of fans so this will hold more appeal for them than it did for me. One of Cary Grant's earliest big roles. Also a very weird performance from Owen Moore. Worth seeing to check off your list if you're a film buff.

GManfred Readers might wonder what I'm referring to - the movie or Mae West. "She Done Him Wrong" is a Mae West product from start to finish, as she has all the best lines and steals every scene she's in. Plus, she's here recreating her Broadway stage success and even gets a writing credit on the picture. As everyone has noted, this was the movie that made Cary Grant a star, and the scenes where the two are on screen together are the best in the picture. On hand are several familiar old faces, including Noah Beery, Sr. and David Landau. The picture won an AA nomination for Best Picture, remarkable in itself as this is an audacious movie for its time.I thought that some of the acting was forced and unnatural, whether by accident or on purpose. The most egregious overactor was Owen Moore, who plays Mae's old flame who has 'taken the rap' for her and wants her to wait for him to be released. But Mae is the whole show and does some scenery-chewing herself. Her act is dated and exaggerated but is fascinating to watch.