Claysaba Excellent, Without a doubt!!

CommentsXp Best movie ever!

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Julia Arsenault (ja_kitty_71) Here's one of my favorite Mickey cartoons from 1934. As I said a few times, I am quite terribly particular about that - a favorite cartoon short from a particular year. In the story, Mickey and Minnie were captured by Pete and his band of pirates. When Pete was making advance at Minnie, Mickey breaks free from his bonds and duels with the pirate captain. That's I'll tell you. Watch and see how it ends.I really love this cartoon. Though I did found it odd that Mickey and Minnie didn't have any dialogue, except for Pete and his pirate crew; Minnie did scream too. The funniest part is when a pirate repetitively sings "The captain's got a girl" in a falsetto voice.

Robert Reynolds This is a Mickey Mouse cartoon produced by the Disney studio. There will be spoilers ahead:This is a rousing short with pirates, kidnapping, a damsel in distress and heroism on the briny deep. The short begins with a pirate crew singing while they work. They move from singing about life on board ships to "The captain's got a girl!" repeated ad nauseam, with a caricature of a sailor prancing around waving a lace hankie and singing in a falsetto for good measure. It is during this that we learn that the captain is Pegleg Pete, who orders the crew to go below decks.We then see inside the cabin that Mickey and Minnie are captives, tied up and at Pete's "mercy". Pete only has eyes for (and designs on) Minnie, which allows Mickey time to get loose and come to her rescue. There are some really good animated sequences in here, with the best bit of business having to do with an unexpected and problematic addition to Pete's pegged leg. This creates all sorts of problems and situations for Pete and leads to some very good gags.The crew is drawn by the commotion and proves wholly inadequate to the task of subduing one mouse, but then, this is a Mickey Mouse short, after all, so it couldn't really be otherwise. Mickey wins the day and saves his lady fair, who actually acquits herself rather well in her own defense. The ending is rather sweet and charming.This short is available on the Disney Treasures Mickey Mouse In Black and White, Volume Two. Both the set and the short are well worth finding. Most recommended.

MissSimonetta Shanghaied (1934) is fun as all get out. Mickey is never more entertaining than when he's the underdog action hero and that is precisely what he is here.The short wastes no time to get us into the action, starting in medias res with Mickey and Minnie tied up and at the mercy of pirate captain Pete. Just as Pete tries forcing himself on Minnie, Mickey breaks free of his ropes and the two rivals engage in a hilarious duel with gags galore. The humor is well thought out and rivals the likes of Buster Keaton and Harold Lloyd.Not particularly or groundbreaking, but Shanghaied is still tons of fun. The entertainment factor has not eroded with time.

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.Mickey & Minnie must try to escape after being SHANGHAIED by evil ship's captain Pegleg Pete & his nefarious crew.With the Mice already captive when the cartoon begins, this rollicking little black & white film wastes no time in delivering plenty of exciting action. The influences of Buster Keaton's THE NAVIGATOR (1924), Doug Fairbanks' THE BLACK PIRATE (1926) & Harold Lloyd's THE KID BROTHER (1927) are fairly apparent. Pete has never been more vile than here, forcing his foul attentions upon helpless Miss Minnie. Good thing our Mickey has never been more heroic...Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.