Bardlerx Strictly average movie

Phonearl Good start, but then it gets ruined

Spidersecu Don't Believe the Hype

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

vincentlynch-moonoi This is a darned good Western; much better than I expected. In fact, the only reason I began watching it was that I wondered if it looked like Raton Pass, which I have traveled through several times. Well, for the record, some of the exterior scenes do not look at all like the Raton area, while other exterior scenes do -- although the film was photographed on the opposite side of New Mexico.Dennis Morgan is the primary star, and despite having a background that more often involved musicals and light comedies, he does very nicely here. His role is that of the son of a rancher who owns a massive spread. The female lead is Patricia Neal, who is excellent as a power hungry woman who ends up as Morgan's wife, but then double crosses him with a railroad tycoon.Basil Ruysdael is excellent as the father of Morgan. Not exactly ruthless, but he wields his power effectively. Excellent performance; he was a reliable character actor. Steve Cochran plays the less than savory man who comes to the aide of Patricia Neal, while Scott Forbes plays "the other man". There are a number of other lesser character actors who do rather well here.As for the plot -- pretty good. You have to have a little sympathy for Patricia Neal's character -- she expected to be a partner, not a woman held down looking at magazines. So, she gets bored and takes matters into her own hands.Although this is not one of the better known Westerns, it's a good one, made at a time when Warner Brothers often did some pretty decent Westerns. Not A+, but still recommended.

bkoganbing Patricia Neal plays a chilling and evil vixen who uses and disposes men like Kleenex trying to get to the top. Among those she charms and disposes of or tries to in Raton Pass are Dennis Morgan, Basil Ruysdael, Steve Cochran, and Scott Forbes. This has fatal consequences for some of them.Father and son Basil Ruysdael and Dennis Morgan own the biggest spread around and Ruysdael is one proud and ruthless character who's not too squeamish about what he does to maintain supremacy. He's feuding with neighbor Louis Jean Heydt, but Morgan is courting daughter Dorothy Hart and the marriage may make it a happy merger of interest.That is until Neal arrives in town and she seduces Morgan away from Hart and they marry. So happy and charmed by his daughter-in-law that as a wedding present Ruysdael turns over title to the ranch to Morgan and Neal. That's when Neal really goes to work.Part of her scheme includes banker Scott Forbes and outlaw Steve Cochran. In Cochran she finally meets a man more evil than her. But she thinks she's up to him.A little more plot than usual characterizes this western and Raton Pass is definitely not for the Saturday matinée kid's trade. We do get to hear Dennis Morgan sing a song at his wedding which is always nice.But Neal is truly a malevolent creature and Cochran isn't too far behind her. They make Raton Pass some interesting viewing.

Spikeopath Raton Pass is directed by Edwin L. Marin and written by Thomas W. Blackburn and James R. Webb. It stars Dennis Morgan, Patricia Neal, Steve Cochran, Scott Forbes and Dorothy Hart. Music is by Max Steiner and cinematography by Wilfred M. Cline. Two families feuding over land either side of Raton Pass, New Mexico. Into their lives comes a beautiful seductress with manipulation and land dominance on her agenda... Well well, what a treat. Something of a rare, little known or seen Oater, Raton Pass (AKA: Canyon Pass) really takes you by surprise. From the off we can see and hear this is a very nice production, with the twin greats of Steiner and Cline working their magic. Steiner's title music is Latino flavoured and then he introduces deft character motifs for the protagonists, while Cline's crisp black and white photography holds the eyes considerably. For thirty minutes the picture simmers away like a standard "B" Western threatening to dull the senses with formulaic tedium, this is another reason why Steiner and Cline should be lauded as their work keeps you interested. But then the film completely turns, you notice that Cline's photography has suddenly shifted into film noir territory, and Neal has skillfully shifted from being the new loving wife on the block, to a complete femme fatale bitch! The plot dynamics now have a real edge, and as the smouldering Neal works her feminine whiles, this part of New Mexico territory boils away furiously until it inevitably explodes and spells doom and disappointment for some... There's some crappy back projection work that undermines the quality elsewhere and the odd character is stereotypical of some Westerns of the period, but this has much to recommend. Marin (Johnny Angel/Nocturne/Colt.45/Sugarfoot) is fluid in his direction, while Neal and noir icon Cochran hold the screen as Max and Wilfred do their stuff. Currently licensed to TCM UK and available in HD format, I would urge any noir and Western fan in the UK to take the chance to see this rare picture the next time it shows. It doesn't deserve to stay rare. 7.5/10

smski The movie is vague in my mind because I saw it 55yrs ago when it debuted here in Raton, New Mexico. I remember it was exciting; this was for a five year old. The greatest excitement came from the city activities to commemorate the occasion. This included parades, dances and parties. My present day next door neighbor, a high school student at the time, danced with Dorothy Hart---a lifetime event for him.For the benefit of civic historical programs, I am trying to track down a copy of the movie. We are a small town trying to beat the doldrums that affect many small towns in America at this time. We are trying put together a film festival focused around "The Raton Pass" and the associated history of our area---the Santa Fe Trail. We have been through what seems to be all of the normal sources to find this movie. Can anyone help with a source?