GamerTab That was an excellent one.

Matialth Good concept, poorly executed.

Stellead Don't listen to the Hype. It's awful

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Hitchcoc In this early Disney film, we have Mickey Mouse attempting to build a plane. All the hard work goes for naught as it crashes into a hundred pieces. But he soon discovers an old jalopy. He adds wings and a propeller to it and off he goes. But before takeoff, who should appear but Minnie. She is invited to fly with him, but he has only one thing on his mind. She holds her own and things play out in an amusing way.

Michael_Elliott Plane Crazy (1928)*** (out of 4)The very first Mickey Mouse film has him wanting to be like Charles Lindbergh so he builds a plane and heads out with Minnie to set a record but things don't go as planned. PLANE CRAZY is a historic short no matter what you think of the actual content but thankfully the film is a nice little gem that will manage to make you laugh and smile. This certainly isn't the greatest film ever made nor one of Disney's best but there's enough charm here to make it worth sitting through. There are many funny moments but the best has to be the sequence where Mickey wants a hug and then a kiss but Minnie just isn't having any of that. There's a great bit of animation when the plane is spinning out of control and the point of view shot is quite excellent.

John T. Ryan ORIGINALLY PLANNED AND executed as a silent, PLANE CRAZY is the true first appearance of MICKEY MOUSE. It was held back and not released along with its following installment, THE GALLOPIN' GAUCHO until the release of the revolutionary and game changing STEAMBOAT WILLIE. The latter cartoon was of course the first sound cartoon short.BEING THAT TODAY'S honored movie, PLANE CRAZY does come across as a little movie that it is torn between two worlds. In this case, it has all of the signs of the strictly visual silent; but the addition of the sound effects and dialogue (such as it is) may well be in effect an overkill of screen storytelling.THIS MAY WELL not have been as readily apparent at the time of release; owing to the fascination that was generated with all of the publicity of Mickey Mouse just talking. Furthermore, all of the animation that was made from the various studios suffered from the same malady. It would take several years of film technique evolution to "modernize" the overall look of the characters, backgrounds and rendering of the sight gags depicted in a typical outing.THE GENISES AND indeed the very reason for doing the cartoon with aviation as the subject as in PLANE CRAZY was the popularity of Charles Lindbergh's solo crossing of the Atlantic in the previous year of 1927. This is no subtle or subliminal message, as Mickey does actually display a photo of "Lucky Lindy" at the very beginning. Mickey even attempts to style his hair to look like Lindbergh's tonsorial work of art.AS FOR THE cartoon's storyline, Mick builds a plane, it crashes and immediately destructs into an impossibility of a salvation project. Undaunted, Mickey immediately converts an old, broken down jalopy into a new plane. Enter the female of the species. Minnie Mouse, making what is her real and true first appearance, presents the young aviator with a good-luck horse shoe and gets a ride in the airship as a reward.FOLLOWING MANY INFLIGHT type gags Mickey's amorous intentions are revealed and he is rejected with a slap. Minnie bails out, using her unmentionables as a makeshift parachute. Meanwhile Mickey safely crash-lands. The twosome parts the scene in less than happy and lovey-dovey relationship. Mickey pitches the horseshoe away, but it promptly returns to catch him around the neck in a boomerang fashion.ONCE AGAIN, THIS short does not seem like much when viewed now; but, once again, back in the day.................. '

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.With Charles Lindbergh as his hero, Mickey Mouse has gone PLANE CRAZY.Mischievous Mickey is determined to get in the air in this very early Mouse cartoon. Animator Ub Iwerks is responsible for most of the visual shenanigans which fill the little film. The bovine with the ponderous & perilously vulnerable udder is an early incarnation of Clarabelle Cow making her film debut.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.