GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

gregkae I did enjoy the script tight like Urusla's thighs, razor sharp dialogue, the love triangle, the comedy and the build up. One will see the ending from a mile, another won't see it coming at all. The fact it's shot in the money crazed city of London adds to the experience. Also the portrayal of the English-men with all their pretentiousness and stiffness in all the wrong places makes it a rewarding poke. The movie is directed with a swiss watchmaker's precision, twists and turns abound and it's just plain old fun, fun, fun! Clearly the cast, the writer and the director all wink towards the viewer and if you fail to notice you'll die of boredom.

philkessell Well I won't give the ending away folks, but you will see it coming a MILE OFF!!Stanley Baker, in his last film performance, plays a tired, jaded under manager in a bank he's worked at for the past ten thousand years. He longs to escape the futile tedium of work, but is, on the surface at least resigned (and apparently content) to working out his days in a gold fishbowl office where his superiors can see him but he can't see them. 'I'm poor and broke' he sighs as he neatly summarises his attitude to 'work'. If we all have to do it (as most of us sadly do) we might as well acquire as much financial gain as we can. Very early on, it's clear that Baker's character is already painfully aware that he has gone as far as he is going to go, and that alternative action is required if he is not to give way to perpetual professional atrophy.So, in comes Britt (can't think where they got that foreign sounding name or accent from, eh chaps). I disagree with some who say that Andress can't act. True, her range is limited, but so were those of luminaries like Bogart, so I feel it's a little unfair to admonish her professional credentials in this way. Also, let's not deny that there are worse things to clock within the cinematic pantheon that Andress's 'undress', and there's plenty of that here. I make this point from a purely 'cinematic' perspective, you understand.True, the characters are all pretty unlikeable, Warner's in particular, yet it's interesting to see him turn from repellent upper class knob into Baker's whipping boy, mysteriously travelling up and down the country for no apparent reason. (What was THAT all about?) His gesture of defiance towards the end just comes across as toothless, when it's obvious to all who the real winner of the piece is going to be....Anyway, not bad as it goes, but far from perfect. I always love films for this era (1969-72), just for the 'feel' of the piece, and the washed out yet oddly warm feel of the print itself. As one other reviewer said, there are still traces of 'swinging' London to be found here (in the feel of the film and knowing it was made in 1970), whereas by 1972, that eponymous decade had cinema well and truly contained within it's er' 'distinctive' sartorial grip. We're on the cusp here folks, and all the better for it. Worth watching, but don't expect to remember it tomorrow.

gridoon In the first half, the elliptical narrative is very confusing for a first-time viewer; throughout the movie, the direction is sometimes unnecessarily gimmicky, employing fast cutting and close-ups a little too often. Still, the movie has some truly suspenseful set pieces (where you're afraid that even an accidental "wrong" glance may destroy everything), several nude scenes with Ursula Andress and a kicker of an ending. Much better than "Dollars" with Warren Beatty. (**1/2)

rugis An excellent, intricate bank heist involving three uneasy partners (baker, andress and warner) who plot a raid on the vaults of baker's firm. The plan is aborted on several tries amidst great tension, until the elements finally fall into place on a "perfect friday". The added suspense of who will double cross who, along with a great finale, make for a fun film that has aged well in the subsequent hi-tech