IslandGuru
Who payed the critics
Lovesusti
The Worst Film Ever
Dynamixor
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Seraherrera
The movie is wonderful and true, an act of love in all its contradictions and complexity
Michael_Elliott
Pardners (1956)*** (out of 4)Our film starts off with Dean Martin and Jerry Lewis playing Slim Moseley and Wade Kingsley who die protecting their ranch. Moseley, Jr. (Martin) stays out West where he eventually tries to save the ranch and he goes out East to track down Wade, Jr. (Lewis) who he discovers is quite the weak nerd. Wade, wanting to become a cowboy, follows Moseley out West and soon they are going up against a crooked gang who wants their land.I really wasn't sure what to expect from PARDNERS but it turned out to be one of the better Martin & Lewis movies even if it does borrow quite heavily from their film THAT'S MY BOY. This film here benefits greatly from the beautiful Technicolor plus the fact that the two leads are surrounding by a very good supporting cast. Plus, you can't help but enjoy seeing Martin in his first Western and especially when you consider the great things he did for the genre after the duo's split.As far as this film goes, Martin & Lewis were just built for the Western setting and both of them do a very good job here. I really liked Lewis' character here because he wasn't nearly as whiny or as annoying as the actor would sometime go. This character seemed like a legit one and I thought Lewis did a very good job. One of his highlights deals with him trying to roll a cigarette without much luck. Martin was perfect here as he gets some very good numbers throughout the picture including the title track, which is done with Lewis on a good Western set.The supporting cast includes fun performances from Lori Nelson, Jackie Loughery, Agnes Moorehead, Jeff Morrow, Lee Van Cleef and Lon Chaney in a small role. You also have Jack Elam and Bob Steele appearing in small roles. The film has a lot of funny moments here including one very good sequence where Martin is having to fill in for Lewis during a fight while making sure the weak one gets the credit for it. As I said, the Technicolor here looks terrific and I liked how the film played well as not only a comedy but also a Western.
Irishchatter
I never thought that both of them will be starring in a western movie. They would normally have films based on show business but this is definitely different from their other stuff. I honestly thought at the beginning, Lewis and Martin were gonna look like old bucks throughout the whole movie but when they were suppose to be killed, I actually nearly cried. However it wasn't the case after all because the old bucks were meant to be their father's and they just suddenly changed into their regular selves.I really loved the scenes of the old West, it does take you right back in time when cowboy movies were increasingly popular in the 50's and 60s. It's a really nice feeling but unfortunately, cowboy movies nowadays aren't shown much anymore! This movie is such a gem, I honestly loved Lewis and Martin teaming up on this one!
tavm
After years of just seeing parts of this Martin & Lewis movie, I finally watched the whole thing on YouTube. As you can discern from the title, Dean & Jerry are in the old west. First, as their fathers from the previous century. Then, as their sons with the mother of Lewis (Agnes Moorehead) raising him back in New York to marry some Amazon woman but that son will have none of it. I'll stop there and just say that while I enjoyed Pardners, I did feel that some of the plot points and characterizations seemed rushed in order to parody certain clichés. Still, Jerry's as funny as he can be doing what he does here and Dean seems quite comfortable in his first of many times he would wear cowboy duds. The leading ladies of Lori Nelson and Jackie Loughery sure look good and nothing more. The villains of Jeff Morrow and John Baragrey provide good enough menace. So on that note, I recommend Pardners. P.S. Despite the team mentioning at the end they plan to stay together in movies for years, by the time this was released in August of '56, they had already done their last performance in tandem the previous month. It would be 20 years before they would publicly reunite on Jerry's telethon with Frank Sinatra doing his bit...
bkoganbing
It was always interesting to me how the writers at Paramount managed to rework some of the plots of their old classics to fit Martin and Lewis. In this next to last film Pardners, it's taken from the old Bing Crosby classic Rhythm On The Range. They even managed to get the old director of Bing's film Norman Taurog to direct.Dean and Jerry are the sons of a pair of ranchers who were both killed in a range war. Dean's parents stayed west, but Agnes Moorehead as Jerry's mom, went East, made a ton of money and raised Jerry as the tenderest tenderfoot ever. Dean's now gone east and entered rodeo competition to win money for a prize bull named Cuddles. He meets up with Jerry who 'helps' him out in his usual manner.Most of Rhythm on the Range involved Bing Crosby on the journey back west with Cuddles the bull and Frances Farmer where some romance develops. Since no one would confuse Frances with Jerry, the love interest has to be supplied elsewhere. Jerry's cousin Lori Nelson does this for Dean. In fact according to the Nick Tosches biography on Dean Martin, the interest was off the screen as well.Jerry doesn't do too bad in this film either. He gets saloon girl and former Miss USA Jackie Loughrey. By that time Jerry's been made the sheriff and he's gotten the ire roused of one particular bad guy Jeff Morrow who thinks of Loughrey as his own. But in the end all's well and even the intergenerational range war has finally ended. Not without the usual broad comedic gags that are a Martin and Lewis specialty.Bing made out miles better in his film than Dino did in the song department. Jimmy Van Heusen and Sammy Cahn wrote the score for Pardners and it's definitely not up to their usual standards. In Rhythm on the Range Bing got to sing, Empty Saddles and introduced I'm An Old Cowhand. Since they owned the rights, why didn't Paramount just let Martin have some of these to do. In fact I'm An Old Cowhand would have been a great comic duet for both Dino and Jerry.Still the accent was on comedy rather than romance in Pardners and that is what Martin and Lewis do best.