RyothChatty ridiculous rating

Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

jshoaf I watched this on TV over a decade ago, kept a tape of it at whose spine I looked fondly from time to time, and finally saw it again on Netflix with my husband last night. He was not immediately enthralled (though I was, all over again). After the first hour or so, we had to keep watching as the suspense and loose ends multiply, and I had forgotten the twists and turns. I love way the plot works out and the loose ends are tied up. On second viewing, however, with a more critical companion, I realized how absurd some of the best plot developments and most memorable scenes actually are.At some level, the production works because of the way it is haunted by images of Baroque paintings, saints in various violent and twisted poses and situations. The love of art is intense in many of the characters, and when Maggie finally sees Artemesia's Judith canvas her face tells us that this violent, even horrible scene is beautiful. (Another important painting in the story is a Goya bullfight scene.) As in a Caravaggio painting, the faces--the performances--stand out as realistic, everyday people, recognizable in the street (or at least the streets of drama)--they are complex, confused, liable to do stupid things or to misunderstand a given situation completely. Many of them are obsessed by symbols, too--Charles dies at the beginning of the story because he cannot bear to see his long-dead wife's rather ugly portrait damaged; Maggie carries her father's cigarette case like a fetish. The way these characters meet each other and interact in the gloom of the plot is beautiful and moving. But their motivations remain murky and incomprehensible.Mirren performs a fabulous double role--Maggie the tough streetwise bohemian earth-mother artist and her alter ego The Countess, whose knowledge, apparent prosperity, and aristocratic manner hide a terrible fragility. Maggie is of course acting the role of The Countess, worrying that the mask may slip, but her sister at one point implies that she is also acting the role of Maggie. Maggie lives in her own world, a world of music, in which emotional attachments last a long time and give life shape and meaning. That "explains" everything.

TBJCSKCNRRQTreviews A break-in and robbery sets in motion the unfolding of a plot, and reveals unexpected secrets. That's about the briefest and least spoiler-filled description of what goes on in this I can provide. The story is impeccable, and immensely well-told. This is two episodes, both of about 100 minutes, so almost three hours and twenty all put together, and it's not boring for a second. The pacing is spot-on. Uncovering the mystery is interesting and keeps you watching, as does the genuine suspense that is built up expertly well in this. The sense of humor helps, as well, never letting this get too dark, and not being overdone or getting in the way of the overall serious tone, in spite of having a couple of entire sequences that are really, really funny. All of the acting performances are beyond reproach, if I don't necessarily fully accept Mirren as a former musician with the loose life-style that implies(no, the facial piercing didn't entirely sell it). That's probably mainly because I'm used to seeing her portray more dignified, in control women, anyway. The dialog is fantastic, memorable and clever, and writing as well as delivery are sharp as a prime quality razor-blade's edge. Cinematography and editing are magnificent, and not just "for a TV piece". Production value is high. This is rather credible, intelligent and entertaining, throughout. There is relatively brief nudity, some language and a bit of bloody violence. I recommend this to any fan of anyone who helped make it, British cinema and/or crime-dramas. 8/10

ngg3 Talented actors, strong performances, music, murder, suspense and art history - what more could you ask for? To follow-up on the comment by blanche-2, the dynamics between Helen Mirren's character and her family are really humourous. Michael Maloney is excellently cast as 'Oliver Peel' along with Lesley Manville as his wife. If you get the chance to see this series - do - you won't regret it. :0)

blanche-2 Another knockout performance by Helen Mirren as a down and out '60s folk singer who, in order to help the family that took her in, goes undercover as an art dealer. Mirren, of course, does the transition from drugged-out hippie throwback to a glamorous woman of the world perfectly in this intriguing and very exciting story. Iain Glen as Sebastian is charismatic and wonderful, as is the entire cast. Probably the best part of this mini-series is Mirren, as Maggie, interacting with her sister and brother-in-law. The family dynamics hit a perfect note. This is a must-see on all levels - acting, drama and suspense with warmth and humor thrown in. Mirren is not only a great actress but one with impeccable taste when it comes to many of the scripts that have been produced and shown in the U.S. on public television. Bravo!