Nonureva Really Surprised!

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Prichards12345 After re-watching many of their films over the past two months I'm running out of superlatives. Our Wife is yet another brilliant short from Stan and Ollie. A frantic farce with at least 3 classic pratfalls.There's Jimmy Fin plunging headlong down the stairs: there's Ollie flying into his own wedding cake after tripping on some ice: and there's Ollie plummeting through the window when attempting to elope with his similar-sized sweetheart. How on earth did they do this stuff in 1931?The scene of Ollie and his bride trying to fit in Stan's tiny hired car is hysterical: makes me wonder did the Marx Brothers borrow this idea for their famous (and equally brilliant) stateroom scene in A Night At The Opera? Of course throw in Ben Turpin as the JP and you have another brilliant comedian to add to the salad.I'd not seen this one in many years, and each gag is simply wonderful. The laughter comes fast and furious. Mr. Laurel and Mr. Hardy I salute your genius.

Steve Pulaski Our Wife concerns a happy-go-lucky Ollie planning to marry his sweetheart Dulcy (Babe London), with his pal Stan by his side as his best man. However, when Dulcy's father sees a picture of Ollie, he becomes disgusted and appalled and calls off the wedding instantly. Frustrated, the couple plans to elope, with Stan and Ollie sneaking Dulcy out of her home to have a secret marriage ceremony; one can only imagine how Laurel and Hardy manage to turn this immense task into one of troublesome blunders.But, as we expect, they find a way to do so, and Our Wife becomes infested with circumstantial comedy, arising from everything like Ollie falling into Dulcy's window, the three having difficulty fitting into a small car, and then, finally, arriving for the marriage ceremony only to have it incomparably screwed up thanks to a cross-eyed priest in true Laurel and Hardy fashion. Our Wife sticks to a premise more built on situational comedy and misunderstandings, as writer H.M. Walker and director James W. Horne team up once again to deliver a spry, fun short. Laurel and Hardy function the best when they struggle to do a simple task to no success, engage in goofy banter, or stumble over activities that should be easy and quick. When they punch, kick, fight, and slap, their shorts descend into the kind of humor The Three Stooges did and did infinitely better. When the duo stick to trying to go along with a story and having issues executing their plan, they predicate themselves off of the building blocks of comedy, where characters do something they don't want to do or are having difficultly doing something. Our Wife works for that specific reason and results in a rousing good time.Starring: Stan Laurel, Oliver Hardy, and Babe London. Directed by: James W. Horne.

rsyung Our Wife is one of those Laurel and Hardy comedies that at first seem so broad and farcical (it is) but upon multiple viewings, reveal a surprising number of beautiful subtleties. I know, because my two-year- old son loves it and constantly requests it…sometimes twice a day. Look at Stan, re-entering the room after having been quickly ushered out by Ollie, who wants some privacy to talk to his beloved. It is a completely guileless gesture, just like(need I say it) a two-year-old's response to a restriction he doesn't recognize as such. And Stan's satisfied smile when Ollie explains "Why, you're the best man!" And no small credit goes to Babe London as Ollie's betrothed. Just look at her expression of guarded optimism as Justice of the Peace Ben Turpin goes through his auctioneering gibberish during the ceremony. Then, notice Ben at the fadeout. After mistakenly marrying Stan to Ollie, all he seems interested in is pushing through the group in his living room and rushing back to bed. Even their struggles to get into that 1930 American Austin Coupe, the depression era's version of the Mini-Cooper, is doubly funny when considering the context, that of a rushed getaway. The time-space continuum "takes five" as they try to maneuver themselves into the car. Ollie's exasperated query: "What did you want to hire a thing like this for?" goes unanswered, hinting at an excised shot or two, but it also signifies the boy's quick acceptance of obstacles thrown in their path and their earnest attempts to overcome them. The whole movie is a series of set pieces in which the boys go through the minimal obligatory motions of an adult rite-of-passage: the one-layer cake, frosting peeling off like a tree shedding bark, the minimal wedding decorations, the quick spray of dried rice and a shoe to the head, the mumbled wedding vows, the pro-forma "Congratulations, my boy, you've married the sweetest girl in all the world!" from the justice of the peace… it's all about two little boys playing grown-up, and overcoming the brief lacuna of adulthood and ending up back together again.

bob the moo On the day of Hardy's wedding, spirits are high, Laurel even has a bath. However when the bride's father sees a picture of the intended groom he forbids the wedding. Hardy plans to elope with his bride and sends Laurel to get a car. When their plans are exposed it is a race to get to a JP to perform the ceremony.A lively short that sticks quite closely to it's plot without too much in the way of side plots acting as filler. The main jokes here come from physical work without too much in the way of banter from the duo. This is fine though, as much of it is good. Two major falls in particular are almost inspired – witness Finlayson's falls just after seeing Hardy's photo, culminating in a dive down some stairs, and then Hardy taken down an entire room with one trip.The plot fizzles out a little towards the end as there is no real physical stuff in the final few minutes and nothing of value really replaces it, however for the majority it is very funny. Laurel and Hardy are good value, although Laurel is in the background a little for this one. Hardy's falls take the focus and he does well indeed. The high point of the film for me was hearing Finlayson `d'oh'ing more than usual – truly the original Homer!Overall this is an enjoyable short – especially if you like their pratfalls more than their banter.