CheerupSilver Very Cool!!!

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

anchorlady I think this is the second film I have bothered to review on IMDb, and I've been a member for years. Partly because I was moved, and partly because I was surprised that it was such a quality production.I can't speak to the accuracy of this film, as I did not follow this story when it was happening in Boston. But I was truly amazed that this film managed to cover the ground that it did without ever dipping into the typical sensationalism of made-for-TV films about child abuse, sex scandals, and other "ripped from the headlines" fare.Every performance is remarkably nuanced - no scenery chewing, yet you deeply care for the majority of the characters. Excellent casting. My only complaint is that there were so many characters, it became hard to keep track, and I wanted to know more about some of them than others (although I imagine some characters were "composites").Difficult topics such as the victimization of children by adult authority figures are rarely done as well as this movie. Law and Order SVU and other crime shows should take a few hints from this film.

edwagreen Our Fathers is a terrific movie made by Showtime depicting the Boston scandal involving pedophile priests and their effects on the children they abused so many years ago.With an outstanding cast, the film brilliantly shows the impact on the lives of those abused and focuses on the church, in not the best of terms.An all-star cast is headed by Ted Danson portraying the lawyer for the abused. Christopher Plummer, as Cardinal Bernard Law, and Brian Dennehy, as an accused priest-abuser turn in masterful Emmy nominated performances in supporting roles. They are just terrific but will probably cancel one another out on the Aug. 27th awards show.Ellen Burstyn, who is at her best when she is miserable, appears in one scene as the mother of several of the victims.The film goes all out in showing the culpability of higher ups in a major cover-up of the priest-abuse scandal. We probably haven't seen such an cover-up since Watergate.Danson appears in the opening scene and acts as he did but in a non-comical way as TV's Becker.The language is salty and surprising given the nature of the Catholic church. Four letter words are prevalent and unfortunately appropriate as the story goes on.Plummer is just fabulous as Law, a guilt-ridden priest who is ready to sacrifice anyone to save his own neck. Equally good is Dennehy, who seems to be able to beat an abuse charge until his homosexuality is revealed.Sin was never better than this.

Francis A. Breen, Jr., M.D. If only I could write a spoiler. That would imply that the final outcome of this the greatest of all scandals to rock the Catholic Church was known. But it is not, and the filmmakers do not pretend they know. They simply present in an honest, unflinching manner, the struggles of one group of victims in one city as they emerge from their own dark closets to seek justice for the pedophilia inflicted upon them by the men they most deeply trusted, their priests. This was a venture that took great courage. These were blue collar workers who had to first buck the macho culture in which they lived to do what they believed was the right thing to do. That was not easy. They received more mockery than plaudits as they sought understanding and healing. Cardinal Bernard Law is presented in a more compassionate light than I thought he deserved. He after all could have ended it all many years ago had he acted decisively in ferreting out and removing evil men like Geoghan and Shanley. Instead, he moved them around from parish to parish, enabling them to continue their perversions on new and unsuspecting victims. The Cardinal and his lawyers were so powerful in their hierarchical world and held the media so completely under their spell, that initially a disbelieving Boston Globe reporter suggests a spin that the bishop could use to modulate his responsibility into a more acceptable justification. She was anxious to set aside honest reporting for the more important act of helping the Cardinal. I saw superb acting, brilliant direction and hard hitting dialogue, but no vengeful lashing out. This was a fair and balanced presentation, with the viewer left to ponder and decide. The film ripped a hole through the surface of this horror exposing the incredible cover-up for all to see, but still maintained its balance. It is left to others to more fully plumb the depths of this scandal. This is a must see film for all, Catholics and non-Catholics alike, as pedophilia is not the exclusive domain of the Catholic Church.

jotix100 Showtime ought to be congratulated for its courage in bringing "Our Fathers" to the television screen as a film. Dan Curtis, the director, gives us a first rate account about this sad chapter of abuse to young children by Catholic priests. Those same priests were supposed to have been examples and role models for young children, but in violating that trust, these men committed crimes one never suspected them capable of doing. The book by David France, "Our Fathers: The Secret Life of the Catholic Church in an Age of Scandal", gets an amazing screen treatment by Thomas Michael Donnelly.The books emphasizes the role of Cardinal Bernard Law in the whole affair. This sinister figure, who was able to get away with murder by resigning his post as the head of the Boston Diocese, is still not admitting his role in the cover up, even after everything is well known and documented.Father John Geoghan, the monster priest arrested and convicted of several sexual molestation charges, is one of the most repugnant figures involved in the scandal. We watch as this man is ordained with tears in his eyes in the early 60s. Father John is seen as a holy man who is quite charming hiding behind a facade of being good to the children. Parents love him because what they see a role model for their boys to follow.The film concentrates on Angelo DiFranco's story. Angelo is seen putting his own fist through a mirror in rage. This young man and his lawyer, Mitchell Garabedian, are instrumental into putting the lawyer in contact with Mary Ryan, a woman whose seven boys are sexually abused by father Geoghan. Mrs. Ryan is asked to keep quiet.The other priest in the story, Father Joseph Birmingham, is also responsible for abuses to other children. Another accuser, Olan Horne, brings it to the attention of Cardinal Law, who is arrogant and indignant about the accusations. Cardinal Law makes a point to tell Olan that Christ hasn't done anything wrong, if anything, he was the one instrumental in his failure as the man who could have solved the problem, but didn't. In the end we watch Cardinal Bernard Law with tears in his eyes as he resigns. Unfortunately, much too late!The performances are first rate. Christopher Plummer as the sinister cardinal does an excellent performance. Chris Bauer and Daniel Baldwin, two talented young actors, are seen as Olan Horne and Angelo DiFranco, respectively. Ted Danson, as the lawyer is not as effective, maybe because we don't see him as Mr. Garabedian at all. Brian Dennehy is good as Father Spagnolia. Ellen Burstyn is a great Mary Ryan, full of rage and bitter for what the evil priest did to her sons. Steve Shaw plays the evil Father Geoghan.The tragedy that was done to innocent children by these heartless men will stay in the victim's memories forever. More than likely, these monster priests were abused themselves as children, and now they feel it's their turn to keep the practice going.