One Way Out
One Way Out
R | 01 February 2002 (USA)
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Harry Woltz is a homicide cop with a gambling problem; a problem that leaves him owing a great deal of money to the Russell brothers. To clear the debt they ask him to train John Farrow to murder his wife, Evans, without leaving the usual clues or making the usual mistakes. However when Harry's ex-partner is put on the case, she begins to get closer than Harry had thought before the case takes some unexpected twists.

Reviews
MamaGravity good back-story, and good acting
TeenzTen An action-packed slog
Grimossfer Clever and entertaining enough to recommend even to members of the 1%
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
view_and_review "One Way Out" failed to separate itself from the crowd. There was nothing particularly brilliant or unique about this film. If it weren't for the names Belushi and Bateman I think this film would have zero credibility. There was a murder, the story went as it should, there was a twist, then there was justice. The acting wasn't much to rave about nor was the story itself. The movie kind of lulled along as you waited to see where the writer would try to show why his film made it to screen. There was never any intense drama, no strong relationships, and no believability. Every character seemed empty, and without any action or good dialogue, the movie just sputtered along until it ended. Because I didn't turn the movie off before it ended I didn't grade it a 4 or less.
vhsiv First things first - let's lay out the dirty linen: I avoided this thing during normal waking hours, given the 'noir' log-line and the Jim Belushi principal. But between 3 and 5 am, this film was pure gold. Sometimes things just work out that way, especially if you miss the first 10-20 minutes, as I did; years of insomniac viewing have taught me that some beginnings are better missed than seen.Such was my approach to 'One Way Out' - and it paid off.How could I have expected Jim Belushi to pull off a Michael Chiklis-like transformation and play a corrupt cop, caught between a rock and a hard place? In fact, the performance is so compelling that it threw me off of the main arc of the plot: While the story may be a bit formulaic, Belushi's performance is a wonderful distraction - I didn't even see the denouement coming, until I was watching it on screen.In my opinion, this was a far, far better film than the Paltrow/Douglas/Mortenson vehicle of 'A Perfect Murder', as the actors here play against type, and triumph over the material.Highly recommended! Furthermore, Angela Featherstone, Jason Bateman and Guylaine St. Onge provide excellent support. Not a dull moment.While I'm not sure that I could recommend this film for viewing during the light of day, I *highly* recommend this movie for it's late night/early morning consumption. A qualified 8/10.
MovieAddict2016 Clumsily-plotted thriller that has framed innocent James Belushi stumbling along trying to piece together the clues that prove he is not linked with the murder of a woman. Tired script relies on cliches and Belushi--a talented comedian and just plain funny guy--is way out of his league as a serious guy who has to show real emotions. I like Belushi--I don't like this movie.Mediocre to an extreme.2/5 stars.John Ulmer
wickedwes This movie was a good movie to rent, but Jim Belushi was the wrong choice for this film cause he is type cast as a funny man. Jason Bateman played an excellent part. He should get better roles and should be doing bigger movie projects.