Mistress
Mistress
R | 24 July 1992 (USA)
Mistress Trailers

A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.

Reviews
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Kayden This is a dark and sometimes deeply uncomfortable drama
moonspinner55 Barry Primus directed and co-wrote this 'Hollywood insider's comedy' which isn't very inside and is never terribly funny. Robert Wuhl is a struggling screenwriter who, with help from Martin Landau's over-the-hill movie producer, hopes to get his picture made with financial backing from three hot-tempered high rollers; the catch is, each investor wants his mistress to have a part in the film, and all three women prove very difficult to handle. Potentially interesting premise given over to foul-mouthed neurotics who are never as amusing as they're supposed to be. Wuhl, an actor of quicksilver comedic timing, thanklessly plays the incredulous observer here, while the all-star supporting cast loudly plays up the material until the satirical edge flags and becomes cartoonish. Primus' direction is wobbly and uneven, though he gets some amusing facial expressions from Robert De Niro (who also co-produced, for reasons which are unclear). Shabbily edited, and with ungainly cinematography. *1/2 from ****
darlene-27 Knowing several real-life wannabe actors, screenwriters, directors, and producers, none of whom are exactly 'A-List,' I thought this movie was an accurate portrayal of the twists and turns that the life of a project and one's personal life take while one, lacking connections, tries anything to come up with financing to get a potentially great movie off the ground.Look at how long it took to get "Ray" funded and made -- 10 years! Similar stories abound. It takes a monumental effort to get anything made that's a little bit different. Guys who control the money don't like risk! With all its iterations depending on the focus of the potential underwriter -- think Money-Man -- with a colorful cast of stars, all playing well-written characters, I can't get enough of this movie. I own it and have watched it many times. A real laugh fest for those captivated by all things "Hollywood." The name IMHO ruined this movie's chances at the box office. It implies a certain salaciousness that is simply not there. It is a warm and sweet movie about guys trying to help their sweethearts achieve their dreams. Should have been titled, 'The Darkness and the Light,' which is the name of the screenplay they are trying to produce, or 'A Hollywood Story,' or something similarly innocuous. Worth seeing by all means!
mikemoto1 This is one of those movies that I fervently hope gets rediscovered one day. The performances are top notch, especially Landau as the extremely obseqious producer and Ralph as DeNiro's actress girlfriend. What makes this movie so great is that it understands the need of subtlety in satire, something that is often lacking. This film also says a lot about Hollywood and financing that REALLY hits the mark, maybe a little to close to home for some in the industry.
Jeannot A sophisticated dark Hollywood comedy, IMHO superior to THE PLAYER. The cast is a powerhouse, but Martin Landau is outstanding, as is the black girl who plays Beverly, DeNiro's mistress. I've seen it three times and laughed harder each time. Basically, it's about the woes of a director/scriptwriter (Wuhl)who, upon wannabe producer Landau's urging, tries to pitch his script to three money guys (Wallach, Aiello, DeNiro). He fights unsuccessfully to preserve the integrity of his artistic vision.
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