Mercy Streets
Mercy Streets
PG-13 | 31 October 2000 (USA)
Mercy Streets Trailers

Estranged twin brothers - one a con man, the other an Episcopal deacon - accidentally switch places... and find God in the process.

Reviews
Btexxamar I like Black Panther, but I didn't like this movie.
mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Ismaninb Being an atheist the reader will understand that I am aversed to cheesy Christian propaganda. Mercy Streets does not cause such dislike, except perhaps for the too obvious name Jeremiah. The reason is integrity, Jeremiah's struggle with his feelings for guilt is genuine. Moreover the atheist view gets a very fair chance - and it's the first time that happens in a Christian movie - when Rome questions Jeremiah's faith. Maybe the director got the idea from the Tuco-Pablo confrontation in The Good, the Bad and the Ugly, another undecided philosophical/theological battle. What's more - bad brother John is in fact not that bad, even TJ and Rome aren't. It's not even clear if John is converted. Moreover I like it that Rome is menacing without using filthy language; that there is no boring sex between the sheets. Not that I have something against swearing and sex, but these are not values in itself, as happens way too often last 10, 15 years. Give me swearing and sex when it is necessary for the movie or leave it out, as it is distracting. The movie has some shortcomings - it drags a little sometimes, a few scenes are not that convincing - but all in all the director succeeded in making a movie entertaining enough to keep my attention and avoiding all traps before reaching his goal. In short Mercy Streets is an integre movie about the moral struggle of a Christian plagued by guilt plus quite a few extra's. Wanting to live in a free world - with christians and members of most other religions - I can't see much wrong with it. The average of five stars is way too low.
jaiden Christian films are still in their infancy, and this film, while great, proves a point. Hollywood is still the "big dog" on the block and it's hard for a film with a positive message such as this to find a better place at the table. MERCY STREETS has a few good things going for it, starting with the acting. It's not a stilted as you'd expect from a religious-themed film. The writers took great care to avoid unnecessary and gratuitous cursing (even though the violent content garnered a PG-13 rating) and also to avoid being too "preachy" with the message. Writer/director Jon Gunn and co-writer John Mann bring a message of hope and deliverance to the screen in a truly artistic way. So, while the gun-play might be a bit much for young viewers, I think this film is a worthy addition to any home library.
kungfudeadly This was a good film about two brothers on different sides of the law and walking two different walks of life. One brother (Jeremiah, an aspiring priest) living his suburban life with the curse of a childhood incident in which his brother was assumed dead. The other brother (John) fresh out of jail in working for a top rate con-man Rome who is looking to get another job out of his right hand man. Reluctant to go back to jail, John decides he is going to double cross Rome and through a series of events ends up on the run. He decides to turn to Jeremiah for help. Rome, in hot pursuit, kidnaps Jeremiah thinking he is John during his daily jog. The brothers have to switch roles...John becomes Jeremiah in an attempt to find the money he needs to escape and Rome forces Jeremiah to help him finish the original job in John's place. Confused yet? Sure the plot for this film is quite unbelievable, but do we really go to the movies for reality? This movie, from the same people that brought us the Omega Code (which sucked), has given us a nice caper film with a cool independent feel to it. Production is good and it shows the talent of director John Gunn who makes this unbelievable story seem just the opposite. Using some nice little techniques like freeze framing some shots, he gives us something different from the traditional hollywood outing. Its definitly not overly preachy and all the better because of it, displaying its message smartly. Add a nice soundtrack with songs from Moby and Sixpence None the Richer and some much needed comedy from Rome (Roberts) and his tattoo covered henchman and you have well rounded and enjoyable film. Most reviewers have been hard on this film, and I agree that the acting is not oscar worthy but it serves the film extremely well. The story moves along and mostly importantly keeps our interest until the very end. I have a feeling that if this film had Hollywood big shots behind it, it would be given much more respect then it has. This film is very solid and stands on its own in many aspects. I would recommend it to anyone who is looking for a good film with a story that keeps you interested, but is sick of movies ruined by sex and language that are thrown in to attract a certain demographic. Go see it, you won't regret spending the money, and besides the more we support films like this the better they will get!
FINEFILM I got a sneak preview of this film and was blown away! Whenever they do a film about brothers or twins they're treading on familiar ground if not thin ice, but director Jon Gun pulls it off in a delightfully surprising fashion. The script mixes elements of a buddy picture, mentor/student film and caper flick with smart music choices from artists like Moby and Sixpence None The Richer.Eric Roberts is so great as the bad guy, you love him. Stacy Keach has a nice cameo and newcomer David White plays the dual leads with an easy panache. He's gonna be a star!Definitely check it out if you liked Reservoir Dogs, Boondock Saints and The Sting.