Love & Savagery
Love & Savagery
| 06 August 2009 (USA)
Love & Savagery Trailers

In 1969, a visiting geologist from Newfoundland arouses scandal in a small Irish village when he romances a local girl who’s destined for the convent.

Reviews
Softwing Most undeservingly overhyped movie of all time??
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
juneebuggy I liked this quite a bit. I will admit though that I initially only turned it on because I saw Allan Hawco's name attached. Jokes on me too because sadly he sports a bad 70's haircut and is beat up throughout most of the movie. This was also obviously made before he decided to hit the gym for all those shirtless scenes he finds himself in, in 'Republic Of Doyle'. Still I ended up getting quite involved with this bittersweet love story and really enjoyed the small Irish village setting and all of its colourful characters. Beautiful scenery throughout too.This takes place in 1969 and (Hawco) is Michael, a student of poetry and geology from Newfoundland who travels to Ireland to explore unusual mineral formations. While staying at a small inn he meets Kathleen (Sarah Greene), a beautiful young woman who works at a neighborhood pub, he is immediately drawn to her and scandal erupts, with the villagers all going a bit nuts at the thought of the pair entering into a romance as Kathleen is destined to join the convent as per her mothers dying wish.Yes this is a love story and it keeps you hanging too, not until the last minute do we know if Michael and Kathleen will get their happily-ever-after... 03.13
Murli The location and the performances of the lead characters are the main driving forces of this movie and offers a more refreshing and realistic approach to love and the choices that people have to make.This is not your average Hollywood romcom. There is no com and the rom is much more serious. The heroine isn't a debonair twenty something self assured world conquering go getter. Here she's a naive young nun to be who's led a somewhat sheltered life in an Irish village off the coastline and she faces turmoil when a stranger from Newfoundland enters her life and turns it upside down.I really liked the rustic village setting off the coastline with the close minded and close knit community. Even the gloomy weather and the dark clouds reflects the mood of our couple. The stormy weather mirrors the turmoil that Michael and Cathleen are feeling under their skin, and also the animosity of the locals towards their friendship and seemingly budding romance.Sarah Green as Cathleen is wonderful- she does an excellent job of portraying a naive unassuming girl who's caught in two minds when Michael shows an increasing interest in her. She finds herself at junction with two paths, both of which have grave consequences, no matter what her choice. She was a natural and made the movie as much as it made her. Allan Hawco was good as well, though I found his character to be a bit too one dimensional and too bull headed, and too selfish. He'd be the kind of guy who do whatever he wanted as long it felt right and natural to him and wouldn't care for anyone's opinion or feelings. I felt that Michael does go too far in his quest to have Cathleen that after a while I didn't really feel like rooting for him.Overall, I like the movie, and it's pacing. It's slow so you really have to sit still and concentrate. The ending is as it should be and nothing more, not like the billion endings that Return of the King (of Lord of the Rings infamy) had.If you want a realistic love story without any melodrama this is for you. Everyone else can go watch Pretty Woman or Notting Hill and go "aaahh" at the end and feel good about themselves.
Samiam3 The formula is nothing especially new, in fact it's about four hundred years old. Starting with Romeo and Juliet, forbidden love stories, have since been among the most favoured types. Love and Savegery is no masterpiece, but it's more realistic than melodramatic, and very down to Earth.Michael is a geologist from Newfoundland who hops across the pond to study rocks in Ireland, starting with the cliffs outside a small Christian fishing town. He meets Cathleen, young and pretty, but on her way to nunnery. As she starts to win Michael's heart, the town gets increasingly uncomfortable with his presence, but the young man refuses to abandon his feelings.The film from start to finnish looks and feels natural. My one problem with the film comes somewhere between the beginning of the third act, and the last two scenes. The story drags a bit too long with the initial romantic conflict being presented again and again in each scene. It pushes a little hard. Good thing the film ends the way it did, otherwise it would have been a cheesy romance. I also like the way the film closes with the same shot it begins with, it is only at moments like that do you realize how far you've gone through a story, which isn't even that long in running length. So all in all, Love and Savegery is a romance worth seeing.
FilmSocietyMtl I just caught this film at a local AMC theatre and was happy to be treated to a crisp 35mm print instead of a substandard digital projection. And a richly textured work of this sort definitely deserves the genuine celluloid treatment. The breathtaking photography of an Irish seaside town was matched only by the excellent sound design. The imagery was as intimately rich as director John N. Smith's Oscar-nominated short of the early 80's FIRST WINTER.The entire cast was pretty solid but the lead Irish beauty played by Sarah Greene simply stole the show. (Let's hope to see more of her in the future!)The camera just adored her from every angle. Stunning.Yes, it does take a little while to get into the story and absorb the setting, but once the romantic narrative takes hold, it ultimately touches the viewer deep down. The metaphorical use of raging seas along the shoreline makes for effective punctuation throughout the quietly stormy relationship between the two leads. Nice music score too.The only weak spots for me related to hair and wardrobe that occasionally made it difficult to believe we were in 1969 but I'm sure that was mostly due to the production's budgetary limits. A minor detail in the end.Overall, this is a sincerely touching and beautiful film made for any viewer looking for a breath of fresh sea air in a world shrouded in cultural smog blowing in from Hollywood. Catch this gem!