WasAnnon Slow pace in the most part of the movie.

SpecialsTarget Disturbing yet enthralling

Tacticalin An absolute waste of money

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Curious Jim One of the worst films I've seen (but not the worst so I'll give it that.) It's clear that someone spent a lot of time and effort making this film but I must admit it just didn't do it for me. The various camera experiments didn't really pay off, it's still got that kind of daytime drama feel to it, (great for daytime dramas, not so good for films) and the less said about the painful slow motion scene the better.A couple of the plot lines were more than a little ridiculous and generally the story was fairly poor. The script was only rescued by the comedy builders with their refreshingly bawdy banter. (There were other parts of this film that amused me but I don't think they were meant to.) If you want a good Voodoo film then try Skeleton Key, it's a bit glossy Hollywood but it's better than this.

The_Dead_See London Voodoo is plainly the worst low budget horror I have ever seen... and I've seen almost all of 'em! I can't even think of enough bad words to describe it. Whoever made this film should be ashamed of themselves. Why would you put as much effort, time and money into producing such a pointless and boring piece of cinema? The film has nothing to hold the attention of fans of *any* genre let alone horror.I've seen more interesting things crawling along the baseboards in camp restrooms. Good grief... I'm simply lost for words at how bad this is. Choose anything but this to fill up your time... anything!

Iloveaudreyh I found London Voodoo an intriguing and thought-provoking film, it has many different levels it which it can be enjoyed. At one level, it is a beautifully shot piece of cinematography, with many literally stunning, jaw dropping images. It's a thriller, that keeps you engrossed in the storyline from start to finish. The film has real meaning and relevance to modern life - the loss of love between the main couple caused by the stresses and demands of the husbands job being a central part of the plot. I would have liked to see more gore in places, but maybe this would have cheapened what is a classy well shot film. Overall I enjoyed the film a lot, and would certainly like to watch it again.

rosana-4 Whilst Rob Pratten has to be commended for making a truly independent british horror film, the end result, like most British independent horror films is a mixed bag in which the film makers undeniable talent and ambition is compromised by a lack of resources and self restraint. Lifting several cliched ideas from The Omen and Amityville Horror, London Voodoo tells the tale of an unlikely American couple who move to London in an attempt to salvage their relationship, but whose fortunes take a turn for the worse when they discover that their new home is haunted by a voodoo spirit. Whilst you can see the commercial logic in writing american characters into the lead roles, the unknown, ex-pat actors that Pratten cast, both deliver uncharismatic leaden performances and their characters are written in such a heavy handed, unsympathetic way that unfortunately this debut effort falls at the first hurdle. Once you get over this initial disappointment, there are moments and contributions that suggest what could have been, particularly Trisha Mortimer as the 'love-keeper' who manages to breath life into Prattens inconsistant dialogue and Voda Barnes who although over-written is suitably sexy as the Au-Pair. Comic relief is provided by the two decorators and supporting afro-carribean cast add flavour to otherwise dull proceedings. Also worthy of note are the businessmen in the office scenes, which demonstrate that when Pratten is not trying to make a load of spookery convince, he's actually quite a good writer/director. Shot hand held on 16mm with basic lighting the film has the look of a television special, the locations are functional as opposed to aesthetic and the synthesised score home-spun and cliched. The best production values can be found in the voodoo paraphanalia which suggest authenticity and a great deal of research. At 98 minutes the film is too long and would benefit tremendously from a ten minute trim, particularly the scenes where various voodoo practioners stop the narrative dead to deliver pages of expository mumbo jumbo in an attempt to give some kind of spiritual context to the proceedings. I gave this film 4 out of 10, shows promise but must try harder.