SpuffyWeb Sadly Over-hyped

GurlyIamBeach Instant Favorite.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

clanciai It's all about a house and its tenants of very variable kinds, the last one moving in being a confused spiritualist somehow falling out of everything (Alastair Sim in an unforgettable character, later copied by Alec Guinness in "Ladykillers"), while the main character is Richard Attenborough as a young irresponsible luck-seeker without any luck, courting the daughter of the house while his former mistress won't leave him alone, which leads to the tragedy. The house becomes a web of intrigue and complications, the different destinies interlacing each other, leading to confusions and further tragedies - Alastair Sim is really the unluckiest of them all. A fabulous gallery of colorful actors, Stephen Murray and a young Hugh Griffith making a surprise entrance towards the end is just two of them, the idyll develops into a spectacular drama finally involving all London. It's a wonderful story with great warmth and empathy with its characters, almost like a documentary. Unfortunately I haven't read the novel, which should be even better. This is a must see for grass-root people, environmentalists, humanitarians and all defenders of the small people of narrow circumstances and humble conditions, making out the great majority of the ordinary harmless core of humanity.

miloc This odd little comedy/drama from Sidney Gilliat doesn't really hold a lot of water, but does hold a fair amount of charm, as the motley occupants of a London boarding house rally in support of one of their own, a young would-be spiv arrested for murder. As the youth in question Attenborough is pop-eyed, guilt-wracked and hapless, eerily resembling a young Peter Lorre-- we feel sorry for him, though we may not empathize much. But the film's emotional shadings come from the older actors like Wylie Watson, Fay Compton, and Joyce Carey (no, not the novelist), who stand by the boy simply because they know it's the right thing to do.The plot's barely there, but there's a lovely eccentric atmosphere to it all, and also a juicy supporting bit for the great Alastair Sim. Hilariously morose, with a strange and seedy profession, his Mr. Squales would provide inspiration some seven years later for Alec Guinness's great turn in The Ladykillers, down to the overbite and the lank, terrible hair. Sim was a few years away yet from being the UK's most popular film star; he was the weirdest and most watchable of screen idols. He walks away with the film.

rube2424 Good but not great story of group of characters living in a London boarding house in 1938. The story begins well and then starts to meander all over the place with the ending so weird that it borders on the surreal. Standout performances by Alastair Sim, right around the time of A Christmas CAROL, and Faye Compton as the widow he entrances. Hugh Griffith pops in late in the film to chew the scenery and bring a few chuckles. The cinematography is good and a nightmare sequence reminds one of DEAD OF NIGHT. There is a warmth about the film, one that was made in 1948 and looks back at London ten years earlier, that should appeal to all Londoners as well as Anglophiles around the world. A good film for a rainy afternoon with a"cuppa" and a scone.

fraegle665 A brilliant performance from Wylie Watson,with fine back-up from Alistar Sim and Faye Compton. The only downside to the film is the poker faced performances from Dickie boy and the other younger actors.Wylie Watson should have been knighted for his services in bringing tears to a glass eye.