London Belongs to Me
London Belongs to Me
NR | 07 November 1948 (USA)
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Classic British drama about the residents of a large terrace house in London between Christmas 1938 and September 1939. Percy Boon lives with his mother in a shared rented house with an assortment of characters in central London. Although well intentioned, he becomes mixed up with gangsters and murder. The story focuses on the effects this has on Percy and the other residents.

Reviews
Matialth Good concept, poorly executed.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
The_Secretive_Bus A nicely evoked 1930s setting provides much interest for a viewer in the early 21st century; unfortunately, "London Belongs to Me" has little else to recommend it besides lashings of quaint English charm. All of the problems rest with the deeply unfocused story. The main plot concerns the actions of young lad Richard Attenborough, the problems he gets into and how the community in which he lives bands together to save him from society's laws. Or something. The main issue here is that Attenborough's character brings everything upon himself and, quite frankly, is guilty of almost every accusation brought against him, so it's baffling why the film (and all the characters) have so much sympathy for him. He's treated as a victim of circumstance when he really, really isn't; and what's more he isn't shown to have very much remorse for his actions, only caring about getting away with things he didn't mean to do. Alastair Sim gets a lot of screen time in a subplot that has absolutely nothing to do with the main plot line and you wonder what he's doing there (though Sim is, as always, superb). You know there's a problem with the structure when the main plot impacts constantly against the subplot but not vice-versa. And, following a sedate pace and a careful build up, the plot completely falls apart in the last 20 minutes with a deeply unsatisfying and unexplained conclusion which doesn't even show us if Attenborough's character has developed at all from the previous proceedings. The film doesn't end, it just stops.The acting, direction and the general feel of the film can all be commended but unfortunately the story and structure of the piece jars constantly. A last point of trivia: Alec Guinness based his performance in the vastly superior film "The Ladykillers" on Alastair Sim's performance in this film, right down to both the characters having almost identical first scenes.
John Seal Well, I was actually born in Liverpool, not London, but The Big Smoke is near and dear to my heart, and this film is a wonderful tribute to the city and its inhabitants. Set during 1938 and 1939, London Belongs to Me blends elements of film noir, comedy, drama, and even a smidgen of romance into its story of Percy Boon (Richard Attenborough), a young motor mechanic who finds himself embroiled in the death of a fun fair employee (Eleanor Summerfield). When Percy is found guilty of murder and sentenced to hang, the denizens of Dulcimer Street, led by lefty agitator Uncle Henry (the marvelous Stephen Murray), band together to plead for a reprieve. The final stirring scenes of the film follow the disparate band of Londoners--a cross-section of residents reflecting the cosmopolitan nature of the great metropolis--as they march to deliver their petition to the Home Office. Without giving away too much, the film is resolved in a fashion utterly alien to Hollywood cinema, as Uncle Henry and his friends--including the ineffectual but loyal Mr. Josser (Wylie Watson) and religious crank Headlam Fynne (Hugh Griffith) head off to the pub for a pint. If you, like me, have ever fallen in love with London, you will recognize many of the reasons for your passion in this marvelous and moving film, which has lost none of its power over the years.
fraegle665 A brilliant performance from Wylie Watson,with fine back-up from Alistar Sim and Faye Compton. The only downside to the film is the poker faced performances from Dickie boy and the other younger actors.Wylie Watson should have been knighted for his services in bringing tears to a glass eye.
Single-Black-Male Having achieved success in 'Brighton Rock', Dickie Attenborough now carved out a career for himself as a bland English actor with the aid of John Mills. I'm not sure what exactly audiences saw in what he brought to the screen but he certainly didn't have cross over appeal.
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