Evengyny
Thanks for the memories!
Sexylocher
Masterful Movie
Lachlan Coulson
This is a gorgeous movie made by a gorgeous spirit.
Staci Frederick
Blistering performances.
JohnHowardReid
Copyright 31 May 1934 by Paramount Productions, Inc. New York opening at the Paramount, 18 May 1934. Sydney opening at the Prince Edward (on a double bill with the W. C. Fields comedy The Old- Fashioned Way), 13 October 1934 (ran 3 weeks). 9 reels. 80 minutes. U.K. release title: GIRL IN PAWN.SYNOPSIS: Man leaves his daughter as a deposit with a bookmaker. NOTES: Academy Award to Shirley Temple, best juvenile performer of 1934. Re-made as Sorrowful Jones (1949): 40 Pounds of trouble (1963); and again as Little Miss Marker (1980).COMMENT: Despite the fact that the title role is enacted by the one and only Shirley Temple, "Little Miss Marker" is actually a Dorothy Dell vehicle. Shirley gets to sing only one song ("Laugh, You Son- of-a-Gun") — and that in tandem with Miss Dell who also has two solos ("Black Sheep Blues" and "Low-Down Lullaby"). The musical program is rounded out by Lynne Overman and chorus rendering "East Side, West Side, Sidewalks of New York" and "The Bowery". Miss Dell is a very able actress — and a most accomplished singer — but you are excused if you don't recognize her. She had previously starred in "Wharf Angel" and after this film made "Shoot the Works". Before the latter film was released, she was killed in a car accident.Unfortunately, despite the skill of Miss Dell and the obvious charm of Miss Temple, this first version of "Little Miss Marker" doesn't really stand up to any of its re-makes. The fault can be proportioned equally among the scriptwriters, the director, and the rest of the players. Too much dialogue, too slow a pace, too little dramatic tension (despite a few promises and hints now and then).As a result, the film lacks punch, sharpness, contrast. The characters are all too wishy-washy. We are never led to believe for one moment that Menjou is as mean as he says he is, or that Bickford (for all his customary blustering) as tough. In fact, most of the players seem miscast as Runyonesque types. Warren Hymer and John Kelly overact atrociously. However, the movie is reasonably attractive to look at, even if its lighting, costuming and staging are somewhat bland.
MartinHafer
"Little Miss Marker" has been remade many times. Now, after seeing some of these films it's nice to finally see the original. The story is based on a Damon Runyan story and was one of Shirley Temple's earliest full-length roles.The film stars Adolph Menjou as Sorrowful Jones--a hard-hearted bookie whose all-consuming love of money and gambling is soon to be challenged by a cute kid. That's because a sap leaves her (Shirley Temple) at the gambling establishment--with the intention on coming back for her. But, when he loses, he kills himself--leaving little 'Marky' an orphan. Now you'd think that Jones would take the child to the police. However, he comes up with a scheme with an even harder-hearted guy, Big Steve (Charles Bickford)--they'll register a horse in the child's name and then take the kid to the cops AFTER the big race! There is a problem with the plan, however--they don't realize how absolutely marvelous the child is and how she'll melt their stony hearts. There's much more to the film than this--see it and have a nice time doing so. The film gets very high marks for entertainment value, and Temple IS about the cutest thing you've ever seen! The film isn't perfect and makes little sense, but if you can just sit back and enjoy the film for what it is, then you will no doubt be happy you did. A swell film.
abcj-2
LITTLE MISS MARKER (1934) is one of the absolute dearest movies I've ever seen. I watched it last month on TCM. When it replayed tonight, I was back again. It is a Damon Runyon tale. His stories include men on the wrong side of the law. In this case they are gamblers, bookies, horse race fixers, and the like. The men use some saucy language created by Runyon that is definitely a sign of the 1930's, but some of the words are still around today, so it's an interesting insight into American slang.Shirley Temple really shines in her breakout role. From her first line she hooks us with her entire adorable little self. She charms the grouchy Apolphe Menjou and pals. Due to a series of events, Shirley ends up in Menjou's care. Hilarity ensues and his grinch-like heart becomes the perfect size for the happy ending. Most of the supporting cast are players I'm not familiar with as this movie is a bit older than those I usually watch, but these kooky men with soft hearts and pride fall for Markie and their lives are forever changed. A beautiful story that even shows Menjou praying which humanizes him and makes him even more heroic.This film is old, less then 90 minutes, plays a little bit like a stage production sometimes, has few big name stars, isn't Oscar worthy in the acting category, but it has heart. A big heart! It's pure entertainment like I'm sure depression era patrons needed for a dime or less. The production quality is still good. It's a feel-good comedy drama that is just the perfect film for someone wanting pure entertainment from its humble beginnings. I highly recommend this film:)
Neil Doyle
Damon Runyon's story about a girl left as a pawn with a bunch of racetrack characters has a certain flavor about it that many find appealing, but frankly the only reason I showed any particular interest in this film is the remarkable presence of little SHIRLEY TEMPLE in the title role.With the influence of tough-talking gents and gals around her, she soon adopts street-wise ways and manners of speech, so it's not the usual soft and sweet Shirley that we get here. Nevertheless, she remains adorable throughout, speaking all of her lines with the kind of verve and personality that would soon make her the number one box office attraction during the Depression years.It's worth noting that ADOLPHE MENJOU (who called her a little Ethel Barrymore) has some of his best scenes opposite Temple. She manages to hold her own against him, but he's well cast as the shady character with the sad eyes and droopy mustache who'd rather be romancing DOROTHY DELL than taking care of a pint-sized doll.Incidentally, DOROTHY DELL died in an auto accident within days of the film's release. She showed promise of becoming a very good actress in all of her scenes with Shirley and Menjou.