StunnaKrypto
Self-important, over-dramatic, uninspired.
Dorathen
Better Late Then Never
Bluebell Alcock
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Wyatt
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
purrlgurrl
If you live in Washington State, you'll immediately recognize that this isn't the Washington State you live in . . . it seems more like a New Yorker's fantasy of what it must be like to live in small town Washington State (where I actually do live in small town).Our town is racially and culturally diverse, not the White suburbia depicted here. That big departure from reality (as well as the fact that the film appears to be filmed in and commenting on life in all white New York suburb) just undercut the movie for me.
KATO-SUBZERO
16 July 2017: I see all and support All Interracial movies and t.v shows between men and women. What I wish is that movies would sometimes show Interracial men/women couples as other than just Black & White {African American-Caucasian American}. We need to show mixed race couples of how American really is Not just Black & White couples, but also Hispanic and Caucasian or Asian and African American or African American and East Indian or Middle Eastern as in Israeli or Egyptian Arabs married to a Black or White American. Those mixed couples do exist in real life too.This on is Not the best Interracial flick, but not that bad. I liked the talented kids the most, young child actress, Oona Laurence is great in her role as Ambrosia and the other young girl who played her friend and young Armani Jackson as "clark" were good. The adults in the cast were okay. Okay for red box or Lifetime channel t.v movie.Two things that that I did NOT like in this film. One during the scene where the little girl, Ambrosia finds out that Clark's mom is White and she runs off angrily to her room. Anyone over the age of 10 can clearly see when a person is obviously Biracial if his or her skin town is very light, but with other features such as hair texture. Anyone can clearly see that Clark is Not all Black.I am fed up and tired of seeing movies where a Biracial {black-white} kid or adult is only referred to only as Black. It takes two adults (man & woman} to make a baby and if one of the adults is of another race then the child is of both races and that is in the DNA. Biracial people are Not just one race, they are both races.Oona's role as Ambrosia is very smart, outgoing and precocious for her age. So she should Not have been shocked to find his mom is Caucasian/White. Also, he did not act like a kid from an all black poor street ghetto with bad English full of street slangs. Clark's diction is proper. It just did not make any sense for Ambrosia to freak out and get angry because he is Biracial.A boy his age is going to be curious about the opposite sex and since his dad nor mom had the "Talk" with him yet, he is finding out on his own. So his mom should Not have been so shocked when she sees a bikini magazine or poster on his wall. It is just time to give the boy the "Talk".Next thing, there is No way a kid his age should be having a girlfriend at his age. He could have a crush on a girl, maybe. Perhaps, he was just bragging to his cousin or not when he ran off angrily after the white mom scene. Over all, I give this film one thumb up and a 7. A much better young Interracial Love story is "Everything-Everything" starring Amandla Stenberg.
subxerogravity
Little Boxes made of ticky tacky Little boxes moving to a small town, where they don't look the same. There's a black one and a white one and the one they made that's in-between and these boxes from Brooklyn are having a hard time adjusting to a vastly different way of life.So the idea of Little Boxes is that Clark Burns, an eleven year old kid from liberated New York, moves to Rome...Washington, were he's one of two black people living there. The other being his father Mack who is also feeling the awkwardness of being in a place where it seems for a lot of them he's the only black person they ever met, which brings us to Gina, the White woman pretty much responsible for bringing them there do to her job and is feeling the pressure of not fully understanding the situation.The social commentary is very subtle, but ringing loud and clear. I actually loved the contrast of Mack hanging with his boys back in Brooklyn (one black one white), and being comfortable to be politically incorrect, then coming to Rome where the slightest miss use of words has the white folks questioning themselves. Although as the movie brings up, Mack also can't help but to be sensitive to what the town folks think of him.But if I'm selling this to you as a comedy I want to point out that the funniest parts of the movie have nothing to do with any political issue, and everything to do with just very basic family matters type stuff. Moving to a new territory is difficult and the best hi jinks come from the new family in town just trying to deal.Nice little movie parading some big topics in a light hearted way.http://cinemagardens.com
jdesando
"You are so interesting." (White townie to new black resident)Little Boxes is a little film that wants to be more than it is. While it would like to be a quirky tale of an interracial family moving from NYC to white Washington State, it's a slow moving story of a few dysfunctions on the part of the rural town faced with the black and white presence and awkwardly responding to it.The white mother, Gina, played underwhelming by Melanie Lynskey, accepts a tenure-track job at Rome College with perks her black writer husband, Mack (Nelsan Ellis), appreciates if only because his second book is taking a great deal of time. Eleven-year- old son, Clark (Armani Jackson), is experiencing a new life with a couple of 11-year-old girls, nothing grand, just the kind of pre-teen exploration that seems awfully tame from my jaded point of view.The meaty issues that hover over the biracial motif are meekly treated by a few pedestrian lines such as a young girl exclaiming the town needs a black: "We like totally needed a black kid. This town is SO white!" Or about husband a neighbor says, "If you close your eyes you can't even tell he's black." The mold hiding in the family's house is hardly a hidden metaphor. Embarrassing stuffThe only excitement in this turgid melodrama is when Clark gets in trouble for boyish misdeeds, odd actually for such a nice kid. I'm trying not to mention the four female professors at bad karaoke while over drinking on their regular lunch break. Even worse Gina is criticized for getting "sloppy" in a small town--a definite no no and a signal of intolerance almost unheard of in Brooklyn.Clearly Little Boxes (hmm, people trapped? town?) is not in the suburban satirical league of Ice Storm and American Beauty. Even in the final act, a resolution occurs so quickly as to be unbelievable. But I'm not going to spoil one of the only spirited parts of the film.