SincereFinest
disgusting, overrated, pointless
Ketrivie
It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
Fairaher
The film makes a home in your brain and the only cure is to see it again.
Bessie Smyth
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
hmoika
I just had to order a copy of the out-of-print DVD because of the young Kay Lenz. She had done such a great job in the film Breezy. I was a little apprehensive, wondering if she was up for this very challenging role----especially for a young person.I needn't have worried. She really did an excellent job at showing the ups-and-downs of this mental illness. It has been suggested that the parent's portrayals were, perhaps, too unrealistic. However, I clearly remember those years (the early 1970s) when the very idea of someone needing psychiatric/psychological help was incredibly shame-filled.
Some of my favorite moments were when Kay Lenz pleads with her parents, practically begging them to get her psychiatric help. Really really moving.Jamie Smith-Jackson and Debralee Scott: I just these love two actresses, and they did a really wonderful job as 2 of Lisa's best friends.Okay, I admit: I could do without the Rod McKuen songs. But that's really the only weak spot in this film.I am SO glad that I have a copy of this film. I'm going to enjoy watching it again and again. THANK YOU, KAY LENZ!
paulrjacobs
As a person with Bi-Polar ( it never goes away, just regulates and deregulates), I have experienced every symptom portrayed in this movie. And like this movie I also had a denying and uneducated mother toward mental health issues, who was overly concerned with her reputation in the community...well that spelled frustration to the max for myself at the age of 15 in 1980. This would have been the perfect movie for us to watch together! Sometimes critics are unaware that a film with a strong central theme can carry itself just fine despite what would otherwise be shortcomings. That said, I thoroughly enjoyed every quirk:) Kay Lenz has always been a favorite of mine as well. The perfect made for TV production IMHO. Hallmark presentations were always tops.
MartinHafer
"Lisa, Bright and Dark" is a frustrating made for TV movie to watch. In some ways, it's really well made...but in other ways the movie really drops the ball. The overall effect is frustrating.Through the course of this film, Lisa (Kay Lenz) is unraveling mentally. While the stupid and self-absorbed parents (Anne Baxter and John Forsythe) deny that she's having serious difficulties, it's obvious to anyone who cares that Lisa is a mess. After all, she's been lighting things on fire, slashing her wrists and has been in a stupor. The layman would say she's having a nervous breakdown and she keeps upping the ante in a desperate attempt to get her parents' attention...with little success. Her friends care and try a wacky intervention that left me confused...and it will really confuse you as well. What's also confusing is the end...which just seems abrupt.With a small re-write, this would have been an excellent film and alerted folks to teen mental illness and parental neglect. But the ending and the intervention just seemed slapdash. Watch if you must and if you do at least you can seen Anson Williams and Erin Moran before they went to work on "Happy Days".
Terence Allen
This is one of those Hallmark Hall of Fame specials that helped to cement their reputation for being well-made, well-acted quality production. Kay Lenz is outstanding as Lisa, and the supporting cast is also excellent. This is one that still holds up today, even though it was made many years ago. When this was made, mental illness wasn't a popular subject for serious treatment by television, but this sensitive,thoughtful movie helped to be a pioneer for all of the television movies dealing with mental illness (like Sybil, The Cracker Factory, and many others)that would come afterwards. The Seventies was a coming of age time for television drama. Lisa, Bright and Dark was a definite pioneer.