Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

elvircorhodzic THE TROOPS OF ST. TROPEZ is a hilarious comedy, which brings an abundance of a cheap humor and fast fun. This is a somewhat satirical look at some serious social issues that rotate continuously in the story. That is, from the beginning, very frivolous.Ludovic Cruchot, a gendarme is the embodiment of the law in a small French village. He has been re-assigned to the seaside commune of Saint-Tropez under the orders of command sergeant major Gerber. His beautiful and rebellious daughter goes with him. The gendarmes have a serious problem: a group of persistent nudists. However, Cruchot has an "ingenious" plan. Meanwhile, his daughter comes in contact with a gang of thieves...This is a very pleasant and short amusement, regardless of the whole range of unpleasant coincidence. The scenery is is a big hit, because it distracts attention from a distorted perspective on society. There is no place for a parody, this is a comic charade with unclear directions. Mr. Girauld has managed to shuffle all the elements, such as family, crime, religion, youthful rebellious spirit and incompetent guardians of law and order.Louis de Funès as Ludovic Cruchot has, given to his movements, noises, grimaces and gestures, completely stole the show. He has an aesthetic sense of humor, which is accompanied with his enormous energy. Well, Cruchot somewhat reminiscent on well known inspector Clouseau. Geneviève Grad as Nicole Cruchot is a beautiful girl from a province who comes into a tourist paradise. She has two problems: her youthful rebellious nature and a strict father, who happens to be a hyperactive gendarme. Michel Galabru as warrant officer Jérôme Gerber is preparing for the madness, at least for now.The films about gendarmes from a hot French coast are, like many other things, a part of my childhood.

RResende Of all the genres, comedy is the one which gets more easily dated. That's because the conventions for each moment in time (and for each culture) are very volatile, they change quickly. And, for some reason, we don't "pile" new notions over old ones, which is to say, with humor, once we have new conventions, we reject old ones (unlike, for instance, the detective film). This means that what makes people laugh now, won't work in a very short time. I'm still young, and i've seen that happen, with films i saw as a teen. But than we have another aspect to be reckoned: the fact that, though audiences adapt to new conventions regardless of their age (as long as they keep seeing new films and live active social lives), they still gain a cinematic memory. So, many times, people "know" that they will re-watch a film which "is" funny, they remember they laughed out loud when they saw it the first time.I saw this film with my mother, and i registered this effect on her. To me, this was something i had seen 10 years ago, to her, it was a memory from childhood, when these gendarme films were fresh.Now they aren't fresh. Social criticisms here are totally out of date for European societies, even for the Portuguese!, so that's a card out of the deck.The kind of gimmick Funés uses are also no longer so watchable. Physical acting has evolved to play with the body as an object (Jim Carey type) more than with the placing of the characters in a funny situation, like here (Chaplin made both things).I do sympathize with his unlikable character. The witty policeman, despicable, over-protective about his girl (that's social commentary as well), caring for appearances. It's a matter of attitude, and Louis de Funés was a valuable performer.One thing is remarkable about this film and its context: St.Tropez. What is remarkable, besides beautiful beaches, and pleasant lifestyle, is how cinema was an important, even fundamental, piece of the publicity machinery the french created to promote the place. It starts with 'Et dieu crea la femme', and it goes through a number of other films, including this one. Here we even have a song about the village, obviously made to promote both the film and the place. So here (as with 'and god...') we have the key elements that were important to highlight: beach, sand, summer-mood, boats, high life, open-minded relaxed living youth, attractive girls. The story exists to show off these elements. Well, you go today to St Tropez and compare it to what we have here in this film (and specially in 'and god..') and you have to admit they were successful in their campaign.My opinion: 3/5 http://www.7eyes.wordpress.com

WestMike The Gendarm is one of these movies which get aired in Germany at least twice a year on television on public holidays. Shame on me I never took the opportunity to give it my full attendance. So now when it got re-released on DVD in a box containing the first 3 flix with Louis De Funes as Gendarm Cruchot I gripped my chance – and was in no way disappointed.In the first 10 minutes of his movie (which I never saw before) we are introduced to the choleric character of a county policeman arresting fish and chicken thieves and singing in the church choir. This piece of film is in black and white contrasting the colorful scenes at St Tropez later on. Already these first 10 minutes are the work of a genius in humor. De Funes never fails to amuse with his extraordinary combination of being the law abiding correct police officer and same time unable to control his overwhelming emotions as depicted in his facial expression and excessive gestures. With this he is throughout the movie never overacting like in some of his later works.About the main part of the movie we see him elevated to lead a fearless four of flics in the mundane town of St Tropez on Mediterranean Cote D'Azur. Some story lines are welded together about nudist bathers (are they in existence still?), young folks doing some vandalism and finally a big robbery of a classical painting which he can (by chance for sure) resolve. These are used to include some extraordinary political and social satire sub-tones like Louis leading his flics into assault on nude people on the beach like famous French Foreign Legion soldiers in desert wars.I was brilliantly entertained by this comedy and could laugh out loud on some of the punchlines and almost dadaist slapstick. Oh, and you won't forget the catchy St Tropez tune performed by his film daughter and featured 3 times in the film. I give it 8 out of 10.Additional trivia for German version: In the restored version on DVD we see some short scenes which were cut from the theatrical version, recognizable by not being overdubbed with German synchro. They do not add much to the story but fit into the picture of a great comedy.

erwan_ticheler After seeing "La Grande Vadrouille" almost every year(I have a french mother and every time we go to France we see this movie) and loving it, I thought that this movie could be as funny as that one. BIG MISTAKE! This movie sucks big time for about an hour and then goes into an unsatisfying story.The first hour is filled with very bad sequences like the nudist beach-scene.The last half an hour has got some funny moments,highlighted with the scene in the deux-cheveaux with the sister.The final scene makes no sense at all,because we see De Funes in 2 different clothings for no good reason,this was very confusing and if it was ment to be funny it didn't work. A lot of sequels were made of this movie,which makes it even scarier to think about those pictures!Shame for Louis de Funes,I think I will watch "La Grande Vadrouille" again. 2/10