IslandGuru Who payed the critics

Develiker terrible... so disappointed.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

JohnHowardReid Cesar Romero is also the star of Lady in the Fog (1952) (Scotland Yard Inspector in the USA), competently directed by Pat Jackson and Sam Newfield for Hammer/Lippert. (Jackson and Newfield did not work in tandem. My educated guess is that Jackson was replaced by Newfield when wanted for a more prestigious assignment). The movie also boasts moody photography by Walter J. Harvey. After a slow start, the film gradually picks up pace, coming to a terrific climax in a movie studio. Geoffrey Keen gives a great performance, while Bernadette O'Farrell easily steals the female honors from the nominal star, the surprisingly colorless (at least in this assignment) Lois Maxwell. Available on an excellent VCI DVD.

zardoz-13 An incompetent amateur gumshoe, American magazine writer Philip 'Phil' O'Dell (Cesar Romero of "Ocean's Eleven") struggles to convince skeptical Scotland Yard Inspector Rigby (Campbell Singer of "Murder on Monday") that an apparent hit-and-run accident was actually a premeditated, cold-blooded, homicide. Of course, we know O'Dell doesn't suffer from delusions because director Sam Newfield stages the crime at the outset of this epic. The charming but inept hero O'Dell is at a nightclub when he meets Heather McMara (Bernadette O'Farrell of "Bikini Baby") as he is waxing nostalgic about old times with Sid the bartender (Wensley Pithey) when about their exploits in World War II. O'Dell is intently mixing up a new alcoholic drink when Heather gives him a hand. About that time, a uniformed London Bobbie enters the premises and informs Heather that her brother, Danny McMara (Richard Johnson of "Never So Few"), has been a traffic accident victim. Since the event occurred during a murky, impenetrable fog, the authorities have classified it as an accident. Nevertheless, Heather is adamant that her brother Danny was murdered. The cheerful, urbane, well-intentioned O'Dell champions her cause, despite a conspicuous lack of evidence. The hopeless gallant O'Dell launches his own investigation to resolve the matter after the authorities balk . Not only does he find Heather enchanting, but also his flight has been delayed owing to the same fog that contributed to Danny's death. A comic gag that runs throughout "Scotland Yard Inspector" concerns updates about O'Dell's flight. The harried airport manager Boswell (Frank Birch) seems to have no luck either pleasing or placating our protagonist. Along the way, O'Dell makes a buffoon out of himself when he assures Heather that he has a long-time friend in Scotland Yard. Little does O'Dell know that his old friend is no longer an inspector. O'Dell's first blunder occurs when he tries to play a joke on the new Scotland Yard Inspector and O'Dell discovers that his old friend no longer holds that position. Instead, O'Dell winds up alienating the replacement by accidentally breaking the poor fellow's pipe and then tripping over things in his office. Since Heather cannot offer any tangible evidence aside from her intuition about her brother's demise, Rigby has no basis to initiate a murder investigation. Mind you, this doesn't discourage the overzealous O'Dell, and he starts nosing around, interviewing nightclub proprietress Margaret 'Peggy' Maybrick (Lois Maxwell of "Goldfinger") and a movie producer Christopher Hampden (Geoffrey Keen of "Moonraker") about Heather's brother. Eventually, our hero encounters trouble when he tricks his way into Danny's disheveled apartment. An intruder assaults him and departs in a flash. Afterward, O'Dell discovers a wire recording reel and tries to conceal himself in the shower when Rigby and Detective Sergeant Reilly walk in on him. Rigby has already warned O'Dell about interfering in police matters, but this doesn't dissuade O'Dell from blundering headlong into more trouble. O'Dell drops the wire recording reel on the floor and it rolls out into the apartment and he ends up confronting Rigby and the sergeant. Miraculously, O'Dell is able to extract himself from this predicament. Rigby makes disparaging remarks about amateur sleuths. Interestingly enough, Heather doesn't accompany her crusading friend on his jaunts. At one point, O'Dell enters a sanitarium and masquerades as a doctor to speak with a man, Martin Sorrowby (Lloyd Lamble) who knew Danny. Not long afterward, the evil nurse has Martin run down in the street. Inspector Rigby arrives as a crowd had gathered around Martin. Interestingly enough, the little old lady who said she witnessed the hit and run was Katie Johnson, the same old dame who survived the repeated attempts on her life by Alec Guinness and company in the original "The Lady Killers." Eventually, Inspector Rigby decides that O'Dell isn't totally bonkers. By that time, O'Dell finds himself pitted against three of the villains.Okay, so I won't reveal who killed Danny because he was blackmailing them. The final scene shows O'Dell and Heather now married trying to book a flight to America. "Scotland Yard Inspector" is no great shakes and the mystery is no surprise. Future Bond supporting plays Lois Maxwell and Geoffrey Keen give a good account of themselves, with Keen making a good villain. "Adventure Island" director Sam Newfield staged this nimble mystery comedy thriller abroad at Riverside Studios, Hammersmith, London, England. Cesar Romeo makes a good leading man and he knows how to handle the serious stuff and the silly shenanigans without embarrassing himself.

mark.waltz Cesar Romero is an American detective in England who takes over what Scotland Yard won't when the troubled brother of a young woman (Lois Maxwell) he meets is murdered. The brother is briefly seen in the very beginning, being run down by a car in the night fog. The murder is declared an accident, and Romero takes it upon himself to try and help the sister prove her brother was killed. It's an exciting beginning that unfortunately becomes as convoluted as one of those mazes scientists let mice run through for experimentation. Initially intriguing, it eventually becomes monotonous and after a while, one ceases to care and looses interest, and is begging to be let out. Still, I pondered on through the tedium, feeling I needed a score card to follow this plot which introduces several possible suspects yet truly lacks in a believable motive. By the time the killer(s) were revealed, I was wearing the battery out on my DVD remote seeing how much time was left. Yet, the great beginning, which lead to a ponderous middle, finally had a rather thrilling conclusion, a chase sequence that results in two brutal deaths. But there were some moments where I wondered if Romero could possibly cross the street without getting hit with how many times he peaked out from behind a wall right after a bullet barely missed him. Maxwell is a believable heroine, and Romero, with his Yankee Doodle Dandy "Get Up and Go", is very much out of place in this staid British atmosphere where not one British character shows any sign of life outside of walking and talking. It's a characterization of the English that is totally untrue and an insult to some of the marvelous British character players that show how lively they really are.

blanche-2 "Lady in the Fog" is a 1952 film starring Cesar Romero as an amateur detective, Philip O'Dell, an American currently in London. He helps a woman (Lois Maxwell) whom he meets in a bar - her brother was run down by a car in the heavy London fog, but she is convinced that it wasn't accidental. O'Dell investigates, and finds himself involved with an old case, a mental hospital, a filmmaker, and a nightclub.Romero is a delightful actor, and this story has a lot of comedic elements which he acquits very well. He was very underrated, which is clear if one sees him in "The Captain from Castile" and "Julia Misbehaves." The story of "Lady in the Fog" is about as lame as it gets and pretty easy to figure out. It's made on the cheap. Romero is always worth seeing, though.