GamerTab That was an excellent one.

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Yorick That's a direct quote from one of the American fliers in this rugged PRC paean to the Glory of China and the March of Democracy. And only a fool would argue with the assessment. There's some surprisingly nasty stuff in this for the early 1940s. And of course Anna May Wong continues to hold down her position as the No. 1 most beautiful female actress of all time. Plus, we get Mae Clarke. See it.

bkoganbing Anna May Wong's regal beauty and charisma stands out like a diamond in a in a sea of rhinestones in Lady From Chungking, one of two wartime propaganda film she did for PRC Pictures. The film looks like it was shot on a western film location and has some western like aspects.Anna's a patrician lady here who is doing a little espionage work for the Chinese Resistance. Once exposed to her charms Japanese general Harold Huber shows absolutely no resistance. Mata Hari had nothing on Anna May Wong. This film's location is some backwater part of western China. Until Chiang Kai-Shek chose it as his capital in exile Chungking itself was as backwater a town as you could find. Huber's presence means that a Japanese army can't be far behind and Anna's mission is to find out what Huber is up to.in the backwater is also Ludwig Donath as a German café owner with Mae Clarke who plays a singer in his dive. Clarke is an anachronism here. Her character is supposed to the daughter of a Russian father and an American mother and Clarke's never seen the USA. She may never have seen it, but she sure sounds it. She must have listened to a lot of radio broadcasts and seen a lot of movies, especially Joan Blondell movies. Add a couple of downed Flying Tigers, Rick Vallin and Paul Bryar who is from, where else, Brooklyn and you have all the ingredients.Anna May Wong gives this film an extra couple of notches, but it's still a Poverty Row PRC film and that's never a good sign.

rock_bustin "Lady from Chungking" was a Wartime propaganda-style Flag-Waver made on a shoestring budget that really shows. The only real reason for watching this film today is for its' star, Anna May Wong.Ms. Wong's career was a study in contrast and conflict. The conflict was her battle for professional recognition and against prejudice. The contrast was that so often her genuine talent and truly great beauty and poise was put on display alongside actors who couldn't hold a candle to her and in films made as cheaply as possible."Lady from Chungking", although made relatively late in her career, is a typical example of all the above. Ms. Wong OWNS every scene she appears in - as was true of most her work. Her co-stars appear dull and forced beside her. The "Chinese" sets are nothing but trinkets and wall-hangings and cheap furniture - usually dimly lit in hopes we won't notice. The Japanese general's uniform looks like it came from leftovers of "The Emperor Jones". As is typical of these films, only REAL Asian actors sound legit(because they talk like the ordinary Americans they were), while all the Whites playing Asian roles sound incredibly Racist and Fake precisely because they are trying to sound Asian!!Then just when you're ready to chuck the whole thing - along comes another scene with Anna May Wong. She was an excellent talent, a True Star, and a Fashion Icon in her day and it is obvious every time she is on camera. There are certainly better Anna May Wong films out there but if this one is available take the chance to see it. Ms. Wong is the "Pearl" in this oyster of a film and you will be rewarded if you take the time to find her in it. Six Stars only as even Anna can't work miracles here.

Mike-764 A group of Chinese farmers are being worked by the occupying Japanese army during World War II, while secretly working their underground movement to end the oppression. Kwan Mei, whose family was killed by the invaders, is questioned by the Japanese concerning the whereabouts of an American flier that was shot down. General Kaimura is taken by Kwan Mei's beauty and becomes his mistress, but she uses this to her advantage in order to obtain information vital to the Allied war effort. When she learns of a Japanese troop train that is to arrive, it is up to her to lead her fellow Chinese and allies to intercept it, overcoming the obstacles of the Japanese army and her fellow farmers who believe she betrayed them to the enemy. Very good propaganda film from PRC, which should have been done at another studio so its message of sacrifice and camaraderie would have been heard by more. Wong is simply terrific in her role as the clever Kwan Mei and her message at the end of the film captures the essence of every person oppressed by an evil captor. The scenes with Clarke, Donath, and the American fliers really take away from the main essence of the film and just seem to pad the running time. Worth a look. Rating, 7.