Smartorhypo Highly Overrated But Still Good

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

zimmer-9 This is one of the more interesting and underestimated Austrian films of the fifties, especially if you compare it to the typical "imperial" melodramas a la "Sissi" with Romy Schneider. The story of the unhappy and depressive crown prince Rudolf has been filmed several times, but never in such a fascinating and deeply morbid way. Rudolf Prack's performance is probably the best of his whole career, Christiane Hörbiger's debut is moving but not too sweet (in fact she is playing much harsher and more realistic a part that would have been tailor-made for young Romy Schneider). Lil Dagover, the "Grand Dame" of German cinema delivers a convincing portrait of the "old" empress Elisabeth (Sissi), trying to get away from her husband as often as possible and leaving her son to desperation and loneliness. The way Jugert uses color is remarkable and completely different from other German or Austrian films of that period. Everything is dark and gloomy and the coloured walls, curtains and tapestries seem to be as overripe and decaying as the whole house of Habsburg. Don't miss the gloomy beginning with the burials of Rudolph and his young mistress which sets the atmosphere for the rest of the film.

jan onderwater This is what in German is called "Schnulze": a tear jerker that is simply too sugar sweet to be swallowed. Though it is made well enough, the cinematography of Günther Anders is fine, and it is well cast (it is at least noteworthy for Lil Dagover), the film may be hazardous for your brain and at least for your knowledge of history.