Stometer Save your money for something good and enjoyable

Srakumsatic A-maz-ing

Leoni Haney Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Prismark10 Writer & Director James L Brooks has a very sure touch when it comes to movies. I'll do anything was conceived as an old fashioned musical and parody of actor's lifestyles and film clichés.Test audiences were not impressed with the film and at the time musical films were out of fashion. I presume the songs were actually rubbish which tends to be the case with a lot of musical films.Re-cut and re-edited, this is now a straight story with Nick Nolte, playing Matt Hobbs, a once promising actor who has not managed to get a regular acting gig in some time, ends up driving around an arrogant film producer (Albert Brooks).Things take a turn when his ex-wife dumps their daughter Jeannie on Matt for what he thinks is for a few weeks but turns out to be longer as she is off to jail. His daughter is used to getting her own way and he is not used to fatherhood.His career may have some brightness as he gets friendly with with attractive production assistant (Joely Richardson) who has a script idea and thinks Matt could be the lead actor.The film was hampered from the start with its production troubles. Nick Nolte does well as a down on his luck actor with a brat of daughter and trying to bond with her whilst dealing with machinations of the film industry.Where Brooks succeeded so well when he turned his eye on TV news with Broadcast News, the story here is not strong enough and although the actors try hard the film comes off as hollow.

Al Rodbell This film could have been shot in a month, since everything in it had a freshness and spontaneity that can only come when nothing is labored. I don't know the film world, but this seemed genuine, with the characters each with their own struggles.Nick Nolte's relation with his "difficult" daughter was something to enjoy. When his hopes were raised to get the big role, only to find out it wasn't going to happen, devastation, closing the door and crying in the bathroom, was what could be expected.We only get so many chances in life, and when we miss one that very well could be our last, our life is altered irretrievable. Nothing could be more real, whether it is getting a movie part or a promotion to manager at Walmart.And the six year old who played his daughter, recruited from a clogging class in Georgia from a working class family. She was just a normal little girl, not a child actress, but someone who fit perfectly. And she went back to Georgia and then on to a local College to study Business Administration.Somehow, this film received a low rating here and apparently was a box office failure, yet every written comment was of the vein of this one, laudatory. Perhaps that was the subplot of the film exemplified by its lack of success.Brooks producer character made his films with loud explosions and tested it as a product to satisfy an audience. Artistry had nothing to do with what he was manufacturing. This film was a rare treat, but would never been made by Brooks, or anyone else apparently.But this one got through, and is a pleasure for those who can appreciate it.

renaldo and clara This is one of those 'greater than the sum of its parts' movie, where you can't quite put your finger on why it's so great, but it just is. The set of this movie must've motivated these actors to beyond their usual performances..........maybe because the script is so great(they all get their shots at character development..... I can think of 5.) There's Nick Nolte, I've never DISliked him, but his physique combined with his sweet fatherly attitude makes for the perfect combination; it makes him very attractive. Joely Richardson I've only seen in one other movie, but she keeps you interested in her character all the way through, however quirky, weird, or whimsical. Nolte's daughter (Wright) is SO believable as the spoiled little rich girl, brought up by man-hater Tracy Ullman (!)'s character as mom. The two other characters are supporting; one is that lady who does Marge Simpson's voice, and her love interest. All these characters develop and learn. This film also ironically gives insight into the film industry, and how truly unglamorous Hollywood can be. Nick Nolte must cry in a room full of people withOUT the director even being there, a group of ladies who work in casting are asked, when deciding yay-or nay on this actor, if they would sleep with him. But in the end, it stays true to its source, meaning it doesn't look completely down at Hollywood or anything else. It's just a really adorable feel-good movie.Did I mention adorable?-Sep

David Vanholsbeeck This movie has really got the "Brooks Touch" and that's a very good thing. I can't understand why this has got such a low ratings on the IMDB, or why it is so little known. Like AS GOOD AS IT GETS and the even better, but overall largely underrated TERMS OF ENDEARMENT, this again is a wonderful story about real people. And when Brooks is in the director's seat, you know this film isn't going to take the easy way. I can only recommend this movie, especially because of the many lovely moments and the excellent dialogue. My only complaint is that some of the dialogue is a bit too smart for its own good and that it doesn't always ring true. The actors are very good too, especially Nick Nolte, Joely Richardson and the young Whittni Wright(who is wonderful). They're not the really big names, like in the two aforementioned movies, but they did a very good job. Also look out for the character played by Albert Brooks, which is very familiar with Jack Nicholson's character in AS GOOD AS IT GETS. It almost seems a trademark of James L. Brooks, who keeps delivering the goods with his original and always fresh romantic comedies. Don't miss this one! 8/10