BootDigest Such a frustrating disappointment

Ensofter Overrated and overhyped

UnowPriceless hyped garbage

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Claudio Carvalho The homosexual garbage truck driver Krassky (Joe Dallesandro) and his partner Padovan (Hugues Quester) stop at an isolated restaurant near the landfill where they work to drink a beer. They are served by the waitress Johnny (Jane Birkin) and she explains that the sleazy owner Boris (Reinhard Kolldehoff) has given that nickname to her since she wears short hair and has small breasts. Her tomboy style attracts Krassky and she has a crush on him. Boris warns her that Krassky is gay but Johnny dates him. When they go to bed, Krassky fails; however, when he sees her laying down on her face, he gets excited and sodomizes her. They start an unusual relationship while Padovan gets jealous. "Je t'aime moi non plus" is a cult perverted romance that called the attention of Jane Birkin to the audiences in the 70's. This actress is used and abused along the shallow story and made the title song famous mainly because of her moaning and screams. This song has also become a synonym of love and eroticism. My vote is five.Title (Brazil): "Paixão Selvagem" ("Wild Passion")

kristen Skullerud Not much of a story, like in "un homme, une femme"(also with a famous song in the film) , its real strength is the atmosphere it invokes, - the desolute landscape which accentuates the feeling of loneliness, the truculent male star, the hard stares from the judging locals, the weak and fragmented dialogue, the not too bright couple who were madly in love, it's just one of those films that you can't forget, and of course, very french in style, ....the scenes of anal sex were unnecessary, but the film was released in the 1970's so a bit of scandal , only helped to sell more the film to the public.I think a remake of this film in the US, could be done nowadays. Filmed in the plains of the Midwest, in some god forgotten village, it would be a hit, especially considering the amount of free publicity US films get !

Robert We had hoped that Serge Gainsbourg's most well-known film would demonstrate his interesting - if a bit twisted - perspective and style. Unfortunately, by the time "Je t'aime moi non plus" was made, Serge had become an "old fart", to borrow a recurring line from the movie. Instead of the inventive, hip Serge of the 'sixties, pulling musical influences from around the globe and spicing them up with naughty references, he had become the jaded fatalist, using shock value out of habit rather than effect. It would also appear that he had been a bit too influenced by Godard's "Weekend" for his own good. Long tracking shots of the protagonist's truck passing aimlessly through a barren landscape littered with wrecked cars are employed at least four times. What this film and its actors really needed were a plot and some actual dialogue. Birkin, Dallesandro and the rest of the cast do credible jobs with what they've been given to work with, but their doomed love triangle is bog-standard 1950s melodrama, with a gay twist. Absolutely wasted here is Gerard Depardieu, who turns in an awkward and unconvincing cameo as a homosexual beastialist. Thankfully, Gainsbourg still had talent in him as a composer, and the film benefits from his soundtrack. I suspect he was not encouraged to attempt more directorial efforts, as after "Je t'aime..." he only did vanity films.

moebius gastone The film is a classic one. Jane Birkin incredibly sexy and Depardieu in a surprise-part. Erotic scenes that you will never forget...