Tedfoldol everything you have heard about this movie is true.

TeenzTen An action-packed slog

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

WisdomsHammer Be prepared for: Long, drawn out scenes with blaring organ music on top, really bad acting, really bad makeup, and hilarious death scenes. There is the odd moment of genuine entertainment and fun peppered throughout, but it's awfully tough to wade through the movie for them. It's a stream of boredom, predictability, confusion, and at times hilarity. I would rename this "Horror Very Slowly Rises from the Tomb to Loud Organ Music". If you like old, Gothic horror. You'll probably get a kick out of it. If you're looking for witchcraft and the occult to be center stage, I'm afraid you'll be disappointed. In this movie, the warlock and his concubine are just a couple of stock villains cast to be the baddies. The movie did have a few moments where I said, "Ok. That was cool." That and the unintentional hilarious scenes that made me laugh out loud are what gets this movie 3/10 instead of 1 from me. I really don't want to see this again, though.

mark.waltz Horrible sound effects accompany this miserable and bloody gore-fest that starts off interesting enough but resorts to extremely disgusting visuals to move the story forward. Starting off in the 15th century, the back plot has a warlock and his wife being executed for their crimes against God, and five centuries later they are back thanks to the discovery of the warlock's head that forces modern day people into zombies and to turn to dismembering others for their hearts which ultimately brings back the original warlock to life. Bizarre modern subplots including the presence of a cult of demons hanging people in the middle of the road don't seem to be related and seem present more for shock value than of any use to the plot. Excessively bloody and deeply disturbing, this is almost unbearable to watch. I say that not as someone who is against anything satanic in nature in movies, but through the way that this is presented. I had a headache half an hour into the film because of the annoyingly awful sound, and after the 4th or 5th gory murder which follows with people literally having their hearts cut out with a machete then others set on fire, I just was plainly annoyed. This is just impossible to watch. I have seen many of these late 1960s and early 1970s Eurotrash horror films that combine sex and degradation with a satanic plot, and a few of them are mildly enjoyable. Of course, the gratuitous sex scene ends up being pointless, more sadomasochistic than arousing. This one other than some interesting art direction and of course the historical setting up left me wanting it to end long before it did.

lastliberal OK, I love Paul Naschy, and I love Eurotrash from the 70s. So, if I appear biased in my review, it is unintentional and my exuberance over the genre may be affecting me.We see de Marnac, Naschy plays all three de Marnac characters, beheaded in the beginning (the 15th century), along with his female companion (Helga Liné). They vow to return for vengeance. We then jump to the modern day.The current de Marnac decides to travel to the family estate to explore some superstitious nonsense. Now, I imagine that the family estate is not well heated, but that didn't matter as all the young women in the film either wore very flimsy nightgowns or slept nude. You can imagine the treat.The Gothic music throughout added to the terror.When the evil de Marnac and his mistress awaken, we see lots of full frontal and lots of blood and gore, too. Then, we get zombies! Only one person walks away in the end.

adriangr The new BCI DVD of "Horror Rises From The Tomb" is a revelation. Fully uncut and in widescreen, the movie has never looked so good. Sadly, while it glows in the glory of stunning picture and sound, the film itself comes up a bit short. But that's not to say it isn't fun. The story involves a medieval warlock named Alaric and his lover who are executed and buried for their evil crimes. In the present day, two couples, one of whom is a descent of the original wizard, decide to search for the bodies and dig them up (for reasons I cannot quite remember), which of course leads to dire consequences for all. What initially impressed me was the stunning prologue, beautifully filmed on a windswept plain somewhere, but this was immediately followed by a shift into the present day where two modern, beautiful, swinging couples spend far too long having dull conversations and generally wasting running time before the evil ancestor is finally dug up and (surprise, surprise) rejuvenated. Before the re- appearance of the warlock, the film sags miserably, so don't be surprised if you find your attention wandering. I have seen this film twice and on both occasions I lose interest in the film totally during this part. Things get going again around the halfway mark and things benefit by the appearance of Naschy (again) as Alaric and the statuesque Helga Line as the revived mistress. But the film never really kicks into top gear, and I think this leaden first half is partly to blame. Paul Naschy does his best as usual but none of the four main characters are interesting, and the blonde woman in particular is an appallingly bad actress. And if you're expecting lots of gore filled action, you might be disappointed. A lot of the effects in the film are pretty bad, and many are just "materializations" or hypnosis scenes done with coloured lights. There is a bit of gore, most notably an amazing scene in which Helga Line tears a man's chest open with her fingernails and pulls his heart out (!), and there are a few other fun bits, such as the return of some of the recently murdered victims as undead attackers. This had the potential to be a great highlight of the film, as the dead bodies seem to reside in a lake during the day and rise at night, and the make up for them is truly ghoulish. Unfortunately it's treated in a very throwaway fashion, and because the plot is so weak it doesn't really make that much sense, but at least the film is a bit more exciting during the short sequence when they attack a house. As the film plods onwards, too much time is spent on the warlock's rather dull ability to hypnotize some characters and make them his slaves. This is obviously a very cheap effect as they just have to walk around menacing each other blankly, although in the case of the hopeless blonde actress it's a positive bonus, as her performance improves immensely once she stops talking! There's also a very weak idea involving an amulet that can repel the evil wizard, and once this is found he switches rather drastically from indestructible to a complete pushover and the film winds up rather rapidly from this point onwards. For all these reasons I find the film ultimately rather unsatisfying, which disappointed me because having only the previously released poor copies of it, I thought the BCI version was going to reveal it's full glory, but it actually achieved the opposite and showed it up as a rather ineffective mish mash of different ideas. There are some great shots and images but the plot and script pretty much undermine all the good visual atmosphere. The BCI version comes with both Spanish and English soundtracks, but the Spanish one sounds very tinny compared with the full bodied English one, so I stuck with that one, which of course never helps! There's also some bonus material in the form of a gallery and a great collection of alternate "clothed" sequences for a lot of shots, but the main feature itself contains the full nudity versions of all these scenes, so you won't have to feel you are missing anything with the main version!