Hired to Kill
Hired to Kill
| 10 November 1990 (USA)
Hired to Kill Trailers

A fashion photographer and seven models travel to a South American island fortress, ostensibly to do a fashion shoot. In reality, the photographer is a mercenary and their job is to free an imprisoned rebel leader

Reviews
Karry Best movie of this year hands down!
Catangro After playing with our expectations, this turns out to be a very different sort of film.
mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
jasonisageek If you watch as many Direct-to-Video Low-Budget action movies as I do, then you know that a majority of them are just alright. Some end up being forgettable, some end up being just plain terrible, and then some will just blindside you out of nowhere and end up being amazing. This is one of those films.Brian Thompson (Cobra) plays Frank Ryan, a mercenary who's hired to sneak into South America and rescue an imprisoned rebel leader. To do this, he must go undercover as a gay fashion designer, and will have to hire and train 7 women to be both models and assassins to be able to pull this job off. You'll know in the first 5 minutes whether this film is your cup of tea or not, because right off the bat, it's blatantly absurd in a very cheesy late 80's/early 90's kind of way - the kind of action film I just so happen to be obsessed with. None of it is on purpose either, it's all done straight in a legitimate way, which makes it all the more amazing and hilarious. If you're into this kind of thing, then Hired to Kill delivers on every level. It's a film that, while a bit goofy, fires on all cylinders to deliver exactly the kind of action film experience that I just love to death; cheese, action, explosions, nudity, one-liners, awesome and unintentionally hilarious.Brian Thompson just rules so hard in this. What can I say? Thompson is a bad-ass in this. He really is. From his very first second of screen time, which is literally the very first image of the film, he exudes a cool, tough guy, machismo that is a bit ridiculous, yet so unintentionally silly and hilarious. How cool is he? Well, when his alarm clock goes off, instead of just pressing a button to turn it off, he instead pulls out a gun from under his pillow and shoots it, without ever opening his eyes. That kind of cool. His "I don't give a ****" attitude is what really sells it though. First and foremost, it's the cheesy dialogue, but it's also in his delivery. He seems to just really hate women in general, and because of this, his character is fascinatingly entertaining in an overly macho way, like he's overcompensating for something. It's highly amusing, and Brian Thompson sells it like nobody else does. It's really a shame he never got the chance to do more films like this as an action star. If this film proves anything, it's that Thompson should have been given more opportunities like this other than typically playing a villain.I'd never heard of Greek writer/director Nico Mastorakis before this. It seems though that he was a pretty busy guy, throwing out a good 2-3 films per year during the 80's and 90's. I think what surprised me a bit was that he didn't just stick to action. Comedy seemed to be a genre he constantly came back to, as well as horror and thrillers. Yet, if this film is any indication, action seemed to be his calling. As I look into them all though, it seems the "quality" of his work varied greatly from film to film, as is usually the case with these type of filmmakers. Jim Wynorski, Richard Pepin and Joseph Merhi are other examples of genre directors I love for certain films, but tend to offer work that is sub-par, or falls flat for the most part. It would seem Mastorakis easily falls under the same category; a director who has a few solid standouts, but otherwise who's large output of films are pretty forgettable. It's a bit disappointing too, because just based on his work in this film, he does a pretty great job in terms of his camera setups, action sequences and editing. Or, a decent enough job that benefits the material.There's so much to love about this film. Not only does it deliver on the action, but just the premise alone, about training 7 women to become assassins, and heading into South America under the false pretense that they're famous fashion models, is just ridiculously awesome. There are moments that the film is just so absurd, that they apparently didn't stop and think how plausible any of it would be. For example, there's a scene where Ryan (Brian Thompson) is training the women in a camp ground, and using cardboard cutouts as targets that pop up. Some of them are of him, and some of them are of the notorious leader they'll be going up against to get to the other leader they're attempting to rescue. The bad guy is none other than Oliver Reed. Yes, that's right. And so when these cardboard cutouts of him appear it's quite hilarious. You think "how did they get this perfect image of him? And when and how the hell did they get these made?". It's just so random and unapologetic-ally silly, but that's what makes this film so great.Hired to Kill has everything you could want in a film like this; nudity, tons of action, explosions, one-liners that rival the best of Schwarzenegger, an absurd but highly enjoyable premise, and a scene where Brian Thompson kisses Oliver Reed. It's a nonstop ride of nonsense, cheesy fun, action-packed and entertaining as hell. It's exactly the type of film you hope it will be.www.robotGEEKSCultCinema.blogspot.com
Comeuppance Reviews No one can say Frank Ryan (Thompson) isn't awesome. As a badass mercenary, he plays by his own rules. But when Thomas (Kennedy) approaches the hulking brute with a new assignment, at first he's wary. He must travel to the small country of Cypra and rescue a political prisoner named Rallis (Ferrer). But in order to do this, he must pretend to be a gay fashion designer and have a retinue of seven fashion models. Did you think there would be another way to get that job done? This initially chaps Ryan's hide, as he's an ultra-macho warrior who "doesn't like working with women". But these aren't ordinary women, they're all specially trained in the fighting arts. The only real obstacle standing in their way is the president of Cypra, one Michael Bartos (Reed) and his goons. Will Ryan and his lethal ladies be able to extract the prisoner and complete their mission? Find out today…It was nice to see fan-favorite Brian Thompson as the main hero for once. He usually plays the baddie, and he deserves a starring role like this. He gets a great intro to his character, doing something to a ringing phone that we've all fantasized about doing at one time or another. But that's about it for character development for Frank Ryan, all we need to know is that he's a grizzled, tanktop-wearing, musclebound belligerent jackass/hero. But how could Thompson be a villain this time around, when the great Oliver Reed fills the role with aplomb? Sure, Reed's absurd, bushy mustache makes him look like a cross between David Crosby and a walrus, but it's all part of the fun. Hired to Kill isn't that dissimilar from another "Oliver Reed hitting the skids" movie, Rage to Kill (1988). Maybe he demanded only to be in "…to Kill" movies to cap off his career.Jose Ferrer doesn't do that much, and George Kennedy wears some cool glasses. You've got to hand it to director Mastorakis. He can usually corral together a bunch of B-stars like this and create a product perfect for the VHS market of the day. Kennedy also worked with Mastorakis on Nightmare at Noon (1988), as you may remember. Essentially, Hired to Kill is a non-South America-set El Presidente movie, and of course Ryan has to assemble a team, and naturally there's a training sequence. But those time-honored classic items are filled with babes. The scenario is reminiscent of Hell Squad (1986), but just call it the "fem-spendables".So while there are plenty of talky bits in the middle, it all comes to a nice, Red Scorpion (1988)-like climax (Thompson even resembles Dolph at times), and there is some classic un-PC dialogue. Plus he sits down while shirtlessly shooting a machine gun and wearing sunglasses. Usually it's some maniac standing and screaming while doing that. Thompson adds some casual cool to his murderous rage. Featuring the song "Do It For the Money" by Thomas Marolda, which is very similar to Deion Sanders' "Must Be the Money" of a few years later (could it be that "Neon Deion" is a fan of this movie?) Hired to Kill does get a little dull at times, but the stars, especially Thompson, and the eye candy, keep it afloat.
Bezenby I love this director. First, he gave us Island of Death, an utterly outrageous and hilarious piece of video nasty trash. Then, after thinking that was the only film he'd ever made, I found myself watching Nightmare at Noon, a Crazies style film with plenty of action and hoots. Now, I've sat through Hired to Kill, and although it's not as good as those two films, it still has plenty of daftness to keep my attention.Brian Thompson is one of those secret service types hired to infiltrate a despotic country and overthrow dictator Oliver Reed, but not just that, he's got to do it posing as a gay fashion designer with an entourage of special forces beauties posing as models. So it's kind of like the dirty dozen remade by Vogue magazine, including the obligatory training scene, and the obligatory fashion model shoot. No wonder Oliver Reed looks perplexed (and a little bit toasted in a couple of scenes).This is all pretty fun stuff, but there's a lack of action for the first hour or so. Still, there's the standout scene where Oliver Reed checks whether or not Thompson is actually gay or not which had me in stitches. I'm not even sure Reed was expecting to be kissed by Thompson because his surprise seems pretty genuine. Great stuff.
glenmusher This is a movie with cult potential.Brian Thompson(in a rare leading role.)is the misogynistic soldier of fortune called on to lead an army of seven beautiful fashion models/ mercenaries to rescue an imprisoned leader from a despotic regime.Good supporting cast in the shape of the late Oliver Reed and Jose Ferrar.It also features a gay kiss scene(of sorts) between Reed and Thompson!The dialogue is cliched, but the action is good.The girls look as if they escaped from a Robert Palmer video.Good voyeuristic fun!