Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Supelice Dreadfully Boring

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

bettycjung 11/8/17. If you are wondering why there is so much mental illness these days, this documentary may provide a partial explanation. Looks like those who have all the money will continue to have all the money, so forget about the working man. Of course, our happiness doesn't always depend on what happens to the economy, but if one has to work for a living, there is no other recourse to move ahead. What is perhaps the saddest thing in all this is when you take away the American Dream, you take away Hope, and that is worst thing of all.

OJT It's an unbelievable true story on how smart capitalist forces have ruined the American dream. It's all about getting as much money as possible, and to fool media and about everybody else and how they still are trying to ruin social security and medical care, and make America going into a heavy economical crises.These has also made it legal in any way to fool people into giving up their rights, privileges and regulations of the free economy. Today the system is completely out of control, and those having lots of money are allowed to do anything which we formerly would appreciate as illegal.The last 30 years the average American has had a great decrease of standard of living, not 50 millions are down and right poor. 1/3 make less than $ 15.000 a year. 1/5 makes less than $ 20.000, which is just a little above the average worker's income. As a comparison the average worker's income in Sweden is $ 60.000 and in Norway is now $ 90.000! In average!!!! God knows what it is in Saudi Arabia!This film tries to give hope; but I must say it's very unlikely that this is possible as long as the rich corporates are now controlling the whole society, including the president. But this might also be the reason for the U.S. soon is soon history a great nation, but rather a poor one. I hope I'm wrong, but I really can't see how you'll get out of this situation in getting back your money!A good eye opener!

Anna "Scout" Wise HEIST fully exposes the roots of the economic downturn and lays the blame on some parties that you wouldn't even expect. If you want answers as to why the middle class had to sacrifice so much in this recession then see HEIST. You will be outraged to find out that many benefited from the losses of the poor and middle class in this country. Moreover, you will be outraged by how far corporations and commercial banks went to ensure that the American people were totally bankrupt of a financial future. They took Congress, they took the media, the bashed the unions, and they outsourced jobs, there is no lengths they will not go to to make more money. Fortunately HEIST goes on to give the audience solutions. A must-see before you vote!

Frances Causey "Heist: Who Stole the American Dream?" is a documentary polemic that comes out swinging. I More About This Movie Overview New York Times Review Cast, Credits & Awards Readers' Reviews "The mess we're in now did not begin on Wall Street. Long before the financial collapse, the dismantlement of government regulation was well under way. All the consequences are the result of a brilliantly executed coup. This is the story of the biggest heist in American history."Coup? The common notion is of a group of generals overthrowing a government and installing a military regime.Heist? The word conjures images of masked, armed crooks robbing a bank and escaping in a getaway car.But in today's political climate of overheated rhetoric, dropping loaded words may be the only way to get attention.Be that as it may, this project, produced and directed by Frances Causey and Donald Goldmacher, has the virtue of taking the long view of a crisis that recent films like "Inside Job" and "Too Big to Fail" have only sketchily explored. It makes a strong case that government regulation of business is essential for democracy to flourish. One of many pertinent observations from a host of experts is that the rich really don't need the government as much as everybody else.Ms. Causey, who had a 14-year career as a journalist for CNN, wrote "Heist" with Hollis Rich. Mr. Goldmacher is a documentarian whose first film, "Do No Harm," examined the marketing and research practices of the pharmaceutical industry.To say that the ideas in "Heist," which locates the source of our current troubles in a famous 1971 memorandum, belongs to the paranoid conspiracy school of history is not to suggest that its point of view isn't fairly persuasive. Conspiracies exist.The seeds of the financial crisis, the film maintains, were sown by Lewis F. Powell Jr., a Virginia lawyer and representative of the tobacco industry who later became an associate justice of the United States Supreme Court. In a confidential memo to the United States Chamber of Commerce, "Attack on the American Free Enterprise System," he urged American corporations to take a much stronger role in influencing politics and law.The memorandum helped spur the formation of advocacy research organizations like the Heritage Foundation and the Cato Institute and paved the way for lobbyists to descend on Washington. In 1978, while on the Supreme Court, Powell successfully argued for the right of corporations to make political contributions.The movement to deregulate government control of corporations and to disempower organized labor accelerated after the 1980 presidential election. An early public battle in 1981 pitted Ronald Reagan against striking air traffic controllers. The film says that the number of American workers in unions has dwindled to 1 out of 14, from 1 in 3 in the 1950s.The filmmakers swiftly tick off legislation that they regard as concerted class warfare waged by corporations in collusion with corporate-controlled news media against the middle and working class: Starting in 1994, the North American Free Trade Agreement, which encouraged the outsourcing of cheap labor; the 1999 repeal of parts of the Glass-Steagall Act, which had separated commercial and investment banking; and the Commodity Futures Modernization Act of 2000, which deregulated over-the-counter derivatives, allowed financial institutions to run wild. Both major political parties, they argue, promoted deregulation fever."Heist" feels rushed. Many of its points could use elaboration. Its final section is a to-do list delivered in the tone of a high school civics teacher: restore fair taxation; make Wall Street play by the rules; build communities; develop efficient and sustainable energy through "a green New Deal"; and restore the labor movement.It all sounds peachy. The only way for these things to happen is through a widespread grass- roots awakening. (To point the way, the film offers scattered hopeful examples of constructive, do-it-yourself activism.) The Occupy Wall Street movement may be a sign of that. Or not.HeistWho Stole the American Dream?Opens on Friday in Manhattan.Produced and directed by Donald Goldmacher and Frances Causey; written by Ms. Causey and Hollis Rich; narrated by Thom Hartmann; director of photography, Rogelio Garcia; music by David Raiklen; released by Connecting the Dots Productions. At the Quad Cinema, 34 West 13th Street, Greenwich Village. Running time: 1 hour 15 minutes. This film is not rated.