Head Cold
Head Cold
| 04 November 2011 (USA)
Head Cold Trailers

Die selbst betroffene Autorin und Regisseurin Gamma Bak hat es zum ersten Mal überhaupt gewagt, über die diversen Stadien ihrer Krankheit einen autobiografischen Film zu drehen. Entstanden ist ein extrem intimes und faszinierendes Selbstporträt, das nicht nur einen Einstieg in das komplexe Thema bietet, sondern auch einen direkten Einblick in das Ringen mit der Diagnose Psychose und der damit verbundenen Stigmatisierung erlaubt.

Reviews
Contentar Best movie of this year hands down!
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Avery Hudson A plain-spoken and honest answer to the question, What is it like to be psychotic? To start, there is the great loneliness of serious illness. The title refers to a comment by Gamma Bak's partner at the time, during her first crisis: "This is all like a head cold, it will pass."Gamma Bak had her first psychosis in 1995, when she was thirty years old, working as a film director and producer in Berlin. Bak was supposed to be part of the free generation – a Jew from Hungary, who never knew totalitarianism, living a free and easy life in an open society. What she got instead was an adult life punctuated by seven episodes of schizoid-affective psychosis, in and out of psychiatric institutions, treated by a total of fourteen doctors and six psychologists, and prescribed twenty-four different anti-psychotic drugs over fourteen years.Bak tells her story through a series of interviews – with friends, ex-partners, colleagues, relatives, a fellow patient, and with herself – and clips from previous films, including East… West… Home's Best (1992) and Eine Frau und ihr Kontrabass (A Woman and Her Contrabass, 1994).There's no trace of exhibitionism in Bak's relentless gaze, and no voyeurism in this documentary. Instead, the film grapples openly with questions of responsibility for one's own life, and the necessity of walking through what cannot be overcome.