Jeanskynebu the audience applauded

Tockinit not horrible nor great

ReaderKenka Let's be realistic.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Cacus7 Ganheddo was produced by the same Japanese studio which brought us Godzilla, and it shows... but in a good way. Where many, higher-budgeted films of the time were moving to computer-generated effects, Toho stuck with scale models and stop-animation, giving this movie a gritty look not often found in films of similar provenance.Though the plot is difficult to keep up with at times, it is still enjoyable, made especially the more so by the character of Seven. This movie will be a godsend for fans of the Mechwarrior/vertical tank type stories. The plot revolves around a group of scavengers who happen across a defunct lair controlled by machines, cyborgs, and their master, a central computer. The scavengers are after a rare power source which fuels the complex. Having detected their presence, the computer counts down to self destruct. Matters are complicated when one of the crew becomes incorporated into the machine's consciousness.Good cinematography, decent acting, and a fantastic story all contribute to this film's warrants. It's too bad that CGI has taken the forefront -- I think modern filmmakers could learn a lesson from this one.

GenFX I saw this at a science fiction convention back in 1990. A friend of mine had been talking up this film for some time and I fell for the hype. The dialogue was bad, the pacing worse. The Japanese seem to have a monopoly on giant robot action, too bad it appears not to apply to live action. I wish I had brought a book to read...or more beer. I would not have been bored out of my mind or simply to blitzed to care. It was so bad I simply walked out after a while...even half drunk this was not a good movie. There are inumerable examples of better giant mecha action to be found from Japan (Gundam, Patlabor, Gasaraki, etc.). Rent those.Luckily a good example of Japanese film making was starting (Akira) in an ajoining room.

Dr Wily SPOILER!! Saw this on Sci-Fi Channel as Gunhed. And, even though it is Japanese, I saw it "translated" into English; still makes no sense. I've nothing against mindless fluff films, but even check your brain in at the door movies go SOMEWHERE. This picture had me saying outloud "What's the point?!" multiple times.It starts off with a decent enough premise. In the near future, technology is worth more than gold, so, a group of scavengers are trying to loot an industrial complex on an old island for any left over tech. However, this island is home to a vast computer that had tried to wage war on man some years earlier, and, it's still active. But, any semblence to sense at that point disappears.In short order, most of the scavengers are killed off in one sitting, leaving only one man and woman. They soon discover a female commando, apparently part of a previously briefly discussed conflict against this computer. They also discover a girl and apparently someone named 11. They eventually find some sort of control room with a vat of green goo and some sort of data crystal. The surviving female scavenger somehow falls into the goo and becomes physically absorbed into a robot whose only function is to roam around the movie and occassionally harass the cast. People get separated by the robot, who takes the data crystal and stabs it through its hand. Okay... from there, we cut to the one remaining free main cast member and the girl who find the remains of a Gunhed, apparently a form of artifically intelligent tank.They get it working in time to discover the computer has to cycle its energy supply soon, which will basically turn the complex into a nuclear reactor. So, in their attempt to escape, somehow the girl reaches apparatus to drop various bombs all over the place which destroys part of "the city." They escape this and try to find some chemical coolant to stop the reactor process. They have 10 minutes to do this, but, this 10 minutes stretches out over 30 minutes of the film. Meanwhile, 11's mouth starts glowing orange and she locks up the female commando to go to the green goo room and meet the robot. The commando escapes and follows 11 while Gunhed takes on a defense robot called Aerobot. While Gunhed keeps Aerobot busy, our male hero sneaks by and discovers everyone else in the green goo room. The female absorbed into the green goo robot still has a hand grenade with her, so, she detonates it, destroying the robot. The female commando gives our male hero the data crystal, or whatever it is. It could even be the TexMexium, a weird metal that lets computers mentally control humans, as briefly described in the film's opening text. Out of nowhere, a 10 second self destruct sequence activates. Now, remember, the 10 minutes we had before the reactor started was NEVER resolved, and, now, we have this self destruct to deal with. Gunhed activates its rockets and crashes into a wall, promptly stating, "I can only hold off the self destruct sequence for 15 minutes this way." HOW?! Crashing into a wall will delay a 10 second destruct sequence somehow by 15 minutes? With the counter delayed at 3, our remaining cast escapes the island. This 15 minutes go by in under 1 minute of film time. A mystery plane escapes the island before it explodes. It receives a transmission from the Gunhed that the Gunhed batallion completed its mission. THE END I dare ANYONE to try and make any sense out of that... The effects by Toho are quite fine, especially by late 80's standards, and even foreshadow the trend the Godzilla pictures would later take on. Reminded me most of Godzilla Vs. King Ghidorah (1991). But, while giant robot movies don't require a tighlty intricate script to work, they must STILL possess the barest modicum of logic. Gunhed, the movie, must have fallen into that same vat of green goo mentioned earlier this the review. In the end, a waste of 90 odd minutes.

klolson54 I saw this movie, listed as "Gunhed" on Sci-Fi channel and complained often about how difficult it was to make out what was happening because the film is dark and has a green lighting to it retro-reminiscent, of Matrix. Also the cuts and scene transitions are seemingly random including some dotted dissolves early on which just don't work. So I was surprised at myself to want to check it out on DVD to view on my RP wide screen TV. I fully intend to. I love atmosphere heavy films and this is nothing if not that. It has a nice texture, good action and a remarkably good blending of mecho-maniac gadgetry and robotic "acting", without CGI. Some modern directors will not use CGI except for things which literally could not exist w/o such imagi-creation and this film deserves credit for doing so well w/o CGI.Cyber-punk?... Decidedly! Plot?... yes, pretty much... well... some techno-scavengers dare an island, the smoking site of a robo-rebellion (since put-down) find a female soldier type person. One thief, the woman and some latter discovered child refugees struggle against a still surviving cyber-ruler program.I couldn't sell this movie at gun point by describing it, but I still like it and believe viewing it will win over many who risk it. Just for reference, the first movie I ever bought was Blade Runner.