Claysaba Excellent, Without a doubt!!

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Beulah Bram A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

BA_Harrison Director Atsushi Muroga's 'Gun Crazy: Episode 1 - A Woman from Nowhere' is a calculated attempt at cult coolness that admittedly, on paper, sounds rather promising: hot female bounty-hunter Saki ( Ryoko Yonekura), clad in leather and brandishing a pair of over-sized hand cannons, rides into a lawless 'town' in order to settle an old score with evil gang boss Mr. Tojo (Shingo Tsurumi). Styled after the classic spaghetti westerns of Sergio Leone, the film features a suitably barren landscape, slow motion gun battles, menacing stares in close-up, and even a Morricone inspired score (complete with whistling).Sadly, Muroga doesn't quite fulfill the potential of his premise thanks to a rather cheap shot-on-video look, the lack of convincing gun-play from his star, and not nearly enough of the insane OTT violence one might reasonably expect from a Japanese film called Gun Crazy. Sure, we get the guns, but there just ain't enough of the 'crazy' on display for my liking (the film's closing minutes offer the most outrageous moment, but it's all a case of 'too little, too late').If it had been up to me, I'd have given Saki a wider variety of weaponry throughout (and a lot less clothing), made her take at least one unnecessary shower, included a lot more in the way of bloody squib shoot-em-up action, and featured a climactic battle in Mr. Tojo's booby trapped lair against an army of robot ninjas, albino kung fu dwarfs, zombie gimps, and a pair of lesbian conjoined-twin assassins! (okay, okay, that might be going a bit too far, but you get the idea...).5.5 out of 10, rounded up to 6 for IMDb.

gridoon2018 "Gun Crazy: A Woman From Nowhere" is a Japanese female action film along the lines of the "Zero Woman" series, only considerably better. It is just as violent (which means VERY violent), less sleazy, and more action-packed, fast-moving and stylishly-executed. It's still a low-budget shot-on-video film, so don't expect anything flawless (for one thing, a lot of the characters sure could use a little more shooting practice), but it does not lack ambition (there are strong music and plot homages to Sergio Leone's westerns). Ryoko Yonekura is an impressive heroine (and probably one of the most beautiful women in the world - there is also a bad girl who is a stunner herself), and "Mr. Tojo" is a cruel, sadistic and smart villain. Worth getting if you like this kind of stuff. **1/2 out of 4.

trancejeremy The advertising blurb for the movie said it was "a Japanese take on a classic spaghetti Western", and sure enough, it is. Although that genre actually has its roots in various samurai films, most notably Yojimbo, this movie definitely seems to draw more from Segion Leone's westerns.The plot is largely "Once Upon a Time in the West", except instead of Charles Bronson, the person wanting revenge is a young lady, Saki, played by the very attractive Ryoko Yonekura. Then it sort of switches to "A Fistful of Dollars" for a while, has a brief "A Good, the Bad and the Ugly" interlude, then goes back to "Once Upon a Time...". The ending is pretty original It's enjoyable, but the production values are pretty low. While it tries to emulate the style of HK gun-play, it comes off more as a community theater level of special effects/stunts/gun-play.With better action choreography, better gun effects, and the movie just filled out more (it's only about 65 minutes), it would have been a much better movie.

ncc1205 Silly, simplistic, and short, GUN CRAZY (VOLUME 1: A WOMAN FROM NOWHERE) goes nowhere.This brief (just over sixty minutes) tale isn't so much inspired by the classic spaghetti Westerns as it is a rip-off of Sam Raimi's THE QUICK & THE DEAD (his admitted homage to the spaghetti Westerns) brought into a contemporary setting. In QUICK & DEAD, Sharon Stone's character seeks revenge against the dastardly sheriff (played by Gene Hackman) who, when she was but an urchin, placed the fate of her father (a brief cameo by Gary Sinise) in her hands; she accidentally shot him through the head. In GUN CRAZY, Saki (played by the nimble Ryoko Yonekura) seeks revenge against the dastardly Mr. Tojo (played with minimalist appeal by Shingo Tsurumi), who, when she was but an urchin, placed the fate of her father in her hands; she let her foot slip off the clutch, and dear ole dad was drawn and quartered by a semi truck. The only significant difference, despite the settings, is the fact that Tojo sadistically cripples Saki with … well, I won't spoil that for you in case you decide to watch it.In short, Saki – a pale imitation of the Clint Eastwood's 'Man With No Name' – rides into the town – basically, there's a auto shop and a tavern alongside an American military base, so I guess that suffices for a town – corrupted by Tojo, the local crimelord with a ridiculously high price on his head for reasons never explained or explored. Confessing her true self as a bounty hunter, Saki takes on the local gunmen in shootouts whose choreography bares more than a passing similarity to the works of Johnny To and John Woo. Of course, by the end of the film Saki has endured her fair amount of torture at the hands of the bad guys, but she rises to the occasion – on her knees, in a laughable attempt at a surprise ending – and vanquishes all of her enemies with a rocket launcher.Don't ask where she gets the rocket launcher. Just watch it for yourself. Try not to laugh.The image quality is average for the DVD release. There is a grainy quality to several sequences, but, all in all, this isn't a bad transfer. The sound quality leaves a bit to the imagination at times, but, again, it isn't a bad transfer.Rather, it's a bad film.