Greetings
Greetings
| 15 December 1968 (USA)
Greetings Trailers

Three friends in New York City discuss how to dodge the draft and Vietnam, JFK's assassination, voyeurism, computer dating, and everything else.

Reviews
LastingAware The greatest movie ever!
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
sfdphd I know this was an early DePalma film, but yikes, this was terrible. If it didn't have DeNiro in it, I doubt anyone would ever want to see this nowadays. His performance shows promise of his future work. However, the film itself was like a bad Laugh-In episode. The writer and director were obviously high on drugs when they put this thing together. It was like they just threw a bunch of current events into a stew, unoriginal and derivative of so many other things. They probably thought they were doing an homage to the film Breathless but really badly done. The sexism in this film is offensive but true to the times. If you need to see why women and gay people needed to fight for their rights, this film shows you how it used to be when ignorant morons like these three guys represented the most common attitude. If you like references to the Kennedy assassination, the film Slacker by Linklater is much better.If you're a real low-brow fan who likes stupid comedy that is trying to be cool, you might like this film. If you've got higher standards, this film does not meet them.
canscene Interesting from the viewpoint of seeing an early De Palma effort and also applauding his courage in making a film so critical of the Vietnam catastrophe, but the film lacks focus and ambles from one scene to another, lacking the incisiveness it needed to make its mark among the several really good anti-Vietnam War movies that came after.There's a sense of improv about the whole effort but much of the intended black humor vaporizesWorthwhile for students of film history and in particular the careers of De Palma and De Niro .One should be thankful that somehow they were encouraged to proceed with their careers. I don't remember reading any reviews at the time, but feel it coiuld have developed a cult following.
bob the moo In an episodic series of stories we meet three friends in the mid-sixties, each with their own hang-ups, issues and problems. Paul is shy and seeking love even though it isn't forthcoming from any of the computer dates he tries; Lloyd is a conspiracy theory nut, worried that he is being watched at all times due to his knowledge of those involved in the JFK assassination, meanwhile Jon is a shy amateur film maker who just happens to also be a peeping tom in training.On the basis of those involved in this film I decided to give it a go and see what it did – after all De Palma is mentioned in the same breath as other very good directors who did a lot of good work back in the late 1960's and 70's. However this film left me cold and failed to really make any lasting impression on whatsoever as it was rather messy and with nothing I could really get a hold of. Other reviewers have called this a satire but few have said what it satirises and I suspect are using the word rather than knowing that that is what this was. The episodic nature of the film was not the problem for me, it was more than few of the sections were funny or interesting and too many of them just seemed to go nowhere.The cast are mixed and it is obviously the presence of De Niro that attracts a lot of people. He is good despite the material and he shows some touches that he would develop as time went on. Graham and Warden are underused and have nothing of any real value to offer – not all their fault as the material is to blame but Graham does have some good moments. De Palma's direction is a bit dull to be honest and most of his shots are very static – ignore the fact that it lacks the style he is famous for, this just lacks imagination full stop.Overall this is interesting only to see early work from De Palma and De Niro but really as a film it is poor. The episodic nature of the film is not so much a problem as the fact that few of the episodes are any good, even if they are watchable in the main. Not really worth watching on the whole then but maybe completest will get something from it.
RobertF87 This film doesn't really have any storyline to speak of. Basically it is an episodic comedy-drama, set in New York in the late 60s, revolving around three friends as they try to avoid being drafted into the Army and sent to Vietnam, while experiencing various elements of the late 1960s counterculture.The film uses a a style very reminiscent of the French "Nouvelle Vague" films, such as hand-held cameras, on-screen captions commenting on the action and speeded-up film.The film is probably most well-known today for marking an early appearance by Robert De Niro (here aged 24) as voyeuristic amateur film-maker Jon Rubin, and for being an early film from director Brian De Palma.The film is, luckily, worth watching for much more than this though. It is an interesting snapshot of it's times and, although very dated, it is often quite funny. The main problem is that the film hasn't aged very well and there's no structure to it, many episodes by far outstay their welcome.