Gonks Go Beat
Gonks Go Beat
| 24 May 1965 (USA)
Gonks Go Beat Trailers

A swiftly assembled musical fantasy movie made to capitalise on the mid-Sixties, British craze for gonks (a sort of soft, furry toy). Today it is of more interest for featuring music by such artists as Lulu, The Nashville Teens, and The Graham Bond Organisation.

Reviews
RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
1bilbo I often suspect that dreadful films like this are produced as a tax loss.Make a film and pay yourself a fat wage for doing it - the film goes nowhere and makes a loss. This doesn't matter because you have already paid yourself - and your fees are simply written off as part of the whole loss.As for a review - there is nothing of merit in the stupid songs that are mimed to or the idiotic convoluted story line.It would seem that the whole thing was made up as they went along - with certain parties being paid along the way.
subadc I watched this film in February 2017 on British TV (for details see below for others who may wish to watch it).I have to say it is pretty awful. A sci-fi movie giving a retelling of the Romeo and Juliet story. Strange eh !For people who "grew up" in the 1960s (like me) it is hard for people today to realize that watching pop groups at the time was difficult (we did not have 30 music channels on Sky as we have today for example).So a number of films were made trying to cram as many pop groups in as they could. However most of the singers / bands / songs in this film are forgettable (yet another bland pop song rhyming "walk" with "talk", probably the most obvious rhyme you can come up with).I am a fan of "bad" movies and I have to say this is right up there with the best / worst (alongside Dean Martin in his Matt Helm movies). If you are a fan of bad movies do try to catch it.This film was shown on British TV in February 2017. It is on the TV channel "Talking Pictures" which is available on most platforms in the UK (Freeview, Sky, Virgin). The channel shows mostly lost or historical films and is a great place to watch films that may never have been shown on TV before (from all eras - 1930s up to 1990s).
OKCRay This is a totally weird 60s rock-n-roll musical send-up of Romeo and Juliet centering on two squabbling islands: Beatland and Ballad Isle. Intergalactic ambassador Wilco Roger is summoned to resolve the differences between the communities, employing the tactic of uniting a Beatland boy and a Ballad Isle girl; if he is unsuccessful he faces exile to Planet Gonk (inhabited by some strange doll-like creatures that apparently were based on a popular toy of the time). Despite the presence of Ginger Baker, Jack Bruce, Graham Bond and Lulu, the music here is nothing special. The music by the Beatlanders is typical of mid 60s rock rave-ups (watch for the lead singer/guitarist for The Long and the Short doing his best "Enzyte Bob" impression during their number "Love is a Funny Thing"!) , while the music favored by Ballad Isle consists of some of the sappiest ballads imaginable (the best way I could describe them would be to imagine the late 50s light pop group The Fleetwoods on Prozac). We're also treated to musical sequences featuring a band playing instrumental rock while driving down a deserted airstrip and a nine drummer prison jam session (neither of which serve much purpose other than padding the movie's run time) and a wacky "battle" sequence between both factions with musical instruments used as weapons. All this leads to the Golden Guitar contest pitting both islands against each other (which usually ends in a draw). Lulu's song "I'm the Only One" is pleasant but not exactly memorable, and The Nashville Teens' "Poor Boy" comes nowhere close to matching their hit "Tobacco Road". The bargain basement budget is readily apparent in the cheap set designs and the minimal special effects (watch for Wilco Roger ducking into the cloud of smoke as he makes his first entrance). If there was anything resembling a highlight here it would be the opening credits sequence featuring the Gonks grooving among construction paper/contact paper animation (to the song "Choc Ice", sung by Lulu with her voice altered almost to the point where she starts sounding like Cartman); it's pretty much all downhill after that.
jamesraeburn2003 A martian called Wilco Roger (KENNETH CONNOR) is sent to Earth by his people to resolve a feud between communities known as Beatland and Balladisle. The dispute is over musical differences. Beatland ("If you're with it you're in") loves beat music and rhythm and blues whilst Balladisle is into the softer sentimental ballad music. Each year the top groups from both communities take part in "The Golden Guitar Contest" thrown by the reclusive Mr A&R (FRANK THORNTON) and the winner receives the prize of a golden guitar whilst the losers have their musical instruments confiscated until eight months before the next contest. As much as the two communities despise each other, they are not above sneaking into each other's territory to steal each others musical ideas. Wilco and A&R decide to resolve the chaos before it erupts into war ("It'll mean exile to planet Gonk for me" sniffs Connor) by bringing together a boy and girl, one lives in Beatland and the other in Balladisle, who love each other but the feud is keeping them apart. Wilco and A&R use their mystical power to get them to the contest and they perform a duet which incorporates both musical styles. Mr A&R declares them the winners and orders that both communities will now live in harmony and all types of music will be allowed from now on.An unbelievably stupid attempt to combine swinging sixties pop culture with a Romeo And Juliet inspired romance. The romance is bland without an ounce of Shakespearian tragedy and the comedy falls flat. I.e "I was told that there was a famous author from Earth's past" says Wilco Roger to Mr A&R. "William Shakespeare?" he asks. "Well yes he shook something or other" Wilco replies. That's about as funny as it gets. The sets are cardboard and the tunes are poor. This is a big disappointment as some of the acts that the producers, Peter Newbrook and Robert Hartford-Davis, have assembled for the film are quite impressive. For instance, The Graham Bond Organisation, contained musicians whom were later to become rock legends in their own right such as Ginger Baker with the legendary rock trio, Cream, with Jack Bruce and Eric Clapton. Bond's sax player Dick Heckstall-Smith who can be seen here would go on to join prog rock heroes Colloseum whilst Bond himself (he died in 1974) is now considered to be an important figure of the British R&B boom of that time. They try and make the most of a lackluster number written for them especially for the film, "Harmonica". Even Lulu And The Luvvers and The Nashville Teens are at a loss here too.The story was written by the director Robert Hartford-Davis and cinematographer-producer Peter Newbrook. Both of whom did some interesting work within the British horror wave with the elegant costume horror film, The Black Torment and the Peter Cushing vehicle, Corruption. But both are at a loss here like the beat groups who allowed themselves to be drafted into this rubbish.In summary, if you are thinking of buying the DVD from your local mega store for the music alone, it isn't worth it despite the caliber of some of the musicians on offer. A big disappointment but then again there were so many pop movies made in those days and a lot of them were dire.