TrueJoshNight Truly Dreadful Film

BootDigest Such a frustrating disappointment

Kailansorac Clever, believable, and super fun to watch. It totally has replay value.

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

BatBanks Smith Everyone know comedienne/singer Fanny Brice as Baby Snooks in both stage and radio. This musical is based on hit Broadway musical and Brice's life. The story focus on Brice's (Barbra Streisand's film debut) early career her rise to stardom in Ziegfeld Follies in the 1900s & 1920s. Her love & marriage to then-husband (second husband) the attractive gambler/con-artist smooth operator Nicky Arnstein.It not a good story and it overrated, but still some entertaining. The good parts of the story is that despise she's not pretty, Fanny proves to everyone that she has talented: humor & singing ability. She is a strong woman at her time. There are funny moments in first act especially Fanny Brice as teenage and during the "You Are Woman I Am Man" scene. There only five good songs in the film. "People" (that a really a standout that show's how Barbra Streisand is a good singer), "Don't Rain on My Parade" (remember heard that song on Mrs. Doubtfire when I was a kid), "You Are Woman I Am Man", "Sadie, Sadie", and Brice original song, "My Man". There is good chemistry between Streisand and Omar Sharif (in real-life they had affair while filming) (Streisand was still married to Elliott Gould). You would not like the second act of the story after Fanny and Nick got married and have a baby. They start have marriage problems; 1.) Nick's start losing at gambling and now their have financial problems 2.) After Fanny get back to work, Nicky start to get jealous/resent Fanny (A Star Is Born treatment) He becomes weak and self-destructive. Even thought it about the early career of Fanny Brice, it actually a musical comedy love story about her and Nick. I believe the Broadway version is probably better than the film because they said studio cut all Fanny's mother and her friends (Eddie and Georgia) numbers. More supporting scenes for Streisand and turn it into one-woman show (shame on you Columbia Studio!). You can see why Barbra Streisand won a Oscar, but Kate Hepburn's still My Best Actress Winner for The Lion in Winter. Both actress won in Oscar history it was tie. Don't watch the sequel Funny Lady because it not as fun as the original. It has some good moments and better songs but you would not like Fanny new personality because she got harder (remember somebody broke her heart).

lasttimeisaw A film adaption of a successful stage musical loosely based on the inspiring life of Fanny Brice (1891-1951), a popular vaudeville performer belongs to a bygone era, one of girls of Zeigfeld Follies, and her tempestuous marriage with Nick Arnstein (Sharif), a notorious gambler and debonair con artist.Barbra Streisand reprises her role on the big screen as her tailor-made debut and star-making vehicle, helmed by Wyler as the sole musical in his illustrious filmography and the penultimate feature of his glorious career, in addition to music and lyrics of Jule Styne and Bob Merrill, the film would be a major contender in the Oscar game and would eminently wins Streisand a BEST LEADING ACTRESS honour and the one-and-the-only time, in a tie with Katharine Hepburn in THE LION IN WINTER (1968). FUNNY GIRL ambitiously amalgamates an unconventional passage-to-fame of an ugly duckling with a mellifluous voice and an attitude of self-mockery, with a rote romance follows by the matrimonial turbulence, which mordantly bears out why it is so difficult for a successful woman to find a suitable hubby under the chauvinistic macro-milieu, especially when a husband's ego is too proud to accept the succour from his own wife even the situation is completely owing to his own defects.At a length of 150 minutes, including an overture and intermission, FUNNY GIRL is wholly focused on Streisand's Fanny and her affair of the heart. A not-so-attractive girl with a lowbrow upbringing, dreams of being a star on stage thanks to her singing talent, breezily challenges the customary but fluffy images of a Ziegfeld's girl (against the will of Mr. Florenz Ziegfeld, played by a stern-looking Pidgeon) and meets her deserved success. The first half of the movie is a high-octane studio-bound musical, Streisand's vocal prowess is impeccably affecting and puissant, you don't have to be her fan to acknowledge that (PEOPLE is such an empowering ballad, whereas the first half bookends with an exhilarating DON'T RAIN ON MY PARADE and the film crowns with her heart-rending delivery of MY MAN). Meanwhile she is quite effective as a comedienne too, the romantic chemistry between her and Sharif (if we can overlook his foreign accent and exotic looks to believe he is a Caucasian) is palpable since in real life there was a thing between them.The second half is more about Fanny and Nick's relationship than her career orbit, so a more melodramatic mood shift infuses gradually (although Fanny's Swan Lake spoof is a tension diffuser), but luckily Streisand and Sharif retain in their composure most of the time without hamming up the ugly confrontation, rarely, a celebrity's marriage can disintegrate with such dignity and mutual understanding, love is still there, but marriage just doesn't function for them. Omar Sharif, slums it cautiously for fear of stealing the diva's thunders in his most charming appearance, thus it is almost like a miracle that the veteran Kay Medford, who also reprises her role from the stage, can usurp an Oscar-nomination as Fanny's unpretentious and level-headed mother Rose, as far as we know, her scenes could all have been left on the floor of the editing room.Maybe Streisand is a prima-donna during the film's making and production process, but standing in the view of a showbiz outsider and a pure spectator, viewing this picture for the first-time, one thing I must admit, she shines in it magnificently, there is no shame to be nitpicking of one's own passion project, after all it is her own reputation and future are at stake, plus being a woman, it does take guts to effectuate the take-no-prisoners modus operandi in this profession, what's why even under a global scale, no other female star hitherto can inherit her mantle, she is indeed the nonpareil Barbra Streisand.

Syl Okay I don't know much about Fanny Brice's life. This movie is quite a tribute to the Funny Lady that had a funny face. In this film, Barbra Streisand earned her Academy Award for playing Fanny Brice from aspiring singer to comedienne and singer on stage. Fanny's brash talent for singing and comedy go hand in hand at a local stage hall before she makes it big with the Ziegfield Follies. The numbers are big splashy musical numbers with lots of dancing, costumes, and scenery. This film has a first rate cast with Omar Sharif playing Fanny's love interest, Nick Arnstein; Walter Pidgeon as Florenz Ziegfield; Lee Allen as her friend, Eddie Ryan; and others to mention. This film has great sets, costumes, and art direction but I felt it was missing something and that was the script. The script was weak without the singing and it could have been better. Anyway, it's a great classic film.

pearl18 I just watched the entire film "Funny Girl" for the first time. I of course had seen the tug boat "Don't Rain on my Parade" scene countless times (gotta love DVD select chapter feature) and "People", but had never seen the entire film. How can one even begin to criticize a film with a legend like Barbra over 40 years later? It might not even be worth a shot but here it goes. The worst thing about the film are the inconsistencies in the production. Which time period are they depicting: late 19th century (judging from the costumes and furnishings) or early 20th century (there are motor cars)? The kitsch is never-ending, even for someone who enjoys that sort of thing. But it was Hollywood and the film is over forty years old. The Swan Lake scene is so unfunny and borderline offensive to dancers. I realize that Omar Sharif was the heartthrob of the time but he is shallow and not very convincing in this role. Again, times have changed. The film is too long and drags on between musical numbers. I gather from reading other reviews that this might be due to the hack job they did to the original Broadway musical to make a film out of it. Now for the good parts: Barbra. Her carefree acting and character are still refreshing even by today's standards. Her voice, Lord that voice. It is interesting to hear the crystalline timbre she had at that age, despite the slight technical flaws. Her delivery is always moving and perfect. The high notes are tense and at times scary, but that's what makes her exciting. What else can be said? I know that Barbra Streisand tends to elicit extreme love/hate reactions from people and I have never been a fanatic. But her natural talent has always kept me interested enough over the years despite the eccentricities of her personal life and the plastic side to the Malibu persona she has become. Her recent release "Love is the answer" stayed in my CD player for six months straight and is still my favorite record at the moment. Ironically I love her voice on the album for reasons similar to those I mentioned above. You can hear it crack sometimes on the high notes, but it is so moving, especially in a jazz context. To this day, no one (outside of opera) can make their voice soar like she can. The lady has staying power and it is fascinating (even for non fans) to witness her budding talent in Funny Girl. Brava Barbra!! By the way, now that I've suffered through the entire film once, I'll stick to the "select chapter" function and jump straight to "Don't Rain on My Parade" (Number 16) from now on.