SunnyHello Nice effects though.

Skunkyrate Gripping story with well-crafted characters

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Claudio Carvalho In the Middle Ages, a group of marauders pillage a scroll from the fearful and dangerous Arnolfo Mano-di-Ferro (Alfio Caltabiano) that grants to its owner the property of Aurocastro, a wealthy land with grapevines and cattle. They seek out a knight to claim the real estate and share with them. When they meet the ruined Brancaleone da Norcia (Vittorio Gassman), he accepts to be their leader and they travel to the land. Along their journey, Brancaleone defeats the nobleman Teofilatto dei Leonzi (Gian Maria Volonté) that joins his army. Then they head to the Holy Land with the preacher Zenone (Enrico Maria Salerno), but while crossing a bridge, their friend Pecoro (Folco Lulli) falls off in the river and vanishes. When Zenone falls in a abyss, they travel to Aurocastro again. Then they rescue the damsel Matelda (Catherine Spaak) and Brancaleone promises to her tutor to protect her virtue for her fiancé and receives one hundred golden coins. However, Teofilatto has one night stand with the maid and Brancaleone is imprisoned in the castle of her fiancé. Brancaleone and his clumsy army get in many troubles until they reach Aurocastro. But their adventure has not finished yet. "L'Armata Brancaleone" is one of the funniest comedies of the cinema. The last time I had seen this film was on 27 February 2000, and with the death of Mario Monicelli yesterday, I have decided to see the clumsy Brancaleone and his army again. The story is very well developed with hilarious situations and Vittorio Gassman has a magnificent performance in the role of the the anti-hero Brancaleone. The screenplay presents the most different situations in the environment of the Middle-Ages and the hero always gets in trouble despite his perfect planning. I did not recognize Gian Maria Volonté in the role of Teofilatto dei Leonzi. My vote is nine.Title (Brazil): "O Incrível Exército de Brancaleone" ("The Incredible Army of Brancaleone")

roberto dandi Ok, the italian comedy of the `50s and `60s is one of the best in the world. I say this not only because I am italian but because it`s true. Just rent or buy the movies of directors such as Pietro Germi, Dino Risi, Steno and of course Mario Monicelli. L`Armata Brancaleone is one of the best comedies ever because of the script, the gags, the language (a very funny mix of ancient italian and latin, I don`t know how the translation could work) and the actors, first of all Gassman, the protagonist, that Monicelli `discovered` as a comic character in `I soliti ignoti` (before that Gassman played almost exclusively drama plays). Even the representation of the Middle Age seems to me (a non-expert in history) quite accurate: see for example the prophet who guides the people towards the Crusade (an incredible Gian Maria Volonte`). Another gem of italian comedy, a must-see for everyone.

phoenix-106 I have seen this movie when it first came out in Germany in a dubbed version. I went back several times I liked it so much, great comedy, great acting and entertainment. After all this years I started searching on the web, because nobody in America seems to have ever heard of this movie. So far I only found an old German dubbed copy, but I look forward to finally see the original version. I have seen many movies in my time, but Brancaleone seems to always come to my mind when I think of comedy and middle ages. The Monty Python can not reach this one.

s.toria I take the risk of annoying most people but it must be said: in order to get the full flavour of the fun in this movie you should have a really good knowledge of the Italian language, and view the film in original. It is hard even for an Italian to understand some of the dialogues, while they rapidly switch from Gassman's impeccable proto-Italian with strong Latin influences (spoken in such a serious manner as to result irresistibly comic), to Abacuc's Jewish version thereof, to the other characters' strong rural poor-man's accent.In this movie, and in the delectable sequel "Brancaleone alle Crociate", Gassman is at the top of his skill as an actor. This is somehow like acting the "Fifteen Minutes Hamlet" without even remotely smiling, but giving a serious, professional performance. Only someone who is truly great can do the buffoon like this without appearing histrionic, or ridiculous.