Clevercell Very disappointing...

Sexyloutak Absolutely the worst movie.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Disney Accounting Department I mean seriously there were more hawt babes in this film than there are in the state of Florida. Around here what passes as 'girl' is a tattooed trash with a fat bottom who is twerking after class... nothing wrong with it if it weren't for the thunder thighs (so gross)... No tramp stamp in site hot Japanese party girl who is anti-authority becomes motivated to attend a top university. With some conflict at home and a lot of encouragement at a school she changes colors... literally and figuratively. While in America parents are beating their daughters for getting hair high lights (in the news today) it seems (if this film is true) in Japan they have made the human body a non-issue and accepted nature for what it is: natural. Watch it.

Reno Rangan I love Japanese film and have seen all kinds of them. Yet discovering one more wonderful film like this made my day. Now this is one of my all time favourite. The reason is it is a very inspiring tale, based on the book of the same name, which was originally based on the real life event of the author. Despite it dealt with a serious issue, the story was narrated with lots of fun. You know, if you are telling a most important story that does not mean it has to be slow, dull and artistic presentation. The film looked like some kind of commercial film with an awesome background score, but at the end, it accomplished everything it wanted to tell its viewers quite smartly.This is a couple of year old film that I somehow managed to check it out now. Only regret is that I'm watching it so late. No need to be confused that it is not an out and out chick flick. It should be watched by all, especially the students and their parents, together. A beautiful message regarding the importance of education. That's not it, it also focused on parenting issues, teaching methods and friends influence. Not everybody born with a gift to do good at education, but it can be developed with proper care and coaching. That's the film's notion which finely presented on the screen.Sayaka was born in an average family. Her father was keen to make her elder brother a pro baseball player since his childhood. So her mother took care of her and her little sister's childhood. Being frequently changing school, she never made friends, but finally when she did, her education doomed. Now on the edge of finishing school and entering college, she has not learned anything, just to pass the entrance exam. From her teacher to her father, very sure that she has no future. That's what she has to prove them wrong. With her mother's everlasting back, she takes up the biggest task of her life which is going to impact her life forever.-xX] If you call a student a loser, they believe it. They lose confidence. [Xx-The film had lots of inspiring lines. I felt this was one of those films must be shown in the schools. Apart from the education, the parenting failure was another highlight of the film. It was not like the child was completely abandoned. It was the split parenting. It happens when parents failed to unitedly treat equally all their children. One of the reasons could be the field of interest they share with them. Or maybe forcing on them with their failed dream. A kid's family influences his/her beahaviour out in the society, as well as society's in the house. These two to balance, one must have good parents and teachers. And not to ignore the friends.The music was so good. I think OST is worth a buy. It helped the film to keep the pace in check. Apart from colourful and fun narration, it also gets us with sentiments. Maybe that part seems too intentional, but as for the Japanese standard/culture that I've learnt through watching films, it was natural. The shocking part was the domestic violence which is rare in Japanese films, particularly among those I have seen. The education system varies in different part of the world, but the effort, the hard work are same. No pain, no gain is the motto. You can't just attempt and win. The path always filled with ups and downs. The one who faces them with the right attitude earns right result.The basic platform was so common, even though the overall film was well told. From the writing to direction and music, a one. All the cast was excellent too. The runtime was just below the two hour mark, but a story like this, nothing bothers. To achieve cinematic result, the story kind of lost the realistic touch, but we must not forget that as I said it was based on the real which simply adjusted to two hour film. The young lead actress won the Japanese Academy Awards. For such an important message film, this is an under-noticed film. I'm not excited just because being a Japanophile. Definitely a must see film and recommend it to all!9.5/10

WILLIAM FLANIGAN Viewed at CineMatsuri 2016. Director Nobuhiro Doi trodes the well-worn path of the home drama genre by delivering a standard family sitcom complete with role stereotypes, caricatures, and silliness masquerading as drama/comedy. This feel-good, sophomoric, movie fantasy would seem more appropriate for domestic TV viewers than movie theater audiences. The Director ensures that there will be no surprises (except maybe one) by aggressively telegraphing future events. The possible exception is the sudden and radical change in hair styles! Lead actress Kasumi Arimura never completely leaves her juvenile "Japanese cuteness" baggage behind as she progresses (at warp speed!) from bottom of the class in public secondary school to acceptance by a prestigious private university via a year (or so) of private, cram-school coaching. Acting by Atsushi Itô playing the cram school teacher/psychologist/philosopher/hand-holder/parent/would be lover/... is hard to swallow almost from the start and even more so as his character morphs into a caricature. Actress Yoh Yoshida takes on the typical role of a career-frustrated and long-suffering mother, but does so with aplomb; she consistently delivers the best (and most believable) acting in the film. All that being said (and at the risk of speculative over analysis), there is, perhaps, another angle to be considered: soft core propaganda with Doi's channeling of Mary Poppins (and her use of sugar to camouflages the bitter taste of medicine). The Director may be employing a cleaver multi-layered pop entertainment wrapper to disguise his lectures on pressing societal issues. Targeted multi-generational audiences have seen programs of this genre before (they seem to be a staple of contemporary Japanese TV) which only adds to the effectiveness of the sugar coating. First up, of course, is the theme of the film which is an unrelenting indictment of the Japanese public school system with its focus on mass rote learning (with zero consideration given to individual student needs) and it's failure to prepare students to think for themselves as they become adults. Replacing public schools with privately chartered ones is the unmistakable message (sound familiar?). Then there is the negative impact of traditional child rearing where parents force children into a career path that the adults were denied or unable to succeed in. Student bullying or group-enforced conformity to the lowest educational level of achievement is also covered. (And there could be a few more packed in there.) The film is way too long (by half) and boringly repetitious. The screen play (and direction) look suspiciously like they may have been puffed up to increase the film's duration. Cinematography (semi-wide screen, color), lighting, scene continuity, and film score are okay. Subtitles often provide less than accurate (or complete) translations of line readings, and, essentially, can present a parallel story to the one in the movie! Many signs are not translated. Fun to watch, but only with a ton of popcorn! WILLIAM FLANIGAN, PhD.

Hannah Lee There are some out there who believe that mainstream films can never be artistically great or entertaining. I am certainly not one of them - and this film definitely proves it. True, it's not groundbreaking by any means. But is it interesting? Is it emotionally gripping? And most importantly, is it memorable? This is all three, and more. Taking literally the best parts of what characterizes Japanese film - over the top acting, narrative exposition, classic tugs at the heart-strings moments and melodramatic long pauses - this film pulls great screen writing, direction and acting to produce what has to be the best two hours to come out of mainstream Japanese cinema in a very long time.