Jeanskynebu the audience applauded

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Kinley This movie feels like it was made purely to piss off people who want good shows

Leofwine_draca FIRST ACTION HERO - ignore that ridiculous re-titling, this has nothing to do with the Schwarzenegger movie - is a last-gasp Italian crime film, shot in Florida in the 1990s. It stars Fabio Testi amid a troop of ageing Italian stars in a story about a renegade cop hunting for some gangsters. Amid the poor video quality and usual stilted dubbing, FIRST ACTION HERO is a film that feels remarkably uninspired. The actors are on autopilot and the scriptwriter seems to have taken the day off. There's a little action here, but when I say little I mean very little, and for an action movie that simply serves to make the whole thing a bore.

Comeuppance Reviews Mark Fierro (Testi) is a pretty top-notch COTE (or Cop On The Edge, as we call them), who is transferred from his normal district of Tampa, Florida to Miami to where all the action is. It seems there is a gang war going on, with drug-related murders galore, and Fierro takes it upon himself, personally, to stop it. Of course, his partner Hoagy O'Toole (Nummi) - who is not an overweight Bond girl - is along for the ride as well. Of course, Fierro finds time for romance with an attorney named Lori (Cavalli) while he fights his way to the main mob boss, Tony Romeo (Guerrini), but he also has to try to repair his relationship with his daughter Paloma (Bellini). In the midst of all the warring factions, will Mark Fierro emerge as the...FIRST ACTION HERO? Of all the contemporary titles to cash in on, it seems sort of odd for someone to pick the classic (?) Arnie vehicle Last Action Hero (1993), especially since this is a sort of latter-day Poliziotteschi and Austin O'Brien is nowhere in sight. We're huge fans of Fabio Testi - his The Heroin Busters (1977) alone puts him in the action movie firmament forever - but, let's face it, he's not the first action hero. That's clearly Jesus. Or maybe Imhotep. We're not sure how far back "first" really entails. The original title, Il Burattinaio, translates from the Italian as something like "The Puppetmaster". Why couldn't they have left it at that? But, quibbling about the title aside, if you love those great Italian crime films of the 70's but always wished you could see one set in Florida and everyone wears 90's-style high-waisted pants, your dream has come true.We get some funny dubbing, some great, breezy music on the soundtrack (by director Grassia with Aldo Tamborelli), and classic characters like Spuds and Hoagy. Hoagy, of course, not to be confused with Hogie from Detention (2003) and the classic, anguished cry of "HOOOAaaaaggyyyyyy!!!!" The TV show Miami Vice went off the air in 1990, and Miami Beach Cops came out in 1992, so the world was prepared for the Miami-set action of First Action Hero in 1994. It was pretty common for Italian filmmakers to come to the U.S. and shoot their films there, however.There are some baddies that show up at funerals and hospitals and shoot people with machine guns. That's considerate of them, at least their respective victims are in the right place. Sometimes these masked shooters even wear "X" baseball caps, further reinforcing the 90's vibe. But overall it was great to see a then-53-year-old Testi blowing away the bad guys like nobody's business, mouthing off to his superiors, speeding around Miami, and even letting sticks of dynamite show his enemies his own brand of justice. Even into the 90's, he was an awesome dude with an attitude.Speaking of which, it all comes to a bang-up climax which is very, very enjoyable to watch. Sure, there are some slow moments throughout the 100-minute-plus running time as Testi puts on his detective hat and tries getting answers from people the old-fashioned way - not to mention the drama entailed by his relationship with his daughter, his partner, and his girlfriend - but all that's to be expected and we really had no problem with it. Especially when that jaunty song comes on, followed quickly by a scene of mindless shooting.If you've seen every Poliziotteschi movie out there and are still craving for more, First Action Hero, while certainly not perfect, probably shouldn't be last on your list.

Bezenby This film is far more entertaining than I expected from a poverty-row Italian studio. You know how the late eighties/early nineties weren't the best time for Italian exploitation cinema, right? Well, First Action Hero manages to be action packed and never boring for a minute, and I'm not being sarcastic either!Fabio Testi is Mark Ferrio, an exiled cop returning to Miami to investigate the killings of various crime bosses. To complicate things his father in law is a mob lord, his lover is a lawyer to another mob boss, and his daughter is right in the firing line. Ferrio is a shoot everything first, then never ask questions kind of cop and blasts his way through the streets of Miami trying to find out who is behind the killings. Not an easy job as some unknown crime boss is wiping out the competition (and, to keep things tidy, all the hit men he uses too). Sure, it has all the trapping of the Miami based films of the time, but c'mon - it's Fabio Testi! He even gets to do his crying jag that he does in most films. Massimo Vanni even turns up briefly, and you know what happens when Massimo squares up to Fabio Testi (or Franco Nero)? I'll say one thing - he makes a great corpse. I was all ready to give this film a seven or an eight but then came along the last twenty minutes, when the mobsters kidnap Ferrio's daughter and Testi turns Rambo is a cross warehouse/quarry mega massacre involving scores and scores of henchmen. Testi blasts away with his giant gun, blows up a car using a JCB (then stands shooting a guy for having the gall to still be alive, although the guy was on fire), uses a forklift to blow something else up, grabs loads of dynamite and blows loads of other stuff up, and still leaves time for a slow-motion middle age man mud fight! Cue slow motion tearful reunion and Testi wheeling his crippled partner (shot at a roller disco!) and you've got a classic right here. Sure, it's low budget, and the bad guy's plan didn't make much sense, but when you've got a dockside gun battle, men in masks bursting in with machine guns at funerals, restaurants, and even a guy having surgery, and you've got a film that can stand way above anything you'd expect from this era in Italian film. Brilliant!

Michael A. Martinez I'm a big fan of the Italian crime cycle of the 1970's... which came to a crashing halt in the early 80's in favor of gory splatter and post-nuke films. When the Italian film industry finally ran out of steam and succumbed to the American Theatrical system and home video in the late 80's, they pathetically tried to come back with the odd retread with extraordinarily reduced budgets (often filmed in Miami, The Philippines, or the Caribbean where filming is cheap). This is no exception, other than having a little more polished of a cast than say, HAMMERHEAD or MEAN TRICKS. However, it's still just an awful 80's Italian Miami action movie with no style and a cookie-cutter cop vs. mobster plot.It's nice to see Fabio Testi as a cop like in THE BIG RACKET or VAI GORILLA, but he's completely unbelievable as an American one. He here is back in Miami after a leave in Tampa to stop a gang war among local drug lords. He's friends with an old mob boss (Ferzetti) and mortal enemies with Orso Maria Guerrini (THE BIG RACKET) who plays an up-and-comer who is trying to rub out the competition. Also, he's sleeping with a lawyer (the woman from ALIEN FROM THE DEEP) and having trouble with his ex wife and estranged daughter running around getting into trouble. Oh yeah, he carries a desert eagle and gets in a slow motion fist fight with Giovanni Cianfriglia.While it's nice to see these familiar genre actors (along with Vasili Karis and Massimo Vanni) together again, it's too bad they're saddled with a rotten script, dull music, uninventive camera-work, and boring direction. There's some shootouts, but not plentiful enough nor over the top enough to really give any life to this film. It feels extremely low budget, like just a step above a student film. Very little in the way of squib work, car stunts, or explosions... and in an "action" film, that is completely unacceptable. Only worth viewing (once) as a curiosity because it's on a bargain bin dollar DVD.