Brightlyme i know i wasted 90 mins of my life.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

VideoXploiter This is a very funny movie. Between the plot, the situations, and the musical numbers, you'll be entertained. And I'd be remiss not to mention the copious amounts of nudity and sex scenes.

barnthebarn Harry Hurwitz, who also worked with Charles Band on porn documentary 'Auditions', creates a fun-filled version of favourite fairy tales. Though for adults the humour and sex is actually all quite innocent and kind of charming which makes this a watchable and entertaining movie. The songs are cleverly written and produced to a very high standard and also sung very well. Songstress Martha Reeves has a small role and performs one song (later in life Reeves claimed she was duped and did not know it was an adult film - to be fair her scene looks innocent and has her surrounded by cast, including the prince, in traditional dress). All of the acting is very good with Sy Richardson as a pimp (Richardson also worked on Band's soft porn version of 'Cinderella' before becoming famous). Angela Aames as Bo Peep is exceptionally pretty and proves what a shame her untimely death was. Co-writer Frank Ray Perilli worked alongside Albert Band for many years and later with Charles as he was starting out. Plot wise there is not much to add about the film, story is slight at best. This is a really credible film and even now among what would eventually become Full Moon Pictures best.

preppy-3 Basically a R-rated spoof of fairy tale characters. Naturally all the woman are young and beautiful and take off there clothes for no real reason; there's no male nudity (unfortunately); the songs are actually funny and well-done (the "Snow White" number broke me up) and there's no real sex or anything. Tons of female nudity but done very innocuously and in a refreshing matter-of-fact manner. It's silly, brezzy and entertaining. The low budget is obvious but it actually doesn't hurt the movie--I mean, who expects high production values from THIS? So very good for an R-rated adult spoof. Not "Citizen Kane" but fun.

Joe Schmoe This 'erotic fairy tale' film rehashes similar plotlines from earlier films, most notably "Cinderella," with the premise of an impotent prince looking for a woman who can excite him. Since all of the 'good' material had been taken by earlier films, "Fairy Tales" pulls from many sources, from nursery rhymes like 'Little Bo Peep' and 'Jack and Jill,' to tales like "Snow White and the Seven Dwarves" and even a cameo by "Little Red Riding Hood."By jumping around so much, this film keeps your interest. It's fairly humorous and the T&A is harmless. Tommy Tucker's brothel-barker character is the most successful as he beckons passersby to enter 'the big shoe,' assuring that what they do there is "nobody's business but your own."Where this film loses steam is in the penultimate song sequence, identical to the one in "Cinderella," in which the cast sings the praises of Sleeping Beauty's virtues. Whereas in "Cinderella" the song refers to Cinderella's particular sexual expertise; here Sleeping Beauty's claim to fame is that she's a virgin. And comatose to boot. The prince, King Cole, and the Frog Prince (for whom i felt most sorry in that his plight could have been halted by a simple kiss from a virgin), despite the endless parade of literary babes, all desire Sleeping Beauty because she's never had sex. This sudden assertion of moral purity seems out of place and sort of disgusting in the light of the supposed sexual freedoms of this fantasy world. It brings a strangely didactic tone to this otherwise if-it-feels-good-do-it spectacle.