Linbeymusol Wonderful character development!

Supelice Dreadfully Boring

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Woodyanders The Morton Downey Jr. Show blazed like an incendiary comet for about two years on television in the late 1980's only to crash and burn due to the all-too-human flaws and foibles of its exceptionally crude, rude, and abrasive host Morton Downey Jr. Notorious for the ruthless way he ferociously bullied and berated guests that he disagreed with, Downey Jr. played the role of the angry and abusive ultra-conservative right-wing wacko to the deliciously slimy hilt. Naturally, it was basically all a cunning and calculated act, but Downey Jr. still managed to achieve significant iconic status with a huge segment of the disenfranchised American public as a kind of say-it-like-you see it blue collar folk hero. Born to show business parents (his mother was a dancer and his father was a famous singer), Downey Jr. initially made an abortive attempt to become a singer like his much-despised father before going on to work for the Kennedy family as a liberal senator (!) in the 1960's prior to recreating himself as a hostile Republican loudmouth rabble rouser in the 1980's.Fortunately, this documentary neither glorifies nor vilifies Downey Jr; instead it presents him warts'n'all as an extremely angry and insecure man whose fragile ego and continual desire for acceptance caused him to self-destruct in the most excruciatingly painful manner possible (Downey Jr. infamously staged an incident claiming that he had been attacked and brutalized by skinheads in an airport bathroom, which this documentary states for the record was an outright hoax concocted by Downey Jr. to get one of his wives to feel sorry for him). The clips from The Morton Downey Jr. Show are every bit as outrageous and hilarious as one would expect -- obnoxious gadfly Al Sharpton was knocked flat on his then fat pompous keister on one legendary episode which made the news -- while the latter footage of habitual chain smoker Downey Jr. transforming into a staunch anti-smoking advocate in the wake of being diagnosed with lung cancer registers as remarkably poignant and heart-wrenching. Mort's daughter Kelli Downey Cornwell and his best friend Lloyd Schoonmaker offer touching insights into the more human side of Mort while Chris Elliot, Sally Jessy Raphael, and Pat Buchanan discuss Downey Jr.'s legacy as a true trash TV pioneer who kicked politeness and civility out the door and replaced it with roaring rage and fury. Moreover, producer Bob Pittman admits he feels guilty about providing Mort with an ideal forum in which to bring about his own ruination while writer Jim Langan and bodyguard David Giegold tell some colorful stories about their wild ride working for Downey Jr. Although not without its flaws (for example, this documentary completely ignores the fact that Mort was a gay baiter who had a homosexual brother with AIDS who appeared as a guest on his show as well as glosses over Mort's subsequent career as an actor after his show went down the tubes), this documentary still overall sizes up as a fascinating chronicle of a singular 80's icon.

The_Film_Cricket I have to admit that ever since new of his death from lung cancer in 2001, I hadn't given much thought to Morton Downey, Jr. I'm not being mean, but truthfully, there wasn't much to think about. Downey's legacy in television history is so forgettable that the subsequent generation has no idea who he was. If you've ever seen "The Morton Downey, Jr. Show" you probably have an idea why.For 20 months from 1987 to 1989, Downey ran a self-titled TV talk show that was part-riot, part-circus, a little bit Jerry Springer, Rush Limbaugh and later Bill O'Reilly and Michael Moore. What would come of his show would be an example, not for others to follow, but for others to correct upon. His show was a loud, obnoxious and fairly monotonous platform of screaming and bullying. The format (he said) was to give a voice to the silent majority, but in reality it was a platform for propagating bad behavior. Downey screamed in the faces of a variety of guests from vegans to the gun nuts to the KKK and even celebrity guests like Ron Paul and Alan Dershowitz. Famously, he clashed with Al Sharpton. Downey's audience, comprised mostly of young college kids, behaved as if they were attending a hockey game.The new documentary "Évocateur: The Morton Downey, Jr. Movie" examines Downey's brief rise and quick demise from television. This is a professionally-made, talking-head documentary that features interviews with former colleagues, family and friends who try to help us get inside Downey's head to figure out what drew him to become the screaming meme of late-night television and what personal demons drew him to television and what led to his eventual downfall.We learn that he was a bitter man, the son of a celebrated Irish Tenor (whom his son loathed) who was a friend and neighbor of the Kennedys. The junior Downey grew up in the shadow of his old man, even attempting to launch a singing career of his own. His singing voice was competent but unremarkable. His looks weren't exactly top drawer either. He bore a strange resemblance to Don Knotts. Despite his familial legacy, Downey would become a walking irony. He would make his living destroying his voice, by screaming on television and chain-smoking four packs a day.Downey would prop himself up as the voice of the angry right-wing Republican, sort of an Archie Bunker with a lectern - even down to the smoking habit and the white collared shirts. His show wasn't exactly insightful. Fellow talk show host Sally Jesse Raphael remarks that his show was "that prurient excitement of not-nice people saying not-nice things." His show would turn talk shows on their heads. The common thread of talk shows in the mid-80s was the polite, conversational style of Phil Donahue, Merv Griffin and a newly minted Chicago-based neophyte named Oprah Winfrey.The difference between Downey and his contemporaries (even Springer) is that they stayed off-stage, letting the audience run the circus. Downey tried to play the role of the ringmaster, the lion-tamer and the lion, and so the show had nowhere to go. His singular quest was ratings and he got them, until the television audience grew tired of the act. The movie doesn't shy away from the facts of why the show – and Downey's career – came to an unflattering end.The movie finds some measure of pity for Downey, but it never backs down from the fact that he was the propagator of his own downfall, particularly with the infamous Tawana Brawly incident in 1988 in which a black woman claimed to have been raped by six white man - an incident that was later found to have been staged. Later Downey would try to become the propagator of his own headlines by claiming to have been beaten up by skinheads in an airport men's room, which he staged to get himself one more headline. The result of this documentary is the pitiful, but not unmoving, story of a man who build his house on sand and got caught in his own trap.*** (of four)

twilliams76 Before reality television allowed just about anybody to say just about anything in front of just about any audience AND before polarizing radio/television personalities such as Howard Stern, Rush Limbaugh, Glenn Beck, Bill Maher and Sean Hannity proved there is an audience that craves shock-talk when it involves putting-down and insulting others, the world had one person who did this on a regular basis and who was actually different than all who followed as he was an honest, equal-opportunity offender who spoke his mind and was not earning tens of millions of dollars from corporate sponsors by manipulating those dumber than himself to believe everything he said. Yes, sorry, but if the shoe fits one's left OR right foot ... wear it.Morton Downey Jr. was a foul-mouthed, bug-eyed, chain-smoking hothead who had hoped to follow in his father's footsteps as a crooner; but as the intelligent man's talent wasn't in music he found a place for himself on television as a host of a short-lived yet notorious and controversial talk show that bore his name -- The Morton Downey, Jr. Show -- that aired in syndication from 1987 to 1989.It was called "3-D television" by some because of the numerous quasi-violent outbursts -- flinging chairs! fistfights! shouting matches! -- that occurred on the show between the verbally volatile frequent and not-so-frequent guests such as Rev. Al Sharpton, Gloria Allred, Pat Buchanan, Ron Paul, Curtis Sliwa, Allen Dershowitz and some (ignorant) random klansmen. His show was also described as "rock and roll without the music" because of its attitude, pacing and aggressive format. Downey Jr. was "in your face" and rarely apologized and always had an opinion which turned off plenty of viewers although it revolutionized the television format/genre. It could be compared to Jerry Springer; but Downey Jr. emphasized politics and race and hot-button issues and did not openly embrace trashy topics like promiscuous married bed-hoppers or naughty male nurses or stripper mothers. He believed his show was important.Downey Jr. had a very quick rise to his infamous fame but also had a very fast fall as a stunt of his backfired and he lost much support. Evocateur is at its best when it showcases the man's career rise and fall but also provides a bit of touching, human reality by including the man's late health scare and battle with lung cancer (he claimed to have smoked upwards of 3 packs a day at the height of his career and he openly chronicled much of his early cancer battle with various television audiences). The doc falters a bit when it mentions his late-life love story with his third wife that wasn't necessary for the film but perhaps the filmmakers wanted to show he had a heart and was capable of loving another.His show aired in the late 80's and I remember it being on and hearing some of his more shocking claims ... that probably are not as shocking to an audience today as they once were. Evocatuer is an adequate tribute to a man who did revolutionize television even if the man never knew to what extent.Without doubt, he did take things too far but he did speak his mind openly and honestly which is more than can be said about so many that have followed him and are doing so for larger paychecks (as it has become ALL about the $).

TheBeardedWonder Like the other reviewer, I had never heard of this guy's show until this doc. I'd heard the name, but didn't know what it was associated with. Having seen this I can only say I wish it had more insights into WHY he's the man he is. It comes across as more summary than commentary, and that's always a shame to see in a documentary.He didn't innovate anything, as we find out that they were just copying the format of an old 1960s show, so no points for him there either. With that gone Downey Jr is just another angry middle aged man ranting on TV against people who can't actually change anything anyway. Just like it still is, it was all about the ratings more than the content.All in all, an entertaining movie for a mere budget of $300k, but could have been so much more...