Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Woodyanders Jerky yuppie Matthew Wilson (a nicely obnoxious portrayal by Todd Fulton) receives an unsolicited VHS tape in the mail. Wilson decides to watch said tape and soon finds himself caught up in a scary alternate world full of dread and danger.Writer/director David Steensland relates all the stories at a snappy pace, crafts a fun ooga-booga spooky atmosphere, brings an engaging earnest quality to the material, and tops everything off with an amusing sense of dark humor. The segments contained herein are: A hobgoblin stalking a little boy on a rundown bridge, a fisherman receives a fitting comeuppance, a rude delivery man stumbles across a remote rural café which exists in some kind of perpetual limbo, an overweight jogger is chased through the woods by a hairy monster (this one has an especially funny punchline), a stubborn old widow prospector (a touching performance by Shirley O'Key) refuses to leave her home, and a mugger gets his just desserts. Vincent Price handles his host duties with trademark plummy aplomb. John Mitchum likewise registers well as amiable yokel Mr. Olson. Gary Tomsic's polished cinematography boasts a few snazzy visual flourishes and makes neat occasional use of a crane. Todd Popple's shuddery synthesizer score hits the shivery spot. A nifty little fright flick.

Coventry Vincent Price was arguably one of the greatest actors that ever lived and inarguably the greatest horror protagonist of the 1950s and 1960s. But the horror genre changed drastically in the year 1973 (mainly due to the release of "The Exorcist") and, all of a sudden, there weren't many roles anymore for an actor of Price's caliber. Gothic and Grand Guignol horror movies suddenly weren't popular anymore and got replaced by raw and gritty exploitation movies. Throughout the rest of the '70s, the almighty Vincent Price was a bit lost, but in the 1980s he gave his career its final boost by briefly appearing as the typically sinister host in low-keyed anthologies or as the narrator in macabre fairy-tales, for example his legendary contribution to Michael Jackson's "Thriller". The very modest and inconspicuous made-for-TV anthology "Escapes" is another title that probably never would have caught any attention if Price's name wasn't attached to it. Price only briefly appears at the beginning and the ending of the wraparound story, but his stern voice and sinister laughter are doing all the necessary work. Furthermore "Escapes" is not much more than a cheap attempt to cash in on the successes of "Creepshow" (1982) and "Twilight Zone: The Movie" (1983). The short segments, five in total, are child-friendly but definitely not childish, and the least you can say is that they offer unpretentious good fun! None of the stories are frightening, not even remotely, but they are interesting enough and the atmosphere of the film is exactly right. The first two segments are my favorites, notably because they are both fairly ominous whereas segments three and four are sillier and more fantasy-like. In "Something Fishy", a fisherman physically experiences how the rules of his favorite sport are turned upside down, and "Coffee Break" gives a whole new and uncanny meaning to the term "slowing down"… This second segment mainly benefices from the creepy performance of John Mitchum as the seemingly friendly local yokel who advises a stressed-out delivery boy to relax, enjoy the scenery and stop for a good cup of coffee... The third segment involves a chubby jogger and three bizarre creatures that escaped from a medical lab. Apart from a fairly admirably attempt to build up suspense, there's very little to say about this short story and the denouement is just too silly for words. I didn't like the fourth segment "Jonah's Dream", as it reminded me too much of a Walt Disney story. Being more of a fan of raw and gritty horror anthologies, I personally very much prefer the '80s outings "From a Whisper to a Scream" (also starring Vincent Price), "Deadtime Stories" or "Screamtime", but I certainly don't consider watching "Escapes" as a waste of my (not-so-precious) time

Skint111 Hackneyed, shapeless anthology from the bargain basement. The six tales (that's six on my tape) are all shot outside, all dialogue-lite and all appalling. They were clearly made by people who'd only just found a video camera. Indeed, you actually see the camera twice reflected in surfaces. Vincent Price must have taped his contribution in a single morning and probably didn't remember it a week later. Waste not your time on this. The box says on the back 'in the tradition of The Twilight Zone' - in their dreams. How about saying 'In the tradition of a particularly bad, 80s, made for television scatty fantasy horror which are deeply tedious and insignificant'?

Sean Hannon Actually, the only mystery that engages me is how I came to be credited as the actor playing "Large Creature"! I didn't have anything to do with this picture, and from the sound of it, I'm glad I wasn't. Very strange. Hmm, 1986? I was playing a singing King Mark in a dopey Equity-waiver musical production called "Knightly Pursuits", during which I met my wife-to-be, Emilie, to whom I've been happily married to for 18 years now. I asked her about my ever playing a Large Creature. She just smiled.Meanwhile, the other IMDb listing for me is correct: I do co-star in the Ralph Bakshi/Frank Frazetta 1983 production of "Fire & Ice" which has just been re-released on DVD. (Yay!) Included on the disc is a special feature in which I narrate from a personal diary I kept during filming. The producer of the special feature dug up production stills of me on the set that I had never seen before. That was a treat. Anyway, "Fire & Ice" is sort of my "I Was a Teen-Age Werewolf". Not a great film, but my own. Sean Hannon --- a.k.a. Nekron, the evil Ice Lord