Drive a Crooked Road
Drive a Crooked Road
| 10 March 1954 (USA)
Drive a Crooked Road Trailers

A mechanic gets caught up with the mob when he falls for a gangster's girlfriend.

Reviews
Maidgethma Wonderfully offbeat film!
Cathardincu Surprisingly incoherent and boring
Dorathen Better Late Then Never
Brennan Camacho Mostly, the movie is committed to the value of a good time.
MartinHafer "Drive a Crooked Road" is an excellent picture--written by Blake Edwards and starring Mickey Rooney. Most would probably consider it an example of film noir, though its camera-work and dialog aren't exactly typical for noir.When the story begins, you learn that Eddie (Rooney) is a small-time race car driver and mechanic. He also is rather quiet and is treated rather poorly at times due to his being so small. Because of that, he's vulnerable when a pretty lady (Dianne Foster) begins showing him a lot of attention. But she is not such a nice lady and halt ulterior motives. It seems her boyfriend (Kevn McCarthy) is a mobster and they are actually setting him up to become part of their robbery scheme! What's next? See the film.Most Mickey Rooney films, particularly those earlier in his career, are similar because Mickey plays nice guys or guys who become nice guys. Here, however, he agrees to become entangled with gangsters...gangsters who really are scum. Overall, well acted and interesting throughout...and well worth seeing. If you are interested, it's currently posted on YouTube.
mark.waltz Mild-mannered race track mechanic/driver Mickey Rooney is shyly in love with pretty Dianne Foster which alerts her boyfriend and his fellow drivers to the possibility of using him as the get-away driver in a bank heist. He is desperate to remain honest but being infatuated with Foster gives him more temptation than he can handle.Lacking in any real passion, this ends up being just another one of the many heist films and one of Rooney's more unmemorable B films after his long reign at MGM. He may have continued to work regularly, but other than a few great supporting parts here and there was shoved mainly in crap to continue to get a paycheck.Supporting actors show more life here than Rooney does, his acting mainly tepid until the finale. For most of the film, its mostly talk, talk, talk and little action. The location footage is pretty good and the over a photography is excellent. But there really is little action and absolutely no spark between Rooney and Foster. Mainly for the most loyal of the Mick's cult following or lovers of crime drama. The noir aspect of it is obviously subtle which indicates that it will be questioned in the list of films in that genre.
kapelusznik18 ***SPOILERS*** In one of his best adult roles Mickey Rooney is car mechanic and race car driver Eddie "Shorty" Shannon who gets caught up in a bank robbery not for money but for love in him impressing gun moll Barbara Mathews, Dianne Foster. It was Barbara who made a play for Eddie in getting him involved, as a wheel man, in a bank robbery that her boyfriend greasy Steve Norris, Kevin McCarthy, and his pal Harold Baker, Jack Kelly, were planning to pull off.Not at all interested in his take of $15,000.00 in the robbery but only wanting to impress Barbara Eddie against his better judgment went along with the plan only to end up getting stiffed by her in dropping him like a hot potato and planning to check out to France with her greasy boyfriend Norris. Eddie for his part heart broken as he was still carried a torch for the double-dealing Barbara and after he escaped being murdered by Baker in order to keep him from talking to the police went back, bloodies and battered after his escape, to the beach house where Norris & Barbara were and that's where the real action in the movie began.***SPOILERS*** A tour de force by Mickey Rooney who's acting in the film was so both tragic as well as touching that it should have easily earned him an Academy Award. Mickey playing against type and a lonely and shy , with girls, young man compared in real life where he romanced the most beautiful women, Lana Turner Norma Sherer Ava Gardner & Marilyn Monroe, in Hollywood Mickey made you forget who he was in the role, as a love starved schnook, that he so convincingly played.
Spikeopath Drive a Crooked Road is directed by Richard Quine who also co-adapts the screenplay with Blake Edwards from a story by James Benson Nablo. It stars Mickey Rooney, Dianne Foster, Kevin McCarthy and Jack Kelly. Music is by Ross DiMaggio and cinematography by Charles Lawton Jr.Car mechanic and race car driver Eddie Shannon (Rooney) is surprised when beautiful Barbara Mathews (Foster) shows interest in him. Normally the butt of jokes at work and uncomfortable around women, Eddie falls for Barbara's charms big time. Is it too good to be true? You bet it is...Frustrating! Neatly performed by the principal performers and featuring classic noir characters, yet it's a picture not being all that it can be.The pace is borderline laborious as characterisations are formed and film's central plot device unravels for the first two thirds of the piece. That the acting is so strong keeps us interested, Rooney, in a performance he was very fond of, tugs the heart strings with a beautifully understated performance as the dupe falling into a world that is alien to him. Foster as the femme fatale is sexy and sultry and utterly convincing in the way she lures Eddie into the web. That web is being spun by McCarthy's suave and sly Steve Norris, who backed up by the witty and edgy William McIntyre (Kelly), has plans afoot to break more than just the Palm Springs Bank.It's very good characterisations, undeniably, but visually the film is flat. Oh the L.A. locations used are nice to look at, but the all round sunny days feel to the surroundings never sits comfortably with the human dynamics. Then there is the problem of the "big pay off" for the last third. All things are in place for some excitement but the makers fail to deliver, the action sequences are brief and only adequately constructed. While although the closing scene carries enough of a sting to lift the production out of the mundane, this is just watchable fare without being essential for the film noir enthusiast. 6/10