Hellen I like the storyline of this show,it attract me so much

Solemplex To me, this movie is perfection.

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

p-stepien Kim Ki-Duk is a bit of a celebrity down here in Poland, especially in the art circles. This position was a bit hurt by his immense failure of a movie "Time", but memories of past glory persist. "Dream" was therefore awaited with clenched fists and some drool pouring from the mouths of critics."Dream" tells a story of two people - a man and a woman - whose lives become intertwined by a weird twist of fate. Apparently when they both sleep the man dreams, whilst the women ends up sleepwalking and executing the dream. When this reality folds they unwillingly start connecting their lives together - they attempt various schemes to solve the issue - with more or less limited results. Will they be able to stop the dreams? Will the dreams connect them eternally or destroy them? The movie itself fails to make any such impression asthe director's glorious predecessors, but thankfully it is watchable, if extremely flawed. To a large part the movie is even enjoyable, thanks to it's slightly slapsticky humour focused on methods of trying not to fall asleep. In the meantime issues of love, solitude, connection are hardly dealt with or are subtly touched. That is until the final third, when the movie increasingly and unsuccessfully goes into "Old Boy" territory plus some cheesy Korean love flick. The romance doesn't work and isn't believable, while the grand finale instead of being somber and melancholic ends up being laughable and... cheesy.Definitely not the corn on the cob any fan of Kim Ki Duk was expecting. But I least several times I had a good honest laugh (as intended hopefully by the director, although I wasn't always sure). The problem remains however the impossibility to turn a blind eye on the slightly ridiculous last 30 minutes, even more so due to the fact that it was so out of focus from the less serious start to it.And not even the beautiful cinematography can help with this movie playing out like a Brazilian soap with a supernatural twist to it...

otto-erik The Chinese philosopher Chuang-Tzu dreamed he was a butterfly and when he woke up he thought maybe he now was a man in a butterfly's dream. I think you can see the whole film as a dream and as such it is just perfect. In the real world it's of course impossible for a Japanese to be understood in Corea, speaking his own tongue -it's not like e.g. a Swedish actor in a Norwegian or Danish film- but in a dream it's even natural. Also, the "comical", bloody stay-awake-scenes should be seen as dream-scenes; I guess in real life you would drink a lot of coffee instead of stabbing yourself! So, my recommendation is: give the film a second chance and look upon it as a dream.

Onderhond Dream (or Bi-mong, as is the Korean title) is already Ki-duk's 15th film. It's also the 15th Ki-duk film I watched so obviously you can consider me a fan. Ki-duk is a director who's known to stay pretty close to what he does best, so even though the differences between Dream and his earlier films might not seem stellar, they do present a big deviation for Ki-duk standards. Yet in the end, Dream is still 100% Ki-duk and couldn't have been made by any other.Central to Dream is the casting of Jo Odagiri, Japanese acting talent who's often considered to be Tadanobu Asano's professional twin (and rightfully so). Odagiri is known for his interesting choices in film and his foreign appeal. Even their looks seem to match from time to time. Odagiri plays a large part in Ki-duk's latest and marks Ki-duk's first big deviation. It's the first time a foreign film star takes the center stage in one of his films.Probably even bolder is the fact that Odagiri is allowed to speak Japanese throughout the whole of the film. There is no language barrier for the characters, which is a pretty rare choice to make. Even though it is never specified whether Odagiri plays a Japanese or Korean character, the way Japanese and Korean are mixed is very unnatural. Still, after a few minutes of getting used to it only works in favor of the film as Odagiri can focus on acting rather than struggle with a foreign language.Ki-duk's second departure from his signature style is the amount of dialog featured in the film. Not exactly the first time he allows his characters to communicate verbally (cfr Time - Shi Gan), but it still feels very un-Ki-duk-like. On the other hand, it fits the film well and Ki-duk does a much better job of handling the dialog than he did with Time. And even though there might be more dialog to Ki-duk standards, there are still pretty long stretches were characters do little more than grunt and act, especially near the end of the film.Apart from these two deviations, all crucial Ki-duk elements are still very much in place. There are the strong key performances, very troubled and somewhat enigmatic characters, a touch of magic and at the end there is hope, tragic as the events might have been. And in between all that there is enough confusion and symbolism to keep people who like to puzzle more than satisfied.Visually Ki-duk is aiming for a more outspoken visual style here. He's not completely succeeding but the key scenes are all well directed and from time to time there is some stellar imagery to admire. Still, there is room for improvement as some scenes still feel a bit bland compared to the others. Much better is the soundtrack, which is every bit as mystical as it is special. Though a little overdone in the dream segments, the singing near the end of the film really gives the film some extra chills and cuts right through the bone. No idea which language was used for the songs, but it fit the film wonderfully.Apart from the strong leads, the big plus of Dream is it's exceptional concept. Rather than spoil it here - it is much nicer to find it out for yourself - I'll say that it is every bit as magical as Bin-Jip's finale. Ki-duk eases the viewer into the story and goes full out in the last half hour, turning the film around again to be all you'd expect from a Ki-duk film. Characters are hurting, reality is often as flaky as dreams can be and tragedy lies just around the corner.The scene in the field near the river marks a shift to Ki-duk's usual trickery and from there on the film is elevated to a higher level. Odagiri is as strong as ever, his female companion acts on an equal level and the both of them really bring Ki-duk's Dream to life. If you get past the excessive dialog (for a Ki-duk film at least) and accept the quirky (but smart) mix of Korean and Japanese, Dream's another Ki-duk film rivaling the best of his previous work.Since Bin-Jip, only Shi Gan was a small disappointment. Apart from that one, Ki-duk seems to be on a roll with a string of near-masterpieces almost uncontested by any other director. That said, I think Ki-duk is still missing that final touch to make his films into true full-fledged masterpieces. Some more attention to the visual side and a little more attention to the integration of the soundtrack, but it seems he's getting there, slowly but surely. Odagiri's presence was a smart move, so was the strong and exceptional idea behind the film. One of Ki-duk's best, no doubt. 4.5*/5.0*

Bahadir Coskun I watched this movie at the festival of ''Film Ekimi'' in Istanbul.I got excited when I learned that Kim-Ki Duk's film would be shown in the festival,I guessed we were going to watch a nice movie and at the end of the film I was not mistaken.Film's subject is shortly;A man dream she caused a car crash, then discovers a real hit-and-run accident. The driver is arrested by police as the prime suspect, though she claims she was not responsible.The film is very impressive and has got a shocking scenario.Kim-Ki Duk handled human relationships successfully and he edited very well.I hope many people will watch this movie..